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Isekai Sucks

What Is A Realistic MMORPG Isekai?! | BL

Arsol (Username: Hakkun) is your average eighteen-year-old tech nerd; he reads cliche light novels, plays video games (way too many), studies for exams, and he programs! Does he have friends? A social life, maybe? Nah, he’s an anti-social whose inner monologues revolve around how humans suck. He’s the type who blames the world for his problems: edgy, angsty, emo— thinks he’s smarter than everyone and has answers for the world’s crisis. Gotta give it to him, though, he a young talent at whatever he does. His skills for programming, gaming (FPS) as well as studying makes up for the fact that he’s an arse. So much so, that he stops going to school altogether and locks himself in his room, he’d rather be with his computer. Because Arsol is on a mission! He’s been collaborating with online strangers who are all equally gamers and computer nerds, who understand him, and who all have this idea to make this steampunk/dieselpunk game called ‘Hero of Emberstein.’ Now, Arsol won’t lie, he’s obsessed. Being one of the co-creators, he finds himself adding features and details he’d want in an MMORPG. The only thing he dislikes is the customizable character features; he never understands such a personalized activity. He prefers Gacha. After 3 years, the game is finally available for beta testing, his 7 online co-creators are all ready to click the play button. But little does Arsol know, he would for real be in the game, like in person, like ISEKAI-ed, like he could die, for real for real. What's worse is, everyone who clicked the play button for the beta test, has also been Isekaied. So like, maybe over a thousand or more? Arsol thinks it’s his fault innocent players are getting transmigrated into HIS game, because he remembers that he removed the 'EXIT' button as a harmless malfunctioning prank-- turned deadly?! Oops. Journey along with Arsol as he hides his identity as the creator, the culprit, and the administrator. And that time he finds out his 6 online friends are all here as well, but where?! Who?! UGH, THIS IS WHY HE HATES CUSTOMIZABLE CHARACTERS! ( I DO, IN FACT, OWN THE COVER )
rDec123 · 1.7K Views

why webnovel sucks.

I was an author on Webnovel and, surprise surprise, they're a fraud. Don't work for that money-hungry pig of a company; stick to Royal Road instead. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°° webnovel's biggest issues. Content Quality Issues Oversaturation of Specific Genres - Excessive focus on harem-style narratives - Overreliance on wish-fulfillment storylines - Repetitive power fantasy tropes - Lack of genre diversity Writing Quality Concerns - Prevalent grammar and spelling issues - Translation quality problems - Limited character development - Poor plot structure and pacing - Overuse of overpowered protagonist tropes without meaningful conflict Economic Model Problems Author Compensation - Significantly low payment rates for content creators - 50% revenue share model (comparatively higher than other platforms) - Unsustainable income for most authors - Limited monetization options Contract Terms - Restrictive contractual obligations - Limited author rights - Lack of flexibility in content management - Potential career implications for full-time authors Platform Integrity Issues Authenticity Concerns - Widespread bot activity - Artificial engagement metrics - Questionable review authenticity - Inflated follower counts Structural Limitations - Limited content formats compared to other platforms - Restricted creative freedom - Focus on quantity over quality - Limited development resources for authors Impact on Writing Careers Professional Development - Risk of creative stagnation - Limited growth opportunities - Potential opportunity costs - Career trajectory concerns Alternative Platforms - Royal Road offering better terms - More diverse platform options available - Need for platform diversity in web fiction Recommendations for Authors Career Planning - Maintain alternative career paths - Avoid full dependency on platform income - Develop diverse writing portfolios - Build platform-independent audiences Content Strategy - Focus on quality over quantity - Develop unique narrative approaches - Avoid common trope pitfalls - Invest in proper editing and revision Platform Usage - Consider multi-platform publishing - Build direct reader relationships - Maintain content rights when possible - Develop independent marketing strategies
DaoistaS1n4l · 760 Views
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