Chereads / A Certain Artist In Marvel / Chapter 26 - Chapter 25 - Impact In Society

Chapter 26 - Chapter 25 - Impact In Society

"God! God! Isn't this exactly what's happening in the United States right now?" Edward exclaimed, thoroughly engrossed in the comics' plots. He deeply resonated with the author's intentions, seeing layers beyond the surface that others might miss.

Compared to Bobby and John's casual reading, Edward, an experienced comic critic, and Charles, with his vast life experience, perceived a clear direction in the narratives.

Edward began typing furiously, sharing his insights on Twitter, where fans were already buzzing with excitement. He posted:

[The second issue of "Youth Jump" has far exceeded my expectations. Let's break down the messages in these stories one by one.]

He continued, explaining how the first manga challenged traditional heroism, redefining what it meant to be a hero and critiquing typical superhero tropes. The second story, "Attack on Titan," set up a world filled with suspense, where the origins of the giants and the city's wall were mysterious and intriguing.

In "Tokyo Ghoul," the third story, Kaneki Ken's struggle was not just about survival but about the moral dilemma of "to eat or not to eat." This narrative tapped into deep feelings of empathy and compassion among readers, making them sympathize with a protagonist caught between his humanity and ghoul nature.

Edward further noted that the comics explored the concept of "otherness," questioning what it means to be truly human or alien. He linked these ideas to broader societal issues, hinting at parallels with real-world discrimination and alienation.

As Edward's analysis unfolded, his Twitter feed exploded with reactions. Fans debated his interpretations:

"What? I didn't see any of that! What is Edward talking about?"

"Aliens? Is he serious? I'm not blind!"

"How did Edward get so much from 'Tokyo Ghoul'? The start is awesome, though."

"Man, 'Attack on Titan' is way cooler than 'Tokyo Ghoul'. Cannibalism in comics? Yikes!"

"Why are so many people up this early? I haven't even bought the issue yet."

"Edward makes a lot of sense. If you don't get it, maybe you need to read it again."

The debate raged on, with some agreeing with Edward's insights and others dismissing them as over-analysis. Edward knew he had struck a chord when his tweets climbed into Twitter's top ten trending topics. He decided to expand on his thoughts, posting a longer thread:

[Perhaps no one realizes the full meaning of 'aliens' that I mentioned. As we all know, fantasy often reflects reality, and comics are no exception.]

[Just yesterday at the New York Carnival, the Green Goblin—a notorious supervillain—unleashed chaos. To us, he's an alien, just like Spider-Man, who appeared to stop him.]

[This mirrors the comics' depiction of civilians, trapped and helpless, relying on others for protection. In 'Attack on Titan', only the military corps can resist the giants. In reality, we rely on heroes like Spider-Man.]

[In 'Tokyo Ghoul', Kaneki Ken, a half-human, half-ghoul, struggles with his need to consume human flesh to survive. This is a metaphor for the real-world dilemmas faced by mutants—beings who are human yet different, misunderstood, and feared.]

[Mutants are a diverse group, much like the varied 'aliens' in these stories. The comics suggest that in our chaotic world, humans and mutants must find a way to coexist peacefully.]

As Edward hit "send," there was an eerie silence. Had he gone too far, drawing parallels between fictional worlds and reality?

His doubts were short-lived. Soon, comments flooded in:

"Whoa, this is giving me chills."

"Is he serious? It makes so much sense!"

"I'm lost. What does this mean for the comics' message?"

"Is the author commenting on real-life issues? Like, the Mutant Registration Act?"

"Edward, are you sure about this?"

"The Spider-Man analogy is wild but strangely fitting."

Fans were both intrigued and confused, grappling with the implications of Edward's insights. Some praised the comics for their depth, while others questioned the critic's interpretations.

As the discussion heated up, Edward noticed a new tweet from Xu Mo, the creator of the comics, stating:

"Books I've read for twelve years can't compare to your analysis."

This statement caused a frenzy. It seemed to validate Edward's theories, sparking even more debate. Comments ranged from excitement to skepticism, with some accusing the comic's creator of making a political statement.

The conversation around mutants, heroism, and societal reflection became a major topic, causing Twitter to slow under the weight of the discussion. Edward had ignited a significant cultural debate, proving that these seemingly simple stories had much more to say about our world than anyone had initially thought.