Download Chereads APP
Chereads App StoreGoogle Play
Chereads

Self Insert Ocarina Of Time

self-references engine

PROLOGUE: WRITING A SET OF all possible character strings. All possible books would be contained in that. Most unfortunately though, there is no guarantee whatsoever you would be able to find within it the book you were hoping for. It could be you might find a string of characters saying, “This is the book you were hoping for.” Like right here, now. But of course, that is not the book you were hoping for. I haven’t seen her since then. I think she’s most likely dead. After all, it has been hundreds of years. But then again, I also think this. Noticing her as she gazes intently into the mirror, the room in disarray; it is clear that centuries have flowed by, or some such. And she, perhaps, has finished applying her makeup, and she is getting up and is going out to look for me. Her eyes show no sign of taking in the fact that the house has been completely changed, destroyed around her. The change was gradual, continuing, and even long ago she was not very good at things like that. As far as she is concerned, that is not the sort of thing one has to pay attention to. Not that she is aware, but it seems so obvious, she doesn’t need to care about it. Have we drowned, are we about to drown, are we already finished drowning, are we not yet drowning? We are in one of those situations. Ofcourse, it could be that we will never drown. But think about it. I mean, even fish can drown. I remember her saying meanly, “If that’s the case, you must be the one from the past.” It is true of course. Everybody comes out of the past; it’s not that I’m some guy who comes from some particular past. Even when that is pointed out, though, she shows no sign of backing down. “It’s not as if I came out of some bizarro past,” she said. That’s how she and I met. Writing it down this way, it doesn’t seem like anything at all is about to happen, right? Between her and me, I mean. As if something could ever really happen. As if something continues to happen that might ever make something else happen. I am repeating myself, but I haven’t seen her since then. She promised me, with a sweet smile, that I would never see her again. For the short time we were together, we tried to talk about things that really meant something to us. Around that time there were a lot of things that were all mixed up, and it was not easy to sort out what was really real. There might be a pebble over there, and when you took your eyes off it it turned into a frog, and when you took your eyes off it again it turned into a horsefly. The horsefly that used to be a frog remembered it used to be a frog and stuck out its tongue to try to eat a fly, and then remembered it used to be a pebble and stopped and crashed to the ground. With all this going on, it’s really important to know what’s really real and what’s not. “Once upon a time, somewhere, there lived a boy and a girl.” “Once upon a time, somewhere, there lived boys and girls.” “Once upon a time, somewhere, there lived no boy and no girl.” “Once upon a time…lived.” “Lived.” “Once upon a time.” From beginning to end, we carried on this back-and-forth process. For example, in this dialogue, we were somehow finally mutually able to comeup with this kind of compromise statement: “Once upon a time, somewhere, there lived a boy and a girl. There may have been lots of boys, and there may have been lots of girls. There may have been no boys at all, and there may have been no girls at all. There may even have been no one at all. At any rate there is little chance there were equal numbers of each. That is unless there had never been anybody at all anyway.” That was our first meeting, she and I, and of course it meant we would never see each other again. I was making my way in the direction she had come from, and she was headed in the direction I had come from, and this is a somewhat important point; you must realize this walking had to be,
author_3 · 1.5K Views

Threads of Time and Steel

Threads of Time & Steel A tale about Love, Magic and Revolution By A.B. Sucrose Marina Eldheim is a brilliant inventor, a woman ahead of her time in a pre-steampunk-inspired empire divided by class and fueled by magic. With her wild curls, grease-stained overalls, and sharp mind, she's known as the Cog Queen, revolutionizing the world with her creations. But even her ingenious inventions can't shake the restless dreams of a man she's never met-yet feels she's always known. Silva Fischburn is a disciplined soldier, a man haunted by his past and bound by duty to the empire that once shunned him and his mother. Rising through the ranks despite endless sabotage, Silva's loyalty is tested when whispers of rebellion threaten to tear the empire apart. But what shakes him most is the mysterious connection he feels to Marina, the inventor tasked with outfitting the imperial forces. When shadowy figures from the slums and the nobility conspire to use magic and manipulation to destroy them, Marina and Silva find themselves drawn together by forces neither can control. As old secrets, forbidden love, and the ghosts of a life they've both forgotten begin to resurface, they must fight for their place in a world that seeks to keep them apart. With the empire on the brink of war and their enemies circling closer, Marina and Silva must decide whether to follow the paths laid before them or risk everything to uncover the truth about their past-and their future. A tale of love, ambition, and defiance, 'Threads of Time & Steel' is a thrilling pre-steampunk epic where magic meets invention and destiny collides with free will.
AB_Sucrose · 3.1K Views

Splinters of Time

In the coastal town of **Sarween**, where the waves of the sea collide with the curse of suspended time, a legend unfolds about a man imprisoned in an endless loop of guilt and oblivion. Adham, the writer who turned his heart into a ledger of lies and ghosts, battles the demons of his memory through **stone towers** that rise from the belly of the sea like divine punishment. Here, where events are born from the womb of pain, **Yara** transforms from a lost daughter into a cosmic enigma: a child who vanishes on a crimson night, only to return as mathematical ciphers that pierce the fabric of reality. Her letters are not cries for help, but calls from parallel worlds mocking humanity’s attempts to grasp time. The **twenty towers**, numbered with the blood of victims, are not mere stone—they are open books bleeding with the wounds of a past rewriting itself. Each tower is a mirror reflecting Adham’s fractured selves: a terrified child, a guilty youth, a weary old man. The **scar above the heart** is but a fiery seal reminding him that the truth is a beast fiercer than any fiction. In this world, time is a poisoned loop: the sea spits out corpses bearing identical DNA, the **white shark** devours the dreams of the past, and shattered mirrors forge parallel universes where Yara does not die… but morphs into an idea haunting her creator. This tale is not a narrative, but a morbid dance between creator and creation. Adham, who believed writing would redeem him, discovers he authored his own prison with his hands: every sentence carved a scar, every chapter lit a candle in the darkness of his conscience. This novel is not about lost time, but about a being who builds his cage from falsified memories and battles mirrors reflecting his image as a crownless executioner. Here, in Sarween, the truth is not a victim… but a killer cloaked in martyrdom. Thus unfolds the legend of **Shards of Time**: like Narcissus gazing at his reflection in the river of memory, drinking from it until death. But here, the river is a sea that regurgitates the names of victims every night, and the mirrors do not reflect faces… they devour them.
Muntadher_Khudhur · 658 Views
Related Topics
More