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Morality Of Fan

LOVE IN THE SPOTLIGHT: " SHIPPED TO A FAMOUS ACTOR IAM NOT A FAN OF "

In "Love in the Spotlight," Jiho, a rising actress known for her bright and cheerful demeanor, finds her life taking an unexpected turn when she is paired with Jinwoo, the famous actor she once idolized. Years ago, Jiho was a devoted fan of Jinwoo, but a mysterious incident soured her admiration, leading her to vow to avoid him at all costs. Now, as she steps into the limelight herself, Jiho faces the challenge of professionalism when a lucrative advertisement deal pairs her with the very actor she has tried to forget. Determined to maintain her composure, Jiho reluctantly agrees to work with Jinwoo, despite the inner turmoil that simmers beneath the surface. As they begin their collaboration, their undeniable chemistry shines through in the advertisement photos, capturing the attention of fans and the media, who eagerly ship them as a couple. This unexpected public reaction forces their management team to leverage the situation, pushing Jiho and Jinwoo into various shows and events that further fuel speculation about a romantic connection between them. Meanwhile, Jinwoo is left perplexed by Jiho's apparent animosity. Unaware of the reasons behind her disdain, he becomes determined to uncover the truth and change her perception of him. As they navigate the chaotic world of fame, their interactions are filled with heartfelt moments and humorous misunderstandings, ultimately leading both Jiho and Jinwoo to confront their pasts. Through their journey, they explore the possibility of a deeper bond, discovering that love can blossom even in the most unexpected circumstances.
asha_dayah · 1.9K Views

The genealogy of morals

On the Genealogy of Morality: A Polemic (Genealogy of Morals) is an 1887 book by German philosopher Friedrich Nietzsche. It consists of a preface and three interrelated essays that expand and follow through on concepts Nietzsche sketched out in Beyond Good and Evil (1886). The three trace episodes in the evolution of moral concepts with a view to confronting "moral prejudices", specifically those of Christianity and Judaism. Some Nietzsche scholars consider Genealogy to be a work of sustained brilliance and power as well as his masterpiece. Since its publication, it has influenced many authors and philosophers. In the "First Treatise", Nietzsche demonstrates that the two opposite pairs "good/evil" and "good/bad" have very different origins, and that the word "good" itself came to represent two opposed meanings. In the "good/bad" distinction, "good" is synonymous with nobility and everything which is powerful and life-asserting; in the "good/evil" distinction, which Nietzsche calls "slave morality", the meaning of "good" is made the antithesis of the original aristocratic "good", which itself is re-labelled "evil". This inversion of values develops out of the resentment of the powerful by the weak. In the "Second Treatise" Nietzsche advances his thesis that the origin of the institution of punishment is in a straightforward (pre-moral) creditor/debtor relationship. Man relies on the apparatus of forgetfulness in order not to become bogged down in the past. This forgetfulness is, according to Nietzsche, an active "faculty of repression", not mere inertia or absentmindedness. Man needs to develop an active faculty to work in opposition to this, so promises necessary for exercising control over the future can be made: this is memory. Nietzsche's purpose in the "Third Treatise" is "to bring to light, not what ideal has done, but simply what it means; what it indicates; what lies hidden behind it, beneath it, in it; of what it is the provisional, indistinct expression, overlaid with question marks and misunderstandings" (§23). As Nietzsche tells us in the Preface, the Third Treatise is a commentary on the aphorism prefixed to it. Textual studies have shown that this aphorism consists of §1 of the Treatise (not the epigraph to the Treatise, which is a quotation from Nietzsche's Thus Spoke Zarathustra). This opening aphorism confronts us with the multiplicity of meanings that the ascetic ideal has for different groups: (a) artists, (b) philosophers, (c) women, (d) physiological casualties, (e) priests, and (f) saints. The ascetic ideal, we may thus surmise, means very little in itself, other than as a compensation for humanity's need to have some goal or other. As Nietzsche puts it, man "will rather will nothingness than not will".
Davidplays_5397 · 6.5K Views

I can use my morality points to allocate stats

"I emphasize again, this is not called freeloading, this is called serendipity!" Lin Mo declared. —————— A thousand years ago, a game called "After the Primordial Chaos" descended into reality, and the planet Di Yuan entered the Great Cultivation Era. In this world of cultivation where geniuses are as common as dogs and protagonists blessed by fate are everywhere, Lin Mo, an ordinary high school student preparing for the Immortal Examination, had neither background nor influence. He couldn't even outcompete others in studying. So, between raising fish and fishing, he chose the wooden fish. Between morality and immorality, he chose merit. From then on, by tapping the wooden fish, he gained merit and blessings, enjoying a laid-back life. Is your cultivation level too low before the Immortal Examination? [You've invested merit points into your cultivation technique, upgrading to Qi Condensation 9th layer.] Are spells too difficult to practice? [You've invested merit points into spell techniques, mastering the Heavenly Thunder Incantation.] Is your Dao technique too ordinary? [You've invested merit points into a broken deity statue, restoring its golden body, and obtaining the divine ability "Samadhi True Fire."] ... Lin Mo stretched lazily, gazing at the ruins of the old Celestial Court in the ninth heaven. The Heavenly Dao has shattered, and all the gods and Buddhas have perished? No matter, let me flex my fingers and rebuild the glory of the Celestial Court!
Daoistf8toLs · 4.2K Views
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