The day of the most expensive cosmic evening has come. An
expensive red dress arrives in Emily's room. Dior's
house. He looks at it and smiles. He prepares to go down
to the spa. Jack's room on the other hand, on the other
hand, hasn't yet reached his expensive tuxedo and shoes.
He's sitting at his computer and working. Soon the door
of his room is knocking. It's the tuxedo.
Hotel employee:
Good afternoon, Mr. Rowland. Your tuxedo and shoes have
arrived. I have them here for you.
Jack Rowland:
Very nice. Thank you. Leave them there.
He shows the bed.
He lights up his pipe again. After smoking a little, he
leaves the pipe in the office. He goes and looks at the
tuxedo while trying out the shoes. It's all perfect. He
leaves it all and goes to take a bath and get ready for
the evening. Taking a bath he suddenly hears a jar
breaking. He comes out of the shower grabbing his gun and
sees in the room the broken jar below. He's barefoot. It
does not take any other steps. But he sees the balcony
door open and assumes that the wind will blew and throw
it. He goes back again while releasing his gun.
After she finished with her spa, the manager said to go
to the hotel's hairdresser's salon, to prepare a nice
hairstyle, suitable for the occasion. After she's done
and from this she climbs into her room. There he begins
to be painted and dressed. She puts on her crimson dress
and wears a silver necklace. She naturally wears her
crimson gloves. Jack, on the other hand, has already put
on his tuxedo, his shoes, and calls Emily.
Jack Rowland:
I'm ready and I'm waiting for you Emily. I'm still in my
room. Are you ready? Should I go downstairs?
Emily Dickinson:
Yes, I'm ready too. I go down and see you.
They hang up the phone, they both go downstairs.
Jack Rowland:
You are the most beautiful woman on earth. I wish my
compliment to be equal to the value of the dress we will
see tonight.
Emily Dickinson:
Be well Jack. Thank you. But you too are wonderful with
your tuxedo.
They board the car. That's what Jack says.
Jack Rowland:
You know Emily, it won't be possible to go all the way by
car to Villa Carlota. In order not to be understood, we
have to board a Chris Craft.
Emily Dickinson:
But that's what I've been thinking since Jack morning. So
what are we going to do?
Jack Rowland:
We will go to the opposite side of Villa Carlota and get
one from there.
They leave and head to the opposite side.
They park and get out of the car in a secluded corner.
Jack catches Emily for a while and tells her she needs to
be careful. He tells her to stay in the car until he
finds a solution for the Chris Craft. He agrees. Jack
heads to the edge of the lake when he suddenly sees an
empty Chris Craft. He calls Emily to go near him. He goes
fast. He goes fast. They both anxiously board it. Jack
starts the engine. They quickly leave in the opposite
direction. With huge headlights across the street,
shipowner Andrea Rosildi , prepares to welcome his guests
while fireworks burst into the sky. Chris Craft and
seaplanes come one after the other to Rosildi's house.
Soon they arrived with the chris craft at their
destination.
Jack Rowland:
Truly. It's all OK it's wonderful here.
They reach the garden of the Villa and climb the stairs.
After a while. Jack Rowland to his servant Rosildi.
Servant:
Have a nice evening. I hope you enjoy this momentous
evening. The invitation please...
Jack Rowland:
Be well. Thanks. Here you are.
Servant:
Spend.
They pass inside the remodeled villa and stand a few
meters further there. The time is 12:30. The evening with
the dress will begin in 30 minutes. At 1:00 in the
morning.
Servant:
Set your drinks.
Jack and Emily:
Thanks.
They drink their drinks and drink again, when suddenly on
hearing the music Jack suggests to Emily that they dance.
She accepts. Dance. After dancing, Jack leaves Emily for
a while and heads to the other venues. Suddenly in a room
a few meters away, his shoe stumbles and falls on
something. Then he sees the same chest as that of
Abietto. He is speechless. He bends over and opens the
trunk. Inside he finds some old drawings of historic
buildings and two miniatures. One of a historic building,
duomo, and the other of an expensive Ferrari. His mind
then goes directly to the Abietto case and the Rosildi
shipowner. . Then an employee of the villa sees Rowland
crouched over the open trunk and starts shouting.
Immediately Jack closes his mouth and puts him in the
room, they are beaten, again and again, and finally he is
immobilized by Jack. She closes his mouth with a
handkerchief and ties him up. He exits the room and locks
the door. He heads quickly, without anyone seeing him, to
the ballroom.
The servants shout the people to go out to the big
courtyard of the villa. Shipowner Andrea Rosildi arrives,
with his helicopter. To welcome him. The helicopter has arrived. All the headlights fall on him. All the people
applaud him. He is accompanied by his wife. On the third
step he also starts applauding. His wife also applauds.
After climbing all the stairs they reach the entrance of
the villa. They stop and make a toast. Rosildi he makes
a wish for his wife. He raises the glass and says.
