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Work Essay

Duc, ça fait mal...

Bienvenue dans le monde sophistiqué de l'élite, où Seraphina Alaric, une jeune fille délicate et fragile qui dépend toujours de médicaments pour aller mieux, essaie juste de souffler un peu avant que sa vie ne soit bouleversée par un mariage arrangé... Sérieusement, qui a envie d'être enchaîné quand on essaie encore de déterminer ce qu'on veut dans la vie? Lors d'un banquet fastueux, elle rencontre le mystérieux duc d'Everwyn. Et la partie la plus folle? Elle n'a aucune idée de qui est ce gars - elle pense juste qu'il s'agit d'un étranger mystérieux. Sortie de nulle part, se sentant aventureuse (et peut-être un peu téméraire), elle suggère une liaison secrète qui chamboule son monde entier. Dans cet instant caché, Seraphina plonge la tête la première dans ses désirs les plus fous. Mais coup de théâtre - il s'avère que l'homme avec qui elle vient de passer la nuit n'est autre que son futur mari. Oups! Tant pis pour l'étranger mystérieux - elle vient de passer la nuit avec son futur époux! "Duc, ça fait mal..." vous invite dans un tourbillon de découverte de soi, de romance torride et du doux chaos de l'amour quand on s'y attend le moins. Seraphina pourra-t-elle se libérer des chaînes de la société, ou se retrouvera-t-elle empêtrée dans la toile même qu'elle a tenté d'échapper? Rejoignez-la dans ce voyage palpitant, et découvrez comment l'amour peut être à la fois libérateur et compliqué. Ne manquez pas ça - votre prochaine obsession n'est qu'à une page de distance!
PRINCE_0F_DARKNESS · 41K Views

Working On You: My Uncompleted Mission

“I was chosen for a mission I never asked for, and honestly, I don’t even know if I’m the right one for it. But the King believes in me—he thinks I can do the impossible. Me, a poor girl from the village. I never thought a life like mine would lead to anything grand, let alone to the royal palace. But here I am. The King has tasked me with a mission: to change Prince Lilian. Prince Lilian—the heir to the throne, the one who is everything a prince should never be. He’s rude. He’s arrogant. He doesn’t care for anyone or anything except his own desires. His manners are a disgrace to the kingdom, and his pride is as towering as the castle itself. The King believes I can change him, shape him into the man he needs to becometo rule this kingdom. But, how? How can someone like me—an orphan with nothing but my honesty and humility—make him listen? I’m not like the people here in the palace. They’re all about power, beauty, and status. They see me as nothing more than a tool to fix the Prince, and I’m not sure I can succeed. I’ve spent my life surviving, not leading. How can I change someone who has been given everything and yet still chooses to be selfish and stubborn? But I have no choice. I must try. For the sake of this kingdom, for the Prince, and for myself. I have a mission. I must complete it. No matter the doubts, no matter how impossible it seems. And maybe, just maybe, I’ll discover that there’s more to me than even I knew. Will I fail? Or will I finally see if I’m more than just a girl with nothing?”
Emeris_Rose · 5.1K Views

The genealogy of morals

On the Genealogy of Morality: A Polemic (Genealogy of Morals) is an 1887 book by German philosopher Friedrich Nietzsche. It consists of a preface and three interrelated essays that expand and follow through on concepts Nietzsche sketched out in Beyond Good and Evil (1886). The three trace episodes in the evolution of moral concepts with a view to confronting "moral prejudices", specifically those of Christianity and Judaism. Some Nietzsche scholars consider Genealogy to be a work of sustained brilliance and power as well as his masterpiece. Since its publication, it has influenced many authors and philosophers. In the "First Treatise", Nietzsche demonstrates that the two opposite pairs "good/evil" and "good/bad" have very different origins, and that the word "good" itself came to represent two opposed meanings. In the "good/bad" distinction, "good" is synonymous with nobility and everything which is powerful and life-asserting; in the "good/evil" distinction, which Nietzsche calls "slave morality", the meaning of "good" is made the antithesis of the original aristocratic "good", which itself is re-labelled "evil". This inversion of values develops out of the resentment of the powerful by the weak. In the "Second Treatise" Nietzsche advances his thesis that the origin of the institution of punishment is in a straightforward (pre-moral) creditor/debtor relationship. Man relies on the apparatus of forgetfulness in order not to become bogged down in the past. This forgetfulness is, according to Nietzsche, an active "faculty of repression", not mere inertia or absentmindedness. Man needs to develop an active faculty to work in opposition to this, so promises necessary for exercising control over the future can be made: this is memory. Nietzsche's purpose in the "Third Treatise" is "to bring to light, not what ideal has done, but simply what it means; what it indicates; what lies hidden behind it, beneath it, in it; of what it is the provisional, indistinct expression, overlaid with question marks and misunderstandings" (§23). As Nietzsche tells us in the Preface, the Third Treatise is a commentary on the aphorism prefixed to it. Textual studies have shown that this aphorism consists of §1 of the Treatise (not the epigraph to the Treatise, which is a quotation from Nietzsche's Thus Spoke Zarathustra). This opening aphorism confronts us with the multiplicity of meanings that the ascetic ideal has for different groups: (a) artists, (b) philosophers, (c) women, (d) physiological casualties, (e) priests, and (f) saints. The ascetic ideal, we may thus surmise, means very little in itself, other than as a compensation for humanity's need to have some goal or other. As Nietzsche puts it, man "will rather will nothingness than not will".
Davidplays_5397 · 6.6K Views
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