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Who Was The Director Of Pulp

Hallyu Director's Chronicle

(Asian Themes) Lee Jihoon, a brilliant film director renowned for his innovative storytelling and cinematic mastery, meets an untimely demise at the height of his career. However, instead of fading into oblivion, he finds himself reborn in the year 2006, inhabiting the body of a notorious chaebol heir from the powerful Lee family—a world far removed from the film sets he once called home. With memories of the future and insider knowledge of both the film and entertainment industries, Jihoon sees this as his second chance—not only to redefine Korean cinema but to reshape the K-pop industry before it spirals into its darkest scandals. However, his new identity comes with an unexpected burden: the ruthless succession battle within the Lee family. Rather than becoming a pawn in the family’s cutthroat power struggle, Jihoon makes a bold decision—to step away from the fight for corporate control and instead pursue what he does best: filmmaking. With his wealth and influence as a chaebol heir, he sets out to revolutionize the entertainment industry, challenge the oppressive systems controlling idols, and craft a legacy that will change the course of Hallyu forever. A thrilling tale of ambition, artistry, and reinvention, Hallyu Director’s Chronicle explores the hidden struggles behind Korea’s entertainment empire, where one man’s vision, courage, and past life wisdom could change the fate of an entire industry—if he can survive long enough to see it through. [AUTHOR NOTE: This work of fiction is set in a parallel world. Any similarities between characters or events depicted herein and those in the real world—even when names coincide—are entirely coincidental. All characters, settings, and narratives are products of the author's imagination and do not reflect real persons or events. ]
the_nightleaf · 108.6K Views

Don’t Call Me Director

Don Victor, the notorious Underworld Boss, known by his alias SKULL, is a figure whose true name and face remain a mystery to all except his inner circle. To the world, SKULL is a terrifying legend whose very name sends chills down spines. No one dares to challenge him, as he has ruthlessly eliminated anyone who tried, leaving only whispers of his terror behind. Those who managed to survive did so by fading into the shadows, too afraid to even think of revenge. The fear he instills is unmatched, and his power over the underworld is absolute. Yet, behind the ruthless exterior, Don Victor has one weakness: his obsession with movies, particularly the works of his favorite director, Tames Kamron. He watches his films on repeat, each time getting lost in the emotions, the betrayals, and the action—sometimes even firing a gun when the tension peaks. His love for cinema borders on the obsessive, with his emotions swinging from tears to rage at the flick of a switch. "Boss... Director Tames Kamron is retiring." "What? No... I can't accept this. I'll kidnap him and make him make films for me!" But fate had a different plan. Bang... And just like that, the mighty underworld boss met his end. But the story doesn't end there. Don Victor opens his eyes in another world, with his life hanging by a thread. [Make a movie in one year, or your life is over.] Now, in a strange new world, Don Victor must face a new set of challenges, where the stakes are higher than ever before. Will he overcome this new challenge or will his reign as SKULL truly come to an end?
Rotewad · 3.5K Views

We Who Survived The Sky

They say, although you never really know how reliable 'they' are, that over five million people go missing every year and are never heard from again. Is that worldwide? America only? I never cared enough to pay attention, because as far as I was concerned, it had nothing to do with me. No one I know has ever disappeared, and the odds say that no one I ever know ever will. There's more people who live in New York City than that, and I've never even been to New York City, much less lived there. I don't know anyone who has. Besides. There's so many more pressing matters to think about. I never have the sort of free time I need to think that, really, I'm playing a lottery with crappy odds I didn't ask to play in. Every single person I know is another entry every year, and first prize is ending up among those people that lose someone who never reappears. Sooner or later, there's a lot of people who win the grand prize jackpot they didn't know they were competing for. At seventeen the state of Oregon doesn't think I'm ready for the cut-throat world of scratch tickets and guessing lottery numbers. Turns out there's some lotteries out there that you don't need to play to win. Some people see their numbers on the television, some people have to wrestle them back from enthusiastic shop owners, and then some people take the scenic route from the bus stop and run into a wall of light and weightlessness halfway home. I grew up in a little town in the Pacific Northwest that's never been in any movies, and I hit the jackpot at seventeen years old.
Amesaya · 41.7K Views
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