Muttering under my breath: if I say here that I grew up reading their books, will I get beaten up?
Anyway, if you think the old tricks are old... that's because... maybe I haven't read them (or maybe I forgot?), I don't know if the tricks are stale or not.
About the protagonist's handling of murder aftermath, originally I wanted to write a dark perfect crime.
After all, as we all know, the best way to hide a body is to hide it amongst a mountain of bodies.
Kill a crowd and there's nowhere to start the investigation.
But... man writes, heaven watches.
Writing like that... will get chilled (404 crazy warning).
You can't promote perfect crime.
Doesn't the neighbor Conan always find the murderer?
Without a doubt.
So, there's this kind of processing.
This book is actually two threads, the real world and the Inside World, a sort of mutant infinity genre.
I think that only this style of writing can carry my brainstorms.
