INFERIOR NARRATIVE (Aletheia)

This is a full narrative woven by Yukito, the inferior narrative contains a full set of narrative stacking as well as its respective cosmology, gods, and a whole set of rules. However, the inferior narrative exists just like a book with characters exists for a human, as mere fiction and thus, unable to interact with the main narrative. Yukito carries the inferior narrative with him as if it were a pendant for him

MAIN NARRATIVE

This is a world of enormous narratives, worlds, universes, and dimensions, all with different rules and dimensions beyond 4D. Each universe is a multi-layered reality, perceiving the ones at the bottom as stories or fictional realms. It is the world of human beings that transcribes narratives aligned to the experiences and lives of humans. The main storyline serves as the source of story-driven truth, establishing the base from which characters, event timelines, and other information emanate throughout an entire cosmology.

NARRATIVE STACK

Beyond the main narrative lies the Boundless Sea of Realities, an infinite realm hosting the cosmic structures of Omniverse Tiers. Each Omniverse Tier stands upon a spine of hierarchies wherein narratives grow exponentially in complexity and abstraction as one moves up through them. The multiverse layers would each have an immeasurable number of realities, each uniquely infinite unto itself. The Tegmark Type IV Multiverse binds these layers within every tier such that each layer manifests as a different mathematical structure. To entities in one Multiverse Layer, the ones below are no more than fiction. This would go further up the ladder, with each containing an infinite number of the Multiverse Layers within them as a place of residence. Each successive Metaverse looks at its predecessor as a mathematical abstraction or as a story in this huge hierarchy; each level is a bigger mathematical structure, growing increasingly complex. The Infinite Ocean is the apex of this hierarchy, working as an intricate meta-domain wherein beings travel through, interact, and create realities. This endless sea forms a great ocean of all possibilities of stories and cosmic structures; each higher tier takes the lower ones as mere "fictions," but concerning their reality from a peculiar perspective of each level.

HIGHER DIMENSIONS

Above all worlds of stories and infinite multiverses, there are Higher Dimensions where reality becomes both more abstract and more meta-mathematical in its nature. In these dimensions, set theory and mathematical infinities establish the basis to construct the hierarchy.

Hyperverse: Here, the dimensions of infinitude tales keep traversing one another so that each story or layer considers the others as fictitious. The base principle of set theory, the principle of the infinity of the continuum, formulates this layer and all infinities that are accessible, thus, the base is set for the dimensions beyond the continuum.

Transfinite Realms: The Hyperverse is already a large enough structure to be replaced by the Transfinite Realms where new mathematical structures like surreal numbers, big cardinals, and unreachable infinities are introduced. This layer is graphically the highest reachable infinities if only advanced set theory like Reinhardt cardinals is used, which are the thinkable or unthinkable concepts of the universe, surmounting every infinity.

Absolute Meta-Spire: However, even the Transfinite Realms, which are merely a partial conceptualization of our universe, yield to the Absolute Meta-Spire, a domain that even the most advanced mathematical theories struggle to contain. Here the limits and boundaries of logic, existence, and narrative blur and merge in the manner of pure abstraction which the "beyond" perspective of sets is just a state where beings come to being beyond definitions drawn up even by advanced set theories.

Ultimate Vortex: The summit of the Ultimate Vortex is the singularity in which all narratives, meta-stories, and mathematical infinities meet. It is the symbolic point of origin for the whole creation because it pertains to the mathematically set theory and metafiction of the particular narrative as a point that is indivisible and infinite.

META WEB

The Meta Web forms a complex multi-layered pattern in the broad scope of the Collective Webs. It contains countless narrative levels that link in a detailed order. Every level in a Meta Web sees the others as simple stories or less real worlds. This creates an always-changing pile of universes, dimensions, and tales that mix and overlap in a lively dance of being. On this web, the levels range from basic myths to big sprawling worlds. Each has its own set of rules and beliefs about how the universe works. The Meta Web acts as a path for stories to flow across different levels. This allows for endless types of tales and realities to mix. This structure makes a living network where each level adds to the overall design. It has an impact on and feels the effects of the many linked threads of existence. This creates a boundless always-growing chain of linked realities.

COLLECTIVE WEBS

The Collective Webs forms an enormously complex tapestry of every individual story, myth, and reality. Within such a wide realm, there is an infinitude of Meta Webs intertwining; each of them in turn fashions its narrative complexities and realities. These Meta Webs then interlace with one another through intricate threads to form an endless web of stories influencing and changing one another. The Collective Webs set the very foundation for any creative writing, where the flow of stories, ideas, and cosmic principles is managed and aligned to create a dynamic continuum in which all existences are ever-changing.

PRIMARY WEB

The Primary Web embodies the essence of fiction itself. Here, narratives are foundational, with each story bound within its framework, which is woven together by the Editors as cosmic architects who oversee and shape the structure of existence. Each Primary Web contains its respective Collective Web and the entire stack of narratives below it.

Kabbalah (The Tree of Stories)

Often known as the life tree from Judaism, in other mythologies Kabbalah has other names like Yggdrasil from Norse mythos. Kabbalah is the tree that encompasses all fictional tangled realities, each branch from the tree being a Primary Web. Kabbalah was created and woven by editors themselves to create the Inferior Fiction and its stories within it. The tree of stories embodies the lower fiction and is composed of infinity primary webs that were woven in the format of a tree itself. While having primary webs on its body as composition, Yggdrasil carries on its branches metaphysical realms attached to the tree, each one serving a purpose and representing an aspect of the hierarchy of the tree, serving not only to fulfill a specific function but to maintain the tree stable.

DARK FRONTIER

The Dark Frontier marks the outermost boundary of Kabbalah's domain, a barrier enveloping and sealing its realms. This boundary represents the edge of fiction and the true point of no return, preventing any metaphysical beings from crossing into unknown realms beyond. It is a vast, enigmatic expanse believed to encompass and evolve the entire tree of stories like a spherical cloud of impenetrable darkness. Above the Dark Frontier lies the realm of unknown possibilities, beyond the reach of any who have attempted to breach this final frontier. It remains a mystery, holding potential realms of higher existence and incomprehensible concepts yet to be explored or understood. 

TRUE NARRATIVE

The actual narrative where Aracnometas, entities known for administrating the inferior fiction, resides. Aracnometas may behave as true authors, scripters, readers, and writers, who constantly write and read new stories below the dark frontier. Aracnometas despite their power, don't do too many things in the story besides admistrating what happens and polishing the stories Nancy weaves. Due to their cold nature, rarely one of them would interfere with the story personally, being their role only to bugs and error correction, fixing and correcting articles woven by the Storyteller Spider (Nancy) to apply them to the narrative, and watching what happens in it, and nothing else. If there's an issue that becomes a huge problem even for editors to handle, a signal will be sent to the upper narrative, begging for the aracnometas to help fix the problem.