Didactic

Synopsis The Needle in this fiction embodies Martial Law. The skull mangled exemplifies the Filipino people specifically human rights victims from all persuasions – enforced Desaparecidos to combatants, students to academicians, civilians to soldiers, peasants to landlords, laymen to religious, ordinary taxpayers to oligarchs, voters to politicians, officials to professionals, – all victims of militarization offered as sacrificial lambs in the altar of Dictatorship. The crucifix and holy rosary, guns, and bullets symbolize the protagonists – heroes and villains - and the causes and institutions they represent. The red roses, a love affair that blooms and blossoms among the main characters. The timeline was September 21, 1972, covering fourteen long years of dictatorship when Martial Law was declared until February 24, 1986, during the restoration of democracy ushered in by People’s Power at Epifanio de Los Santos or EDSA. Post EDSA events from Fidel V. Ramos to Benigno “Noynoy” Aquino III or PNoy to Duterte’s presidency and Ferdinand “Bongbong” Marcos Jr. are briefly treated in an Epilogue. The choice of fiction was deliberate because of its timelessness and very important lesson drawn from that historic event–the restoration of democracy no less by President Cory Aquino. Whether it succeeded or not thereafter doesn’t matter. Filipinos are that unpredictable. Their memory is way too short and the hardest to please. But what is important is we have thrown away the tyrant, award-winning Investigate Journalist Shiela Coronel emphasized restoring fourteen long-lost hostage democracy in 1986. Add to that is the consequent didactic message to all Filipinos especially the Post Martial Law babies: “Beware and never again Martial Law!” In format, the author uses four of Irving Wallace's criteria in writing fiction from his “The Writing of One Novel” with some innovation on grounding characters using flashbacks and other tools characterizing bestsellers like Dan Brown, Grisham highlighting the author’s premium on the relevance of the said historical event and its political ramifications surrounding the subject throughout the story. First, no loose ends in the plot. This one is a tough act to follow. The subplot should be tied together as much as possible to the end. Second, narrative excitement rings the bell for readers. Third, is the use of research to disabuse and mitigate elements of violence and sex. Treating this work as social commentary on different implacable social issues of the day was deliberately utilized by the writer given his Philosophy, Theology, and Sociology background. Note that pictorials used in the work unless indicated in the caption are meant to highlight the theme of each respective chapter. Lastly, the most unlikely ending squeezing creative juices of the imaginative mind. Breaking the rules of writing known to man is also a challenge here. Ergo, treating the subject as fiction against the social commentary backdrop to make the narrative captivating journey instead just plain Martial Law account which is surely dry and monotonous story. How these criteria are treated and addressed by the writer especially the first, third, and fourth is left to readers and critics. Copy editing of the first draft has been done by the author using Grammarly, relevant creative writing tips culled from the internet from the likes of Ernest Hemingway, Jeff Goins, Catherine Reid, Cynthia Jones-Shoeman, Joe Bunting of NaNoWriMo, Billy Wilder, and Pruelpo, an FB friend and OFW dabbling as free-lance writer and guru. The third is actual editing from Ricardo S. Maulion Jr., my son, doing the proofreading. I have yet to accept any copy editors to do the favor for me packaging this project into a cohesive whole work. Ricardo F. Maulion For book order: Email ad: ricardomauliond1205@gmail.com

The Tales of a Modern Demon. Join Eshu as he explores the 9 sins, and the world. He will change a lot and bring to your attention things previously unseen. Wait and behold wonderous and calamitous events with our MC at the centre of things. Herald the Demon, Harbinger of Truth. This didactic tale serves as a microcosm of something, that something will be decided by your thoughts.

Prophecy holds that he will overthrow tyranny and bring peace to the Spire, but first he has to earn a name. Faced with imminent death due to an incurable disease REDACTED has his consciousness uploaded into an afterlife game called Havenspire, run by an all-powerful AI known as the Didact. Expecting to emerge into sun-kissed meadows, surrounded by flittering sprites and scantily clad maidens, the unnamed is instead delivered into the hands of vicious slavers and sent to die a second death in the blood pits. As the sword blow falls, the unnamed is thrown a lifeline, a single ward rune through which he survives certain death and begins a new life as a fledgling sorcerer. Rogue Mancer is a LitRPG fantasy adventure rooted in epic fantasy and showcasing classic game mechanics, level progress, skill acquisition and enhancement, guilds, PVP fighting, quests, and boss fights. Set in an afterlife simulator governed by a deranged AI, the book follows a young man’s desperate struggle to survive and prosper in a brutal fantasy world as he gathers companions, gains rank, and discovers an innate gift with bloodmancy that may just give him the edge he needs to succeed. First though, he needs to earn a name.

