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Harry Dies In His Sleep

Cameraman Never Dies

In the greed-filled world of corporate empires and magic knights, Min Jae was a king in business, with pockets so deep he could drown in them. That is, until his life deemed his playthrough unfair and gave him a red card. Poison was his family's best friend, as everyone had at least tasted it once, not twice because they never could. Death was never on his calendar, neither was an offer for a divine gig. Enter the Deity of Stories, a celestial being with a fetish for plot twists, who offers Min Jae a deal he can't refuse: become her divine cameraman. No, not the kind with a lens, but one who records the tales of mortals. In return, he gets a second shot at life, in a world where his dearly departed parents are alive and well, ready to dote on him from birth. Reborn as Judge (because “Min Jae 2.0” sounded too dull), he quickly realizes this new life is no gift. This steampunk utopia, filled with airships, clockwork gadgets, and an alarming lack of Wi-Fi, thrives on manipulation. But who needs the internet when you have a divine camera and the sharp mind to control it all? Judge isn’t just here to record stories; he’s here to write them, casting himself as the mastermind behind every twist and turn. Armed with his divine powers, he navigates complex schemes, power-hungry nobles, and ruthless industrialists, all while keeping his ultimate goal hidden: to ascend to godhood and rewrite his own fate. Of course, he generally makes a glorious mess of things, all while trying to keep his dear parents blissfully unaware of his less-than-angelic schemes. But as the stakes rise and the Deity of Stories watches his every move, Judge must tread carefully. Can he manipulate his way to the top, or will he become just another character in someone else’s plot twist? --- Just a quick disclaimer: The book steers clear of any unwanted adult stuff. However, it does feature a potentially disturbing amount of violence—enough to make you wonder about the author's mental health. So proceed with caution—and maybe a shield!
CloudCatcher · 216.8K Views

Entrapped in his cluches

A world full of jealousy and hatred, Amelia ended up living with Delilah's parents when she was young. Why? They aren't related. Everything in this world has a reason which we are all curious to know, aren't we? What's up with Lia? Who is she what is she she is always acting suspicious, isn't she? And Axel? The people with their face covered have their hands tied to their back, there was blood on their cloth which freaks Amelia, as she was about to run Axel caught hold of her and puts her in place. Lysander walked close to Axel and gave him the gun, which he placed Amelia's hand on it and he guided her hand with his, " W...hat are you doing, pl...ease let go of me " Amelia said as she cried out, but Axel didn't care and he moved her hands to their first target and then he fired the gun, " Aaaaahhh!! " Amelia shouted has she cries out, Axel moved her hands to kill the other two and when he was done killing them, he moved away from Amelia. Amelia took the opportunity to turn and point the gun at him, Lysander was fast to remove his gun and also pointed it at Amelia, but Axel made a sign for him to stop whuch made Lysander drop his gun, " You jerk how dare you, you think killing innocent people is the way of living a life," Amelia said crying as she holds the gun tightly, " I guess it help you to know am capable of killing both you and your friend, " he said calmly and he walked towards Amelia, " You " Amelia fired the gun. But it was fired up to the sky, " Am not a bitch like you, I don't kill people," she said and Axel picked her from the ground carrying her like a rice bag, " Lysander take care of the body, " Axel said to have Lysander nod and Axel started walking with defenseless Amelia. Amelia just stayed quietly has Axel was carrying her, soon they reached the front of the woods and Axel dropped Amelia, and he walked away ........ Axel a crazy Pure blooded vampire with many both loosed in his head, Axel always have his face covered till his nose, with is white hair. Why??. Axel is a vampire that talks brutally to anyone. On the other hand meet Amelia a soft hearted and sweet girl, got into the clutches of the vampire who forced her to do anything. Who is interested to know how their love will bloom? And also aren't you curious about why does people died and who does people are and why does it have to be Amelia to kill them? Lots of questions why don't you fill your curiosity by reading the novel, you won't regret reading.
Miyana07 · 24.6K Views

