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Manga artist in The Fairy Tail World

Aki was a talented manga artist, but he never imagined his life would take such a drastic turn. One day, while drawing in his studio, he suddenly found himself transported to the world of Fairy Tail. As he wandered through the strange new world, Aki discovered he had been given a special system that allowed him to draw anything he could imagine. With this incredible power, he set out to create a manga that would capture the hearts of readers everywhere. To distribute his manga, Aki discovered mysterious manga stores hidden throughout the world. These stores had a magical connection to his system, allowing him to instantly distribute his work to the world. Aki's talent soon caught the attention of the Fairy Tail guild, and they invited him to join their ranks. With his power and their support, Aki quickly became an overpowered force to be reckoned with. But Aki's ambitions didn't end with just one manga. After 100 chapters of his first story, he began to draw other popular manga like Hunter x Hunter, Chainsaw Man, Bungou Stray Dogs, D Grayman, and Fire Force. Each new story was a masterpiece, earning him even more fans. Readers were amazed by Aki's incredible talent and the incredible worlds he brought to life through his manga. They eagerly anticipated each new chapter, eager to see what he would create next. Aki's works became the talk of the town, and he became a legend in the world of manga. As Aki continued to draw, he knew he had found his true home in the world of Fairy Tail. With his guild by his side and his imagination at his fingertips, he was ready to take on any challenge and continue creating incredible manga for years to come. Note:- This is my first novel / fanfic , and I'm both excited and nervous to share it with you. Your support means a lot to me. Please feel free to provide feedback and constructive criticism as I continue to improve my craft. Thank you for joining me on this adventure.
GhostOfGun · 62.1K Views

The genealogy of morals

On the Genealogy of Morality: A Polemic (Genealogy of Morals) is an 1887 book by German philosopher Friedrich Nietzsche. It consists of a preface and three interrelated essays that expand and follow through on concepts Nietzsche sketched out in Beyond Good and Evil (1886). The three trace episodes in the evolution of moral concepts with a view to confronting "moral prejudices", specifically those of Christianity and Judaism. Some Nietzsche scholars consider Genealogy to be a work of sustained brilliance and power as well as his masterpiece. Since its publication, it has influenced many authors and philosophers. In the "First Treatise", Nietzsche demonstrates that the two opposite pairs "good/evil" and "good/bad" have very different origins, and that the word "good" itself came to represent two opposed meanings. In the "good/bad" distinction, "good" is synonymous with nobility and everything which is powerful and life-asserting; in the "good/evil" distinction, which Nietzsche calls "slave morality", the meaning of "good" is made the antithesis of the original aristocratic "good", which itself is re-labelled "evil". This inversion of values develops out of the resentment of the powerful by the weak. In the "Second Treatise" Nietzsche advances his thesis that the origin of the institution of punishment is in a straightforward (pre-moral) creditor/debtor relationship. Man relies on the apparatus of forgetfulness in order not to become bogged down in the past. This forgetfulness is, according to Nietzsche, an active "faculty of repression", not mere inertia or absentmindedness. Man needs to develop an active faculty to work in opposition to this, so promises necessary for exercising control over the future can be made: this is memory. Nietzsche's purpose in the "Third Treatise" is "to bring to light, not what ideal has done, but simply what it means; what it indicates; what lies hidden behind it, beneath it, in it; of what it is the provisional, indistinct expression, overlaid with question marks and misunderstandings" (§23). As Nietzsche tells us in the Preface, the Third Treatise is a commentary on the aphorism prefixed to it. Textual studies have shown that this aphorism consists of §1 of the Treatise (not the epigraph to the Treatise, which is a quotation from Nietzsche's Thus Spoke Zarathustra). This opening aphorism confronts us with the multiplicity of meanings that the ascetic ideal has for different groups: (a) artists, (b) philosophers, (c) women, (d) physiological casualties, (e) priests, and (f) saints. The ascetic ideal, we may thus surmise, means very little in itself, other than as a compensation for humanity's need to have some goal or other. As Nietzsche puts it, man "will rather will nothingness than not will".
Davidplays_5397 · 6.6K Views
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