Andrea Rosildi:
To my wife! Always be faithful and desirable to me!
He kisses her on the mouth. While everyone here is
throwing roses at them. After wishing and thanking the
guests they all stand outside. Shipowner Rosildi and his
wife sit in the "presidential" seats, while the world
stands to their left and right. The big clock begins
counting on the wall in reverse, for the big moment in
the dress. Rosildi starts talking about today's evening.
Andrea Rosildi:
My dear guests. I would first of all like to thank you
for your very precise presence on this very expensive
evening of mine. Then I would like to thank you for your
patience. I know that time is money. And that money is
reflected in the gems. Therefore I will not delay any
longer. The evening is dedicated to the most expensive
dress with precious stones of all time. The evening
already lasted 30 minutes, without my presence. However,
since this moment is extremely burdened based on the
value of the dress, I would like to inform you that the
presentation of this will last 5 minutes. After 5 minutes
the lights will turn off and you will be able to leave
and return back to your homes. Thank you very much for
your patience. Please, let the presentation begin.
This is where the lights go out and the music starts to
play. It's Christoph with Oh! Mon amour! All the lights
are turned on on the model. This begins and walks slowly
and rhythmically when listening to the song. In his left
hand he holds a rose. He stops while making a turn. She
starts pacing while slowly descending the stairs of the
villa. On the landing, he touches the handrail for a
while, while standing for a while again. He leaves it as
soon as he goes down the stairs again. The song ends and
the model has descended all the stairs. The crowd has
descended all the stairs. The crowds touch the handrail
for a while, while standing again.
He leaves it as soon as the stairs go down again. The
song ends and the model has descended all the stairs. The
crowd has descended all the stairs. The crowd has come
down all the stairs. The world has come down the stairs
for a while. standing left and right on the stairs out in
the garden, around the model. The model begins and heads
towards the lake. Here the headlights have turned on
again. The model goes up to the more expensive Chris
Craft and leaves quickly. The headlights stay open. While
people start and leave as they came. Jack and Emily look.
Impressed they also leave the villa. We see here their
Chris Craft already on the opposite side. They go down
and board lamborghini quickly. They leave their hotel.
Thinking, Rowland studies the evidence he found
yesterday, along with the rest. They are the same! A name
surrounds his mind. But what could he have to do with
the case? He searches his computer for the name Andrea
Rosildi. Apart from the issues of his work, he cannot
find anything else, except for a company selling -
renting mansion buildings, a large sale and purchase of a
heavily neoclassical historic building in his name, some
cars and contacts "partnerships" with political figures.
His weakness for the old buildings is partly obvious, but
it is not enough to establish a charge against him. There
is no evidence. He is looking to find, therefore, in the
data of the company selling - renting mansions of
Rosildi, all the buildings with which his company has a
relationship. Many of them are villas and gardens, in
Lake Maggiore, lake Como, Milan and more generally Italy.
Two of the cases of villas make an impression on him. One
is Villa Melji, in Lake Como. It is made by napoleon's
vice president. And the other is Villa Monastero, Lake
Como. The original building was a Cisterian monastery for
women. It was abolished by Charles Boromeo in the 16th
century, when he heard cunning stories about the nuns
there. He then thought out loud:
Jack Rowland:
There is nothing left but to visit them.
Jack and Emily find themselves in the romantic, panoramic
Castello Di Vezio. After sitting and seeing the scenery,
they descend on foot and head to the small churches of
Varena. They visit Villa Monastero there, so that Jack
can get information and information. They do not take
long to arrive, when near the terrace with the palm trees
they see the guard who for years guarded the building. It
doesn't take long for them to get close to him.
Jack Rowland:
Good afternoon.
Abbess:
Good evening.
Jack Rowland:
We are travelers from afar and we decided to visit the
villa.
Abbess:
You did very well. How can I serve you?
Jack Rowland:
Do you have anything worthwhile to tell us about this
villa and its history? Something expensive?
Abbess:
I have to tell you that the building was a Cisterian
monastery for women and was founded in 1208. As you
understand it is a very old monastery.
Jack Rowland:
Yes, we understand.
Abbess:
In the 16th century Charles Boromeo abolished it because
cunning stories were heard about the nuns.
Emily Dickinson:
Yes. Could we also visit it inside?
Abbess:
Yes, of course. Go.
After they entered the interior of the monastery and
looked well, they said each one separately to search each
place. Emily looked at the murals and pictures, as well
as each room separately. Jack, on the other hand, and
after he did almost the same, said to enter the altar.
There he found under the Holy Cross, which was left and
dusty in a corner, a book and a very old and dusty icon.
He took hold of the icon, it was the image of Jesus
Christ. He took her, turned her over and suddenly a piece
of paper fell from inside her. He looked at it well. With
writing in old Hebrew he wrote a place, a date and had a
very impressive cross painted on it. Not of today's era.
The date was of the 18th century. He took it with him,
put it in his pocket, without anyone seeing him. He came
out of the altar and called Emily.
