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Who Wrote The Dark Knight

THE KNIGHT WHO STOLE ME

THE KNIGHT WHO STOLE ME A Darkly Romantic Tale of Obsession, Forbidden Longing, and a Love That Won’t Be Ignored --- "I was supposed to hate him. Then he stole me." Sarah Jane, a quiet 17-year-old with a heart too tender for her own good, never asked for the attention of Andrew Knight—the ruthless, coldly beautiful CEO of AK Corporation. She certainly never expected to be dragged into his world, forced to live under his roof, or subjected to his unnerving gaze that seems to strip her soul bare. But Andrew Knight doesn’t ask. He takes. After a chance encounter awakens a long-buried obsession, Andrew whisks Sarah away to his gilded mansion, claiming her as his own. Yet this is no fairy tale—this is a war. He replaces her old things with expensive replicas—identical, but better. He watches her sleep, tucking her in with hands that could crush empires. He memorizes her sighs, counts her blushes, and hates how much he craves her fear. And Sarah? She should resist. But the deeper she falls into his world, the harder it becomes to deny the truth: Andrew Knight didn’t just steal her freedom. He stole the broken pieces of her heart—and refuses to give them back. --- WHY IT WORKS: “HE NOTICED HER FOUR YEARS AGO.” (Flashbacks reveal Andrew has been watching since her school speech. That photo in his drawer? Just the beginning.) “SHE LEFT HER DOOR UNLOCKED ON PURPOSE.” (And he knows it. The midnight temple kiss? Neither of them will admit it happened.) “THE COCKROACH SCENE.” (A bug makes him yank her into his chest. His heartbeat? Faster than hers.) “SAM, THE ULTIMATE CHAOS GREMLIN.” (“Andrew, if you keep glaring at her, she’ll think you hate her.” Andrew: “Good.” —Lies. Lies everywhere.) “THE ‘ONLY YOU’ WHISPER IN THE MAYBACH.” (His car. His rules. Her in the passenger seat. No one else.) --- TROPES YOU’LL DEVOUR: "Touch Her and You Die" Energy Forced Proximity (One mansion. Two stubborn hearts.) "Who Hurt You?" Backstories Slow Burn (So slow it burns the house down) Possessive AF CEO (“Look at me, Sarah. Only me.”) --- FINAL HOOK: "He was supposed to be her prison. Instead, he became her addiction." --- READ IF YOU DARE: You love morally grey men who loathe their own weakness. You live for heroines who are soft but never weak. You need a slow burn that hurts so good. --- WARNING: This story contains: Unresolved sexual tension (So much glaring.) A CEO who doesn’t know how to relax (But tries for her.) Sam. (Just… Sam.) --- THE KNIGHT WHO STOLE ME (Because love isn’t given. It’s claimed.)
Sharadox_5371 · 22.1K Views

The dark cradle

--- The Dark Cradle Some stories are born in silence… and raised in shadows. Tagline: Not every cradle rocks the innocent. They smiled once—before the laughter turned into screams. They trusted once—before love became a transaction. They lived once—before their names were replaced with labels like victim, monster, or ghost. The Dark Cradle is not a sanctuary. It is a graveyard of innocence and a nursery for nightmares. This collection of short stories unearths what the world tries to bury: the grinning faces of cruelty, the blood-stained roots of betrayal, and the quiet children forced to carry horrors behind silent lips. Here, monsters aren’t always strangers—they’re classmates, lovers, mothers, fathers, even friends. These tales don’t ask for sympathy. They dare you to look away. Pain is dressed in perfume. Trauma wears a school uniform. And sometimes, the most beautiful souls are the most broken. These are not bedtime stories. These are confessions from the forgotten, memories from the condemned, and lullabies no one should ever sing. This isn’t where nightmares begin— This is where they’re raised. --- The beginning of cruelty, disguised as fun. A world full of predators, where bullying is sport, theft is normal, and rape is a joke behind closed doors. Laughter echoes louder than screams, and silence costs more than money. Betrayal cuts deeper than blades. Trust is currency and love is bait. The characters begin to understand that being kind is dangerous, and being naïve is fatal. A camera hidden. A drink laced. A “friend” smiling. Nothing is safe, not even affection. When victims fall in love with their abusers, the line between comfort and control vanishes. The wealthy have their own playgrounds, and their toys are breathing. Beneath the lights of a club and the glow of pills, lives are bought and sold—and some children never get the chance to grow old. The ones who watched and did nothing now beg for forgiveness. But some apologies come too late. And some victims don’t want justice—they want the world to burn like they did. Families rot behind their pretty windows. Parents trade their kids for reputation. children who once begged to be seen now wishes they were invisible. A name erased. A soul conditioned into silence. Even hope has rules in this place. And kindness? That’s the first thing they break. A home should be safe, but some walls whisper. Some cradles rock themselves. And some legacies are written not in love—but in blood, fire, and screams. this is a world were fantasy and friction join together this is reality --- arc one arc two arc three arc four arc five More to come… The cradle is wide. And the darkness isn’t done. ---
Black_3812 · 1.1K Views

Turning: Those who shine in the dark

"She was never meant to be seen. He was never meant to exist." In the quiet town of Gloria, Aidan lives in hiding—his blood potent, his identity dangerous. Bound by a secret past and the weight of a curse, he crafts potions for survival and watches over his younger twin, Adeena. When an invitation arrives for a royal ball in the capital, Aidan makes a choice that will haunt him: he lets her go. Dressed in borrowed silk and escorted by a paid chaperone, Adeena enters a world of chandeliers, masks, and veiled intentions. Aidan stays behind... at first. But when his uncle warns him of a shadow moving within the palace—one that knows what he is—Aidan infiltrates the event, unseen, cloaked in secrecy. The ball ends in fire. The girl vanishes. Aidan’s blood can heal—but not rewind time.Adeena smiled as the violins swelled. Draped in sapphire blue, her hair pinned with borrowed pearls, she looked older than her years—almost noble. No one in that ballroom knew she’d come from a forgotten village. No one knew her chaperone was paid. No one suspected the boy who sent her here was watching from above. Aidan stood among the shadows of the chandelier beams, breath held tight, gaze fixed only on her. He was never meant to be seen—not here, where his father’s face might be recognized in his own. Eldric gave the signal. Everything’s fine. But it wasn’t. A woman in red silk approached Adeena. She smiled too much. She moved too slowly. And when she touched Adeena’s hand—just a brush—Aidan flinched. That’s not Dahlia, he thought. And it’s not Mary. The chandeliers exploded. The glass rained like cursed snow. By the time Aidan reached the ballroom floor, Adeena was gone. Turning is a gothic fantasy of stolen identities, cursed bloodlines, and a brother’s descent into a world that was never meant to remember him. For readers of Heaven Official’s Blessing, Who Made Me a Princess, and The Abandoned Empress.
LYdiaWine_House · 9.5K Views
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