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Aladdin Rajah

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CINTA YANG BERBEDA

Kisah cinta monyet seorang gadis SMA pada sang kakak kelas. keduanya berpisah karena ayah sang gadis yg merupakan seorang polisi berpindah tugas. Namun, siapa sangka, sang gadis tetap setia mencintai sang senior walau tanpa kabar. hingga suatu pagi datang sepucuk surat dari Rizky yang merupakan cinta pertama gadis itu, membuat segalanya berubah. sejak datangnya surat itu, Ruby merasa hidupnya lebih berwarna. dia menemukan kembali semangat hidupnya yang sempat redup. hingga, tiga tahun berada di luar kota, sang ayah kembali di tugaskan di tempat asal. Jelas Ruby senang. ia tidak berkata apa-apa pada Rizky saat menulis surat balasan itu. karena ia berfikir ini kejutan. namun, siapa sangka, justru ialah yg dibikin terkejut dg berita bhawa rizky sudah meninggal sejak tiga tahun silam. bersamaan dg surat pertama datang. karena rasa cintanya yg dalam, Ruby sering melakukan menggembara sukma seperti yg diajarkan Rizky. jalan2 bersama dgn meninggalkan tubuhnya di rumah. namun, itu tidak berjalan lama. sang kakak yang tahu akan hal itu melaporkan pada ortu mereka. sehingga rajahpun dipasang agar roh yang diluar tak bisa masuk, dan begitupun sebaliknya yang sudah di dalam tak bisa keluar. tapi, karna besarnya rasa cinta Ruby pada Rizki, ia rela mati, dan hidup di Kebadian bersama rizky. berfikir itu lebih baik dan akan menjadi mudah. rupanya, tidak. itu hanya ada dalam pikirannya saja. dunia hantu, lebih licik dan kejam daripada manusia. dia difitnah oleh hantu wanita yang juga tertarik sama Rizky sejak lama sekali, sehingga mengakibatkan Ruby dan Rizky diusir dari alam keabadian, Ruby melakukan reinkarnasi, sementara Rizky tetap dalam wujud hantunya.
All1110 · 86.1K Views

Aladdin And The Magic Lamp

Long time ago in China, there lived a poor boy, whose name was Aladdin. Aladdin lived with his mother. One day a rich and distinguished looking man came to their house and said to Aladdin's mother, "I am a merchant from Arabia and want your son to come with me. I will reward him handsomely." Aladdin's mother instantly agreed. Little did she know that the man pretending to be a rich merchant was in reality a magician. Next day, Aladdin having packed his belongings left with the 'merchant'. After many hours of traveling the 'merchant' stopped. Aladdin too stopped, surprised that they should stop in such a desolate spot. He looked around; there was nothing in sight for miles. The 'merchant' pulled out some colored powder from his pocket and threw in the ground. The next instant the whole place was filled with smoke. As the smoke cleared, Aladdin saw a huge opening in the ground; it was a cave. The 'merchant' turned to Aladdin and said, "I want you to go inside this cave; there will be more gold than you have ever seen; take as much as you want. You will also see an old lamp; please bring that back to me. Here, take this ring; it will help you." Aladdin was very suspicious but the decided to do as was told. He lowered himself into the cave, thinking all the while that it would be difficult to climb out without help. Aladdin entered the cave and just like the 'merchant' had said saw gold, jewelry, diamonds and other valuables. He filled his pockets. When this was done, he looked for the lamp; it was lying in the corner, full of dust and dirty. He picked it up and ran to the cave's opening and shouted to the 'merchant', "I have your lamp. Can you please pull me out?" "Give me the lamp," said the 'merchant'. Aladdin was not sure that he would be pulled out if he gave back the lamp; so he said, "First, please pull me out." Aladdin and The GenieThis angered the 'merchant'. With a loud cry, he pulled out the same colorful powder and threw it on the cave opening, sealing it with a huge boulder. Aladdin was depressed. He thought, "That was no rich merchant; he was surely a magician. I wonder why this lamp was so important to him." As he was thinking he rubbed the lamp. All of sudden a strange mist filled the room and from the mist emerged a stranger looking man. He said, "My master, I am the genie of the lamp, you have rescued me; what would your wish be?" Aladdin was scared but he said in quivering voice, "Ta.. Take me back home." And the next moment Aladdin was home hugging his mother. He told her of the magician and the lamp. Aladdin again summoned the genie. This time when the genie appeared he was not scared. He said, "Genie, I want a palace, not an old hut." Again to Aladdin and his mother's amazement in front of them was a magnificent palace. Time passed. Aladdin married the Sultan's daughter and was very happy. It so happened that the evil magician got to know of Aladdin's good fortune. He came by Aladdin's palace pretending to exchange old lamps for new. The princes, Aladdin's wife, not knowing the value of the lamp to Aladdin called out to the magician to wait. As soon as the magician saw the lamp he grabbed it from the princess' hand and rubbed it. The genie appeared, "you are my master and your wish is my command," he said to the magician. "Take Aladdin's palace to the great desert faraway from here," ordered the magician. When Aladdin came home, there was no palace and no princess. He guessed it must be the evil magician who had come to take revenge on him. All was not lost, Aladdin had a ring that the magician had given to him. Aladdin pulled out that ring, rubbed it. Another genie appeared. Aladdin said, "Take me to my princess." Soon, Aladdin was in Arabia with his princess. He found his lamp lying on a table next to the magician. Before the magician could react, Aladdin jumped for the lamp and got hold of it. As soon as he had the lamp, Aladdin rubbed it.
Ayan_Khan_0420 · 6.8K Views

