As the night continues, Michael, suited in his newly created armored suit and outlaw persona, sits in his vehicle with the police scanner on. Radio is quiet with hardly any activity happening, so he exits his vehicle and starts scanning the area around him for any criminal activity. The streets seem to be very quiet on this night, but perhaps too quiet.
Clint Gallows: Michael.
The Outlaw: Go ahead.
Clint Gallows: I did some research on this Sasha Klevenshka guy. It's no wonder he and Roman are business partners. He runs a human trafficking ring in Slovakia, but that's not all. This guy, he is the founder of a very large organization of harvesting. They kidnap rich to lower class people and sell them to be tortured, murdered and then their organs are harvested. He's a real sick fuck and he, like Roman, is one of the most feared men not just in Slovakia but all of Europe. He has contacts all over the globe that bid and purchase the victims. Some serious, sick shit, man.
The Outlaw notices two unmarked white vans drive by the garage building he is posted in and make a right turn.
Clint Gallows: Speaking of, there's some activity taking place near the docks. Looks like another deal."
Clint then sends The Outlaw as he sends him the coordinates. Roaring down the streets of Crystal City, The Outlaw arrives at the location and keeps a low profile to prevent being spotted.
The Outlaw: Too many guards out here. I'm going to have to do this as quick and quietly as I can. Take out as many as I can. Coms off.
The Outlaw proceeds to the docks and uses the crates and trailers for cover and leverage as he begins to eliminate guards and grunts one by one, using silent takedowns and quiet maneuvers. Once he has dealt with that, he moves closer to where the deal is taking place and tosses a small audio device at a nearby crate to listen in on the conversation. A convoy of black SUVs pull up and out steps Roman with his mercenaries along with Hitman and upon seeing him, The Outlaw can feel the rage and anger beginning to overwhelm him.
The Outlaw: It's him. He's here.
The Outlaw remembers he turned the radio off. Moving quickly, but quietly, The Outlaw walks up and dispatches another guard then tosses a flashbang that goes off and he begins to shoot and kill multiple targets while using hand-to-hand skills when Hitman attacks. The two trade blows until The Outlaw appears to get the upper hand when a tranquilizer dart is fired into his neck. Taking it out, The Outlaw at first doesn't seem to be fazed by it until his vision becomes blurry and he passes out, with the last thing he sees is Roman approaching him. What feels like an eternity, Michael wakes up in a darkened room and blinks a few times to adjust his eyes to the room. Not aware of where he is, but is aware he is sitting, he tries to stand up yet cannot and that's when he feels his hands tied behind him and realizes he's restrained to a chair. Suddenly, all the lights cut on in the room that causes Michael to cringe a bit from the brightness and gives his eyes a moment to adjust.
Sasha Klevenshka: Good. He's awake.
Michael looks up to see a man in a suit standing before him. A man who looks to be in his late 60s or early 70s. Sasha Klevenshka. "Shit." Michael thinks. "I'm in Slovakia." but as he thinks this, Sasha reminds him he is still in Crystal City as if he was reading Michael's thoughts. Roman enters the room in his white suit and Michael becomes enraged and tries to lunge at him, but the ropes prevent him from doing so.
Roman Galloway: So feisty. Like a rabid dog.
Roman laughs then sucker punches Michael in the face and as he looks back, Roman delivers another hard blow. Spitting blood onto the ground, Michael glares at him still enraged.
Michael Monroe: Has anyone ever told you that you hit like a bitch?
Now it's Michael's turn to laugh as this only angers Roman to the point he begins lay into him, throwing repeated hard blows to where Michael's face is a bloodied crimson face.
Sasha Klevenshka: Enough. Tell me, how did you know about the deal?
Michael spits in his face and curses him.
Sasha Klevenshka: Very well.
Robert comes into the room.
Sasha Klevenshka: Maybe he will get you to talk.
Sasha and Roman leave the room for Robert to torture Michael. Distant screams can be heard as the door is opened then closed. Robert goes to the table containing various tools and picks up a power drill. He approaches Michael, who doesn't show any sign of fear or intimidation.
Michael Monroe: Do your worst.
Michael glares at him with so much hate and rage as Robert drills into his chest, but Michael refuses to cave in, so Robert goes back to the table and uses other tools to torture Michael with, but he still refuses to say anything. Bloodied, bruised and spitting up blood, Robert begins to get frustrated as nothing appears to be working and that's when Michael starts to laugh.
Robert Kessler: You think this is funny?
He then takes his gun out and points it at him, but Michael then presses his forehead against the gun, challenging Robert to pull the trigger.
Michael Monroe: Yeah, I do. You think torturing me will give you what you want? You already killed what was left of me when you murdered my brother. Now, now, all you did was create a monster that you can't put down. You can beat me, stab me, shoot me, torture me, whatever. It won't change anything. There is more out there, waiting. They just needed that little push, that little bit of motivation and I've given them that. Soon, all of you will be powerless and nobody will fear you anymore.
Spitting more blood out and laughing, Robert becomes irritated and prepares to shoot him when the lights go out.
Robert Kessler: Damn it.
Robert leaves the room and begins yelling at the guards to find the source of the blackout while Michael manages to break free from his restraints but remains sitting there. With Roman and Sasha gone, Robert orders two guards to watch Michael and goes down the hall to see what is happening. Unaware that Michael has freed himself from the ropes, he glares at the two guards when one of them grabs a tool to finish him until Michael kicks him hard in the leg, breaking it then stands up from the chair and hurls it at the other guard. Using a power saw, Michael kills one of them by sawing into his neck then kills the second guard by ramming a knife straight into his throat that pins him to the wall. Having been brutalized from the torture, Michael leaves the room and begins walking down the hall, finding all the rooms occupied by either dead or barely alive victims from being tortured and murdered. Michael makes the discovery that this factory is used as a torture chamber and he stumbles into a room to find a woman bound to a chair and when he goes to check her, her head leans back to reveal her throat has been slit so deep, she was nearly decapitated. Hearing two guards coming down the hall speaking in their native language, Michael arms himself with a machete on the table and as the two guards walk past the room, he comes out to sneak up behind them and kills one of them by slamming the machete into the back of his skull with so much force that when he goes to yank it out, the blade snaps off. Michael and the other guard engage in hand-to-hand combat, but Michael easily overpowers and applies a chokehold on the guard then breaks his neck, killing him. Taking the gun and the extra clips, Michael makes a break for an escape, but as he finds an exit a gunshot rings out as a guard is thrown to the ground by a masked person that beats him down viciously and as Clint joins him.
Clint Gallows: Michael!
The man in a black and blue suit and Clint run over to him as Michael struggles to maintain his balance, but they both help him up.
Masked man: We need to get him back to the center.
The masked man removes his mask to reveal himself to be Roy.
Michael Monroe: Roy?
But before he can say anything, Michael passes out from the exhaustion and blood loss.