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Naruto Becomes Suicidal

The Fire of Madness: Seraphina and Evander's Suicidal Contract

Time: In the near future of 2035, the "emotional apathy" virus breaks out around the world, and humans gradually lose the ability to love and hate. Core conflict: The multinational technology giant "Eclipse Group" has developed an emotion simulation chip, while the underground organization "Seraphim" advocates using extreme stimulation to awaken real emotions. Madness fusion: Cyberpunk x black humor x neurotic aesthetics, using absurdity to fight nihilism. Seraphina Chen (female lead) Surface: Chief "emotional terrorist" of "Seraph", specializes in throwing crying bombs at rich people's parties/holding rock mass in AI churches Secret: Illegal genetic modification in childhood, emotional fluctuations are 100 times higher than normal people (laughing will shatter glass/causing local rainstorms when sad) Behavior madness: In order to sneak into Evander's press conference, he stuffed himself into a giant gashapon machine and rolled into the venue Kidnapped AI priests to hold a confession ceremony for the sweeping robot Evander Blackthorn (male lead) Surface: Cold-blooded CEO of Eclipse Group, who is willing to remove "emotional pollution sources" to promote emotional chips Secret: Suffering from congenital analgesia, relying on self-mutilation to confirm his presence (the inner layer of his suit is sewn with razor blades) Logical quirks: Using mathematical models to calculate the kissing angle: "37.2 degrees is the most ergonomic" Developed a "breakup probability prediction app" but could not calculate the relationship with Seraphina
1269198453 · 1.2K Views

Becoming Ellie

Nobody sees Ellie. They see Mason, this awkward, lanky kid who barely speaks. The one who hides under hoodies, head down, trying to blend into walls. They don’t see the girl trapped underneath, the one who’s been screaming into pillows and mirrors for years, begging to be real. Then comes Zoe. Bright, loud, unapologetically queer Zoe—someone who doesn’t give a damn about fitting in. She’s everything Ellie isn’t allowed to be. And in a wild, reckless moment, Ellie tells her truth: "I'm not Mason. I'm Ellie." It’s terrifying and electric—like ripping off a mask that’s melted into your skin. For the first time, someone sees her. Her best friend Jamie doesn’t flinch. Her little sister almost says, “I knew it.” And in stolen moments, Ellie starts to live—tiny rebellions like growing her hair, whispering her name to the mirror, running a secret Instagram where she can just be. Every step is a victory, but every victory has a price. Her father’s rage is a thunderstorm—loud, blinding, impossible to reason with. Her mother’s tears are quieter but sharper, like glass splinters under her skin. Teachers shrug her off; classmates whisper. Even some friends scatter. When home finally breaks her, Ellie runs. Nowhere to go, but anywhere is better than a house that feels like a prison. Coming out isn't a happy ending; it's a battle. Therapy, support groups, filling out name-change forms while strangers look at her like she’s a freak. Every small victory—being called her real name, the first hormones kicking in, a prom dress that fits—feels like a stolen breath. But it's enough. Enough to keep fighting. Because Ellie isn't just surviving. She's becoming. And that’s something no one—not her father, not her school, not the world—can take from her.
WJ_Constantine · 1.3K Views
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