Harry and Leo have been a couple since high school. Both of them are very close and even live in the same apartment, but the only problem is that they don't speak properly. This gets them into big trouble, especially when Leo hides from Harry the fact that he has a strange supernatural gift. [I do not allow my work to be used or adapted in any way without my permission. This story is originally mine, with the date of the first publication on September thirteenth, two thousand and eighteen (09/13/18) under the name ''LA CHICA DEL FENIX'' currently VERMISST with the support of Law 11,723 of the Regime Law of Intellectual Property of the Chamber of the Senate and Chamber of Deputies of the Argentine Nation; ''Article 1. - For this Law, scientific, literary and artistic works include writings of all nature and length, including all scientific production, [...] literary, artistic or didactic whatever the reproduction procedure. Copyright protection shall encompass the expression of ideas, procedures, methods of operation and mathematical concepts but not those ideas, procedures, methods and concepts itself. (Article replaced by art. 1 of Law No. 25,036 B.O. 11/11/1998) Article 2. - The right of ownership of a scientific, literary or artistic work, includes for its author the power to dispose of it, publish it, execute it, represent it, expose it in public, sell it, translate it, adapt it or authorize its translation and to reproduce it in any form. '' ]

Mahabharata, (Sanskrit: “Great Epic of the Bharata Dynasty”) one of the two Sanskrit epic poems of ancient India (the other being the Ramayana). The Mahabharata is an important source of information on the development of Hinduism between 400 BCE and 200 CE and is regarded by Hindus as both a text about dharma (Hindu moral law) and a history (itihasa, literally “that’s what happened”). Appearing in its present form about 400 CE, the Mahabharata consists of a mass of mythological and didactic material arranged around a central heroic narrative that tells of the struggle for sovereignty between two groups of cousins, the Kauravas (sons of Dhritarashtra, the descendant of Kuru) and the Pandavas (sons of Pandu). The poem is made up of almost 100,000 couplets—about seven times the length of the Iliad and the Odyssey combined—divided into 18 parvans, or sections, plus a supplement titled Harivamsha (“Genealogy of the God Hari”; i.e., of Vishnu). Although it is unlikely that any single person wrote the poem, its authorship is traditionally ascribed to the sage Vyasa, who appears in the work as the grandfather of the Kauravas and the Pandavas. The date and even the historical occurrence of the war that is the central event of the Mahabharata are much debated. The story begins when the blindness of Dhritarashtra, the elder of two princes, causes him to be passed over in favour of his brother Pandu as king on their father’s death. A curse prevents Pandu from fathering children, however, and his wife Kunti asks the gods to father children in Pandu’s name. As a result, the god Dharma fathers Yudhishtira, the Wind fathers Bhima, Indra fathers Arjuna, and the Ashvins (twins) father Nakula and Sahadeva (also twins; born to Pandu’s second wife, Madri). The enmity and jealousy that develops between the cousins forces the Pandavas to leave the kingdom when their father dies. During their exile the five jointly marry Draupadi (who is born out of a sacrificial fire and whom Arjuna wins by shooting an arrow through a row of targets) and meet their cousin Krishna, who remains their friend and companion thereafter. Although the Pandavas return to the kingdom, they are again exiled to the forest, this time for 12 years, when Yudhishthira loses everything in a game of dice with Duryodhana, the eldest of the Kauravas. The feud culminates in a series of great battles on the field of Kurukshetra (north of Delhi, in Haryana state). All the Kauravas are annihilated, and, on the victorious side, only the five Pandava brothers and Krishna survive. Krishna dies when a hunter, who mistakes him for a deer, shoots him in his one vulnerable spot—his foot—and the five brothers, along with Draupadi and a dog who joins them (Dharma, Yudhisththira’s father, in disguise), set out for Indra’s heaven. One by one they fall on the way, and Yudhisthira alone reaches the gate of heaven. After further tests of his faithfulness and constancy, he is finally reunited with his brothers and Draupadi, as well as with his enemies, the Kauravas, to enjoy perpetual bliss. The central plot constitutes little more than one fifth of the total work. The remainder of the poem addresses a wide range of myths and legends, including the romance of Damayanti and her husband Nala (who gambles away his kingdom just as Yudhishthira gambles away his) and the legend of Savitri, whose devotion to her dead husband persuades Yama, the god of death, to restore him to life. The poem also contains descriptions of places of pilgrimages. I'm not it's original creator i just want more people to read it across the world.