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Slasher

PATHØGEN

ENG: (PATHOGEN) - JP: (病原体) - CHI: (病原) - KOR: (병원체) Cal was born with a Pathogenic dad, and a human mother, making him half-human and half-pathogen. Pathogens spread their infection when killed and will infect people who get their skin exposed to it or it gets inside the body. Pathogens can change their bone and flesh to create guns and other weapons, and Pathogens look human, with no difference physically, with their only weakness being that they cannot answer any type of riddle or questions correctly. More experienced Pathogens can however fool humans easier. Each Pathogen has a unique ability that is only theirs. Pathogens are known to kill and eat each other and they heal slowly by keeping calm. If they are not calm, the wounds will not heal. The government defends people from the Pathogens, with the full moon being a time when the creatures uncontrollably attack in large hordes. Pathogens look different from their human forms and are highly affected by blades, especially if the blade is covered in a certain powder that melts them. The government uses people to fight, also adding different things in the suits to explode or light on fire when the person inside is infected, as to prevent more Pathogens being created. The lower the power of the Pathogen, the lower their IQ is and the lower their power/ability strength is. The weapons they can create are based on ones they have seen or what they can think of. Pathogens are NOT human and can infect humans, turning them into Pathogens, the infection then uses their human form to walk around and blend in. Each Pathogen is better at using different weapons. Shooters are good with guns and usually have armor all over their monster form. Slashers use claws and swords to fight, they seem to have high amounts of energy. Assassins make daggers/throwing weapons and have high agility and speed. Shadows use silent weapons and are good at dodging attacks. Switchers use all types of weapons but gain no physical buff like defense or agility.
_Sunk_ · 54.3K Views

The Women in Black by Susan Hill

Sections The 50 Best Horror Novels of All Time By Steve Foxe and Paste Staff | August 30, 2018 | 10:11am BOOKS LISTS HORROR Share Tweet Pin Text The 50 Best Horror Novels of All Time Horror is a peculiar genre. If it’s meant purely to scare, then some of the heftier books on this list would have wracked up a body count, terrifying readers to death over 700 pages or more. And what is scary? What might shock one reader is laughable to another. Ghosts, serial killers, great heaving monsters, the loss of self-control, plagues, impossible physics and a creepy clown all figure into our countdown, with entries spanning from the 1800s to the last few years. One (obvious) author makes five(!) appearances, and easily could have qualified for a few more; another has written just one novel during his decades-long career. We narrowed our focus to prose novels, so please don’t ask after The Books of Blood or Uzumaki. And while we kept an eye on the diversity of our featured authors, the inclusion of women, authors of color and queer creators came naturally as we gathered the best of the best. We’re prepared for you to question our choices, we ask only that you leave the chainsaw at home before doing so. Without further ado, we present our choices for the best horror novels of all time. Screen Shot 2015-10-26 at 4.07.05 PM.png 50. The Summer Is Ended and We Are Not Yet Saved by Joey Comeau (2014) summer-ended.jpg Joey Comeau’s first horror outing, One Bloody Thing After Another, is perhaps creepier and more unsettling than this summer-camp slasher. But The Summer Is Ended and We Are Not Yet Saved gets the nod for importing the genre from film into prose while layering in subtle, smart commentary on our thirst for teen blood. Eleven-year-old Martin is used to entrails—his mother does special-effect makeup for horror movies—but would like to keep his inside of his body. A maniac employed at his bible camp has other intentions. The title of Comeau’s previous novel would have worked here just as well: the gory killings are one bloody thing after the other, stacking up as a reminder that we’ve created a prolific genre around watching kids get murdered in inventive ways. —Steve Foxe Screen Shot 2015-10-26 at 4.07.05 PM.png 49. The Woman in Black by Susan Hill (1983) WomaninBlack.jpg One of the biggest tonal outliers on this list, Susan Hill’s The Woman in Black is crafted like a traditional gothic novel, and could likely fool readers into thinking that Hill is a few hundred years older than she truly is. Published in 1983, The Woman in Black is best known today for inspiring one of the longest-running plays in London’s West End (and a Daniel Radcliffe movie). Structured in the classic British form of a story told around a fireplace, Hill’s short ‘80s anachronism chills thanks to its ominous titular figure, who stalks a house on the foggy moors and foretells the death of children. The Woman in Black may not feel like a quintessentially ‘80s horror novel, but it’s an excellent reminder that, even at the peak of its copycat boom period, the genre refused to be pigeonholed. —Steve Foxe
O_z_z_i_07 · 2.3K Views
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