Jack Rowland:
I don't think we can stay here any longer. We have to
leave. It's getting dark in a while.
Emily Dickinson:
You're right. Let's go.
They leave the villa and return by car to the hotel.
There after dining together in the restaurant, everyone
goes to his rooms.
Jack Rowland:
Have a nice evening Emily. Thank you for what you have
done for me today. I hope you enjoyed dinner.
Emily Dickinson:
The dinner was excellent. As for today's getaway, it was
all you had to. I was numb, I saw beautiful places and
enjoyed it like nothing else. Have a nice evening Jack.
Jack bends over and kisses her while leaving her in her
room. He goes to his own. He walks in, leaves his gun in
the office, takes off his jacket, while he takes out of
his pocket the piece of paper he found from the Villa and
sits at the desk with his computer. With his computer
now, he tries to analyze what the paper writes in old
Hebrew. Useless. The translation is not done. Then he
decides to take it tomorrow to a translator of old texts,
who is known of the area nearby.
Jack alone this time, after leaving the hotel very early
in the morning, takes the paper to the translator to
translate it.
Jack Rowland:
Good morning. I would like you to help me in something
very personal for me.
Translator:
Good morning. What could I help you with?
Jack Rowland:
You know, it will take confidentiality on your part,
since as I told you it is something very personal.
Translator:
Yes, I understand. You will have it. Tell me.
Jack Rowland:
Can you translate this paper here?
Translator:
Oh! But from what I see here this piece of paper is very
old. It also has a priceless painting on top! Cross! To
see better...
He takes the magnifying glass and sees the paper better
in the light.
Translator:
Yes... from what I can read here it says Cross Pontius
Pilate. Duomo Cathedral, Italy. date: 17/04/1734.
Jack Rowland:
Really? Could you read it? Thank you very much. He's just
saying this, huh?
Translator:
Yes, without a doubt, that is what I was able to read.
Jack Rowland:
Be well. Could I have the paper back? But let me leave
you now. How much do you want?
Translator:
Set the piece of paper. It does nothing. You didn't bring
me any books to translate it. Haha have a nice day.
Jack comes out of the shop when two passers-by passerby
overtake him. He heads to his car. He goes back to the
hotel. The translator after a while does not waste time
and calls the shipowner Andrea Rosildi. He tells him
about the paper and the mysterious guy in the car. Three
days before the end of the trip and Jack must expedite
the investigations around the case.
On the same day Jack and Emily are out at Circolo Villa
D'Este for a walk, until after a while they decide to
play golf together.
Jack Rowland:
It's your turn Emily to drop the ball. Don't forget that
there are 17 holes left out of 18...
Emily Dickinson:
Your turn to lose Jack. I haven't told you that I'm a
great golfer. Haha
After the walk and playing golf, Jack and Emily move away
from the villa and take a walk to Lake Como with Chris
Craft. Together they take a short cruise to the lake and
see the places. They continue the day while sipping
cappuccino at the Rossi café, across the street from the
port.
The next afternoon. Jack and Emily are outside brera's
gallery, and they came to see the works.
Emily Dickinson:
Brera Gallery. A very special story. It was founded by
Napoleon. He had the tactic of closing churches and
taking the works to galleries and academies.
Jack Rowland:
Very impressive and special. Heavy-handed I would say.
Jack and Emily, after seeing all the works well, stood
and looked with great interest at Mantegna - The Dead
Christ.
Jack Rowland:
Emily here says: Creator Mantegna. The dead Christ. It
was created around 1500.
Jack and Emily are in Castello Shorgesco and take a walk
when suddenly a bullet passes by Jack and is pinned to
the wall. Emily makes a cry. Jack immediately bends over,
when he gets up, he looks forward to the place where the
bullet has left and sees a guy. She runs to catch up with
him while holding his gun. He runs while the guy walks
into a fortress of the castle. Jack comes in. That's
where Jack loses track of himself. He turns to Emily,
picks her up and they leave quickly for the hotel.
Emily Dickinson:
Jack, I was very scared! You're okay, aren't you?
Jack Rowland:
I'm fine, don't worry. Fortunately, the bullet passed by
scratch. Misfortune! I didn't catch up with the guy.
Emily Dickinson:
Don't worry Jack. We be well. In three days you know our
journey and the data ends...
Jack Rowland:
I know Emily. If we don't make it in the three days, we
may have to stay a little longer if it doesn't bother
you. Otherwise you leave alone and I live here...
Emily Dickinson:
Don't worry Jack. We will definitely make it these days.
Jack Rowland:
And that's what I believe.
Emily Dickinson:
See you tomorrow. To let you rest. Have a nice evening.
Jack Rowland:
Have a nice evening Emily.
Jack and Emily must return to Milan. After paying at the
front desk, they get their IDs and leave. They get into the car and move away quickly. Afternoon to evening and
have arrived back to their hotel in Milan. Emily rests in
her room, and Jack is out alone.