To Sleep In The Sea Of Time

This is a story of a guy who loses everything, and then gets it back. Same old new world story, just a different kind of story teller. *** They took away our hunter tags. They had us grow our hair. They gave us a new brand, when we were over there. They staged us out of Dragur, East of the Olim Horn. I guess they call us Slaves, but no one calls us much anymore. There is no fun in killing. I don't want to do it anymore. Karn brought Sorrow. Pookie brought Fear. Milk brought the fly boys. They did work in Undia. I worked mostly clandestine. Some Legends I should not say. We played with better wands. I could use the extra pay. Did Mara give the order? Did venom pay the way? They said we were slaying demons, but it was kind of hard to tell. There is no fun in killing. I don't want to do it anymore. This was before HALO, and Codex was king. Hej atop the rider, he never felt a thing. When our rider caught a spell, and both the mages killed. It pitched us over sideways on some cold Sylph hill. My back felt like it was broken, my legs I could not feel. I kept on slaying demons, but it was kind of hard to tell. There is no fun in killing. I don't want to do it anymore. I never did heal up right from injuries sustained Officially in Torin, unofficially we train. I remember all their faces. They dream about me still. I guess I'm slaying demons, but it's kind of hard to tell. There no fun in killing. I don't want to do it anymore. I speak the cold logistic, that old boys speak so well. Veni, Vedi, Vici. I'll see you in Hel. Maybe it's bravado, or an unspeakable guilt. That village, they were demons, but it was kind of hard to tell. There is no fun in killing. I don't wanna to do it anymore. I've done plenty. What is one more? -Corb Lund *** Come guess me this riddle. What beats shire leaves and fiddle? What is hotter than pleasures touch, and whiter than cream? What best wets his whistle? What is clearer than crystal? What is sweeter than honey and stronger than steam? What will make the lame walk? What will make the dumb talk? What is the elixir of life and philosopher's stone? And what helped Pookie-Baba dig up a tunnel, that runs from Shalamanda to West-Torin? When you are digging a crater, It is the best thing in nature, for sinking your sorrows and raising your joys. Sometimes I wonder, if lightning and thunder, is made out of the plunder, of the reddest hiski and oils. *** If you can keep your head when all about you, are losing theirs and blaming it on you. If you can trust yourself when all men doubt you, but make allowance for their doubting too. If you can wait and not be tired by waiting, or being lied about, don’t deal in lies, or being hated, don’t give way to hating, And yet don’t look too good, nor talk too wise. If you can dream, and not make dreams your master. If you can think, and not make thoughts your aim. If you can meet with Triumph and Disaster, and treat those two impostors just the same. If you can bear to hear the truth you’ve spoken, twisted by knaves to make a trap for fools, or watch the things you gave your life to, broken, and stoop and build them up with worn-out tools. If you can make one heap of all your winnings, and risk it on one turn of pitch-and-toss and lose, and start again at your beginnings, and never breathe a word about your loss. If you can force your heart and nerve and sinew, to serve your turn long after they are gone, and so hold on when there is nothing in you; Except the Will which says to them ‘Hold on!’ If you can talk with crowds and keep your virtue, nor walk with Kings, nor lose the common touch. If neither foes nor loving friends can hurt you. If all men count with you, but none too much. If you can fill the unforgiving minute, with sixty seconds worth of distance, run. Yours is the World and everything that’s in it, and which is more you’ll be a Man, my son. - Rudyard Kipling
man_of_culture3030 · 704.7K Views

