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Gauss Jordan Method In Engineering Maths

LOVE IN HATE IN LOVE

[WARNING: R18!!!] "Either you love me or you hate me. It doesn't matter because you will end up with me. You would always end up with me, Maximus D'Arco." She plastered a wicked smile as she responded to his cold, hard stare that she knew he was trying not to strangle her. He wouldn't because he was such a gentleman not to hurt her physically. But emotionally? Well...that was a whole other matter. ------------- Aurora Fontalva, an arrogant heiress of the Stellare Creations. She had everything in life, except the heart of a certain man. She only wants Max. He's her childhood crush and turned first love when they grew up. But how can she make him love her if he has someone else already? A girlfriend he loves. But that doesn’t matter, for she’s willing to do everything to have him. Maximus D’Arco. One of the EcoSource princes. He’s almost the perfect son and has a princely personality. Except that he had a secret girlfriend hidden from everyone. When Aurora found out, everything turned upside down. The woman even blackmailed him to marry her or his girlfriend would suffer. She wanted him to love her. Why would he fall for someone who doesn’t even care what he wants, let alone about his feelings? Only his girlfriend does. Is there really a thin line between love and hate? What if the thread breaks? --------------- AN: This novel isn't your typical romance. It tackles twisted love and lust. There could be sensitive cases. You've been warned. And lastly, sexy scenes.
IzannahFrame · 4K Views

Love In Reprise

Love in Reprise Seol Yoon-ah was once a girl who knew heartbreak too well. Humiliated and broken after a cruel rejection in high school, she nearly lost her life in a freak accident. That trauma inducing and humiliating moment changed everything. She disappeared from the school halls, leaving behind whispers and rumors to forget her horrible past. After years of homeschooling, she went abroad, securing a prestigious business degree at Oxford, shaping herself into the poised, refined woman she is today. Now back in Korea, she refuses to be just another heiress living off her family's wealth. Determined to succeed on her own terms, she joins Galaxy Corporation as a secretary. But from the moment she steps into the company, her enigmatic CEO, Kim Tan, watches her too closely. He’s cold, sharp, and impossible to read—but beneath that unreadable gaze, there’s something else. Something unsettlingly familiar. What Yoon-ah doesn’t know is that Kim Tan remembers everything—even the past life she’s long forgotten. He knows who she was, who she is, and most importantly, who she was meant to be to him. As workplace tension gives way to an undeniable pull, Yoon-ah is left wondering—why does he know so much about her? Why does it feel like their story started long before this lifetime? And why, no matter how hard she tries to resist, does she always find herself drawn to him? A gripping office romance where fate refuses to let go, love demands to be remembered, and second chances aren’t always what they seem. -- setting in Korea. Slow burn romance.
Archie_pelagoo · 5.6K Views

Obsession in NY

Can power kill? Can it be bought, like the most expensive sex toy, making it an inseparable companion? Can one be driven mad by it, lose oneself in this elusive desire that is born anew each time, only to return with even greater power? As Alexander, the protagonist of this story, used to say: 'Power is the heroin of the mind, love is the dealer of hearts'. It's a drug that sucks you in to the brim, changing your perception of reality, satisfying your thirst but leaving you hungry for more. You'll feel that ache, that emptiness, which only intensifies, leading to another dose. Once the darkest desires are in play, there is no going back. Life becomes an obsession. Every decision in this world is a choice between light and darkness. Death is just the moment when the light goes out and the rest turns into one endless darkness. And in that darkness - those who once were something more - wander. But can you escape what is already inside you? How far will you go to get what you want? How much are you willing to sacrifice to take control? This erotic thriller will transport you to the world of New York's elite, where nothing is what it seems. Where everything is for sale and prices have no boundaries - money, sex, power and, above all, lies. In the heart of New York, there are dark secrets that the most powerful are prepared to hide behind a facade of luxury. Where betrayal is the daily bread and everyone has something to hide, there is no room for honesty. In this world, law is just an illusion and morality is a relic of the past. Discover how far corruption reaches, how great the influence of evil is and how addictive it can be when only real power is at stake. The power to destroy everything that stands in its way, the power that pulls all the strings.
GabrielvanRobern · 2.2K Views

self-references engine

PROLOGUE: WRITING A SET OF all possible character strings. All possible books would be contained in that. Most unfortunately though, there is no guarantee whatsoever you would be able to find within it the book you were hoping for. It could be you might find a string of characters saying, “This is the book you were hoping for.” Like right here, now. But of course, that is not the book you were hoping for. I haven’t seen her since then. I think she’s most likely dead. After all, it has been hundreds of years. But then again, I also think this. Noticing her as she gazes intently into the mirror, the room in disarray; it is clear that centuries have flowed by, or some such. And she, perhaps, has finished applying her makeup, and she is getting up and is going out to look for me. Her eyes show no sign of taking in the fact that the house has been completely changed, destroyed around her. The change was gradual, continuing, and even long ago she was not very good at things like that. As far as she is concerned, that is not the sort of thing one has to pay attention to. Not that she is aware, but it seems so obvious, she doesn’t need to care about it. Have we drowned, are we about to drown, are we already finished drowning, are we not yet drowning? We are in one of those situations. Ofcourse, it could be that we will never drown. But think about it. I mean, even fish can drown. I remember her saying meanly, “If that’s the case, you must be the one from the past.” It is true of course. Everybody comes out of the past; it’s not that I’m some guy who comes from some particular past. Even when that is pointed out, though, she shows no sign of backing down. “It’s not as if I came out of some bizarro past,” she said. That’s how she and I met. Writing it down this way, it doesn’t seem like anything at all is about to happen, right? Between her and me, I mean. As if something could ever really happen. As if something continues to happen that might ever make something else happen. I am repeating myself, but I haven’t seen her since then. She promised me, with a sweet smile, that I would never see her again. For the short time we were together, we tried to talk about things that really meant something to us. Around that time there were a lot of things that were all mixed up, and it was not easy to sort out what was really real. There might be a pebble over there, and when you took your eyes off it it turned into a frog, and when you took your eyes off it again it turned into a horsefly. The horsefly that used to be a frog remembered it used to be a frog and stuck out its tongue to try to eat a fly, and then remembered it used to be a pebble and stopped and crashed to the ground. With all this going on, it’s really important to know what’s really real and what’s not. “Once upon a time, somewhere, there lived a boy and a girl.” “Once upon a time, somewhere, there lived boys and girls.” “Once upon a time, somewhere, there lived no boy and no girl.” “Once upon a time…lived.” “Lived.” “Once upon a time.” From beginning to end, we carried on this back-and-forth process. For example, in this dialogue, we were somehow finally mutually able to comeup with this kind of compromise statement: “Once upon a time, somewhere, there lived a boy and a girl. There may have been lots of boys, and there may have been lots of girls. There may have been no boys at all, and there may have been no girls at all. There may even have been no one at all. At any rate there is little chance there were equal numbers of each. That is unless there had never been anybody at all anyway.” That was our first meeting, she and I, and of course it meant we would never see each other again. I was making my way in the direction she had come from, and she was headed in the direction I had come from, and this is a somewhat important point; you must realize this walking had to be,
author_3 · 3.1K Views
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