Download Chereads APP
Chereads App StoreGoogle Play
Chereads

Split Time

Four Split Personalities

Battling an unusual form of personality dissociation, Motan admits to feeling the weight of immense pressure bearing down on him. Amidst this turmoil, he finds solace in a virtual escape called "The Realm of Innocence," a game that has become his sanctuary from stress. In the realm where ambiguity reigns, Motan's behavior is unpredictable and impetuous, making him the instigator and mastermind behind myriad events that spiral out of control. Yet, within the sphere of virtue, his resilience and courage shine through, earning him the admiration of many who see him as the epitome of a righteous knight and a fair judge. When dwelling in the balance of absolute neutrality, he adopts a demeanor of modesty and lethargy, mirroring the ordinary essence of every soul. Conversely, in the domain of chaotic evil, he transforms into a figure of madness and cruelty, embodying the very essence of a demon and deceiver, showing kindness only to himself. "Tan Mo is the most extraordinary Bard I have ever encountered, though he is... perplexing, to say the least," comments Countess Leisha, reflecting on his complex nature. "Mor is a man of distinguished integrity! Having met him just once, I am convinced that he is someone one can confidently turn their back to," declares Gwen, the leader of the Rose Rot, acknowledging his noble character. "If you're in search of the ideal neighbor, look no further than Hei Fan," recommends Alchemist Luna, suggesting his suitability for companionship. Yet, amidst these varied testimonies, a warning resonates, "Don't talk about that man!" indicating a mysterious, perhaps darker aspect of his persona that remains unexplored.
Micro-leaf Paulownia · 346.7K Views

Splinters of Time

In the coastal town of **Sarween**, where the waves of the sea collide with the curse of suspended time, a legend unfolds about a man imprisoned in an endless loop of guilt and oblivion. Adham, the writer who turned his heart into a ledger of lies and ghosts, battles the demons of his memory through **stone towers** that rise from the belly of the sea like divine punishment. Here, where events are born from the womb of pain, **Yara** transforms from a lost daughter into a cosmic enigma: a child who vanishes on a crimson night, only to return as mathematical ciphers that pierce the fabric of reality. Her letters are not cries for help, but calls from parallel worlds mocking humanity’s attempts to grasp time. The **twenty towers**, numbered with the blood of victims, are not mere stone—they are open books bleeding with the wounds of a past rewriting itself. Each tower is a mirror reflecting Adham’s fractured selves: a terrified child, a guilty youth, a weary old man. The **scar above the heart** is but a fiery seal reminding him that the truth is a beast fiercer than any fiction. In this world, time is a poisoned loop: the sea spits out corpses bearing identical DNA, the **white shark** devours the dreams of the past, and shattered mirrors forge parallel universes where Yara does not die… but morphs into an idea haunting her creator. This tale is not a narrative, but a morbid dance between creator and creation. Adham, who believed writing would redeem him, discovers he authored his own prison with his hands: every sentence carved a scar, every chapter lit a candle in the darkness of his conscience. This novel is not about lost time, but about a being who builds his cage from falsified memories and battles mirrors reflecting his image as a crownless executioner. Here, in Sarween, the truth is not a victim… but a killer cloaked in martyrdom. Thus unfolds the legend of **Shards of Time**: like Narcissus gazing at his reflection in the river of memory, drinking from it until death. But here, the river is a sea that regurgitates the names of victims every night, and the mirrors do not reflect faces… they devour them.
Muntadher_Khudhur · 665 Views
Related Topics
More