IN HIS WRITING

It is to be known, when a girl turns sixteen-: She is no more a girl! And, it is to be added, a man's greatest charm, is his rich earns and wit of standing out!! ***** ‘To, Miss Victoria Lancaster… My pen has sung, my writing has spoken… and I still remain a stranger! Or am I? My apologies for the wait, I stood by the riverside in Welsh lands, wondering why an imposter would impersonate my writings to you… Forgive me for calling him the word—I stand hurt, and hurt even more by this! From Prince Harry McVourse… with Love.' ***** Victoria Lancaster, fourth of the six Lancaster siblings, stands in the predicament of societal wants and her lone desire for love. Being introduced to society for the first time, and as the first daughter of her family to be introduced, she needs a successful first season. And a successful season for a lady means, securing a suitor and a husband! Concurrently, Harry McVourse, standing as Knight, seeks the same accomplishments as Victoria, but his situation is quite melodramatic! His mother, the third of King Charles' five wives—though each was married one after the other and divorced except for the last—seeks to have her two sons marry swiftly and bless her with a grandson. A grandson is not her will but a want from King Charles, demanded of his sons. This, indeed, is an all-queens' contest to see whose son shall deliver a grandson first. Knight, despite understanding the depth and urgency of the matter, knows that the partner must be his. An uncareful selection would lead to years of despair and pain! As of that matter, he depicts societal balls and celebrations as a confined showcase of hypocrisy and pretense. He needs see the eligible spinsters beyond societal confines, and that’s what leads him to stand as a night guard in the Lancasters' new London mansion. A coincidence? Therefore, with Victoria Lancaster being the definite spinster Knight becomes much engaged with, he gradually develops a desire for the girl. However, despite this desire, he is opposed by many admirers, especially his brother, Prince Edward McVourse, whose efforts cannot be overlooked, in addition to his half-brother, Prince William McVourse, a lad whose in future leaves Knight wrathful due to a certain impotent depiction. As a result, he delights in the idea of writing to Lady Lancaster every morning. An anonymous write! His intention being; to the least, stand out from the men in pursuit. However, without Knight’s knowledge, Victoria is slowly enjoying the curves and words in those writings. Each night, she dreads time to pass quickly, anticipating another writing to be brought to her. She becomes intrigued until she desires to know the man behind the writing. Additionally, her mother pressures her to stand firm on the choice of the man she is to choose—Lord Edward, Knight’s elder brother, who is said to possess two hundred thousand a year. The letters draw Victoria and Knight closer, but their budding connection faces significant challenges. Knight must navigate the rivalry with his brothers, particularly Edward and William, both competing for Victoria's hand, in addition to formally acquainting himself with the ladyship. Victoria, on the other hand, struggles to reconcile her growing feelings for the unknown writer with her mother's expectations and the societal norms of the time. What happens next? "In His Writing" is a novel set in the Victorian era, embracing themes of romance, mystery, and conflict, in addition to societal conflicts, identity, and desires. (DAILY UPDATES A WEEK.) I HOPE Y'ALL SHALL ENJOY. LIKE, COMMENT.
Rhoda_Andrian · 82.9K Views

Harry's a she

Set in an alternate wizarding world shaped by a matriarchal society, this story reimagines the familiar backdrop of Hogwarts and its surrounding conflicts. Power is inherited through the female line, and pureblood families fiercely guard their legacy amidst growing tensions with Muggleborns. The imbalance in the number of witches and wizards has made pureblood males valuable but objectified commodities, intensifying the social and political struggles within the magical world. At the heart of the story is Arcturus Regulus Black, the reincarnated son of Regulus Black. Carrying memories of a past life, Arcturus refuses to follow in the footsteps of Holly Potter, the female equivalent of the Boy Who Lived. Instead, his ambition is to break free from the constraints of his birthright, gaining power to rewrite his destiny in a society where he is marginalized by virtue of his gender. Arcturus is not alone in his reincarnation. Ronda Weasley, the female reincarnation of Ron, and Serena Prince, the female reincarnation of Severus Snape, navigate their own struggles as they reconcile their former lives with the constraints and expectations of this matriarchal world. The group faces questions of identity, legacy, and loyalty, balancing their memories of the past with the possibilities of the present. Their journey unfolds against a backdrop of political turmoil. Holly Potter, destined to fight Voldemort, plays the central role in a fight that echoes the original timeline but is subtly altered by the presence of the reincarnated souls. Simultaneously, the enigmatic Aurora Malfoy—Draco's older sister and another reincarnated soul—must contend with her family's legacy in this transformed world. Meanwhile, Hogwarts, led by Alba Dumbledore, becomes a battleground of ideologies. Dumbledore, though a figure of wisdom, unconsciously upholds the traditions of the matriarchy, while Gellert Grindelwald rises as a voice for men’s rights, creating an additional layer of conflict. The struggle between these ideologies mirrors the broader fight against Voldemort, adding complexity to the characters’ decisions. In a story that mixes politics, societal critique, and the power of memory, the young protagonists confront questions of whether to preserve the world they now inhabit or risk everything to reshape it. Their choices will define the fate of the wizarding world, testing the limits of friendship, power, and identity in a society where nothing is as it once was. Note, this story will NOT have R18 scenes at least for the first volume, if it then does, there will be a tag and you can pass. To summarize this world, it's a matriarchal version of the Harry Potter world while the muggle world remains the same. With all this shit, there are half a dozen reincarnated people of all age (mostly Hogwarts's students) who will make butterfly effects while trying to adapt to this world, including the MC. I decided to write this book as a study, I wanted to see what would happen if I decided to create parameters according to the book and then I would try adding variables to see the changes. The result is that the world is a matriarchy which thus led me to add parameters to explain the reason as to why it's a matriarchy and then to add seven reincarnated persons who will each add butterfly effects.
DecoupeTout · 26.7K Views
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