Demiworld: Laum

Maharlika is an archipelago lying where the sun rises. One of its beautiful islands was named by its native ‘Abbalon’ in where Laum, a sixteen-years-old and a son of the famous Rajah Suliman, lived. Laum was also destined to lead his village when the right time comes. However, things had changed and peace was disturbed in the islands of Maharlika. It was when foreign ships anchored near the shore of one of the islands. Some Rajah and Datus welcomed their new visitors with feast but some grew suspicious to the foreigner’s true intent. One of them was Laum’s Uncle. He even declared that their heads will be speared and will be the next decoration in their village if they don’t leave his island alone. The foreigners were unhappy with his aggression and loaded their cannons to annihilate the village of Laum’s Uncle. However, Laum’s uncle upheld his name, Pula-pula (Red-red), by bathing his whole body with the blood of the foreigners. He even killed the captain of the ships. The news quickly reached on the foreigner’s homeland, The Empire of Pantala. Instead of being displeased by the death of the captain, Pantala Empire celebrated for they found a reason for them to give retribution to the natives and conquered the new lands. They sent a message to the natives of the Maharlika; Submit to the Empire or taste its retaliation. Some villages resisted but most of the leaders sought that bloodshed was unnecessary and they yielded before the Empire. One of these leaders who surrendered was Rajah Suliman, brother of Pula-pula. What’s more intriguing was the council of Rajah Suliman advised him that they should compensate for the captain’s death and present Rajah Suliman’s inheritor to the Emperor of Pantala. Things went bitter for Laum. It was decided without his consent or even he was given notice about the council’s decision, he could do nothing to change it. A week after the decision reached Laum, he got on board into a merchant ship to travel west, to meet the emperor. He came with a pixie Marikit, who was always with him and his partner. But as he reached the Port of Pantala, she was picked up by a witch just to learn that the Pantala Empire was uninterested about him and he was going instead to another kingdom, the Iron Kingdom of Ferrum. A new life awaited Laum. New friends, new things, new family, new enemies. Perhaps he will see love on the foreign land. When he lived his new life on this foreign land, ironically, Laum will discover the epic origins of his homeland, the stories behind it, the truth that only a few knows, and the biggest betrayal he is yet to see.
Orike · 112.7K Views

MIDDLE EAST MYTH

This Will be the stories and myth I have collected and I don't own the stories just a person who like a certain culture wich is a middle eastern so enjoy - Level of Magic Variable. Magic is definitely a part of Arabian Fantasy. It is a sub-genre steeped in mysticism and lore. Some authors create recognizable magic systems, while others create a magical atmosphere or a world with a mythos immersed in magic. Magic is important, and it varies from the very specific, genies granting wishes, to just a magical feeling emanating from the page. - Level of Grand Ideas/Social Implications Variable. There is plenty of variation in this sub-genre. However, many stories ponder larger questions or offer critiques on social structures. Fate and destiny are often invoked and pondered. Even allegory is sometimes used to contemplate ideas. - Level of Characterization High. Characters are so well done in Arabian Fantasy that they have become cultural icons—Aladdin, Sinbad, Ali Baba, Scheherazade. Authors draw on the rich literary history of these characters, they reinvent them, they use them as a basis for new and heroic characters, and they make readers invested in these characters. - Level of Plot Complexity High. Arabian Fantasy is multi-layered, it is rich, it is varied, it is an adventure, it is romance, and so much more. Arabian Fantasy is remarkable for its use of narrative techniques that subsequent genres and authors have adopted. Techniques like dramatic visualization and frame narratives make the story, and the plot, more complex and engaging. -Level of Violence Variable. Arabian Fantasy is not an innately violent sub-genre. Fighting and battles often dot the plotlines of an Arabian Fantasy story though, it makes for tense and action-packed stories. Indeed, violence in most of these stories is necessary to the plot. (If you're looking for something wholly new and unique. Arabian Fantasy draws on ancient cultures, religions, myths, and histories. The sub-genre has a rich history that authors are influenced by, that inform new stories, that build the story's setting/world, that shape new and old characters alike. So even in modern Arabian Fantasy stories, the historical and the traditional are woven into more than just the setting. This doesn't mean authors are simply rehashing old stories, but the sub-genre doesn't escape its history.)
Sage_Middle_east · 49.4K Views
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