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I M Miles Morales

I'm the King

Khan is alone in a world where the weak are prey. With no talent for cultivation, his dream of greatness seems impossible. Yet, Khan refuses to let that stop him. Through The Record of Khan, a tome chronicling his extraordinary past, his descendant unveils a story of relentless struggle—against the world, his own limitations, and the odds stacked against him. On this journey, Khan discovers an unconventional cultivation method, carving a path to greatness that transforms not only himself but the world around him. From an ordinary man to a legend, his actions reshape the future and inspire generations to come. Will Khan’s determination be enough to overcome a fate written in weakness and achieve greatness? What to expect: -MC is not a good person, though he may appear to be at first. -MC does not have a harem, though future subordinates, nobles, etc., may have them. -A Cultivator World, Unfiltered: There is no equality, and morality bends to power -MC is not a wuss or overly deferential. -Eventual kingdom building, though expect to wait a while. -Business building (you don't have to wait that long). -MC has actual relationships with people. -Legacy building. - Mix between Cultivator world and Medieval world -MC transitions from slightly nice to cold-hearted and jaded over time. Expect a journey of self-discovery, where Khan faces not only external challenges but also the transformation of his own values and identity. Release: Tuesdays/Wednesdays at 3:00 PM EST (12:00 PM PST, 8:00 PM GMT, 4:00 AM CST) Note: The tags and content warnings are there to give me freedom as I develop the light novel. Please feel free to share as much feedback as you can. Your feedback is invaluable! If something feels off or a character seems inconsistent, let me know—it’s your feedback that helps make this story the best it can be.
Jkingread · 5.4K Views

The genealogy of morals

On the Genealogy of Morality: A Polemic (Genealogy of Morals) is an 1887 book by German philosopher Friedrich Nietzsche. It consists of a preface and three interrelated essays that expand and follow through on concepts Nietzsche sketched out in Beyond Good and Evil (1886). The three trace episodes in the evolution of moral concepts with a view to confronting "moral prejudices", specifically those of Christianity and Judaism. Some Nietzsche scholars consider Genealogy to be a work of sustained brilliance and power as well as his masterpiece. Since its publication, it has influenced many authors and philosophers. In the "First Treatise", Nietzsche demonstrates that the two opposite pairs "good/evil" and "good/bad" have very different origins, and that the word "good" itself came to represent two opposed meanings. In the "good/bad" distinction, "good" is synonymous with nobility and everything which is powerful and life-asserting; in the "good/evil" distinction, which Nietzsche calls "slave morality", the meaning of "good" is made the antithesis of the original aristocratic "good", which itself is re-labelled "evil". This inversion of values develops out of the resentment of the powerful by the weak. In the "Second Treatise" Nietzsche advances his thesis that the origin of the institution of punishment is in a straightforward (pre-moral) creditor/debtor relationship. Man relies on the apparatus of forgetfulness in order not to become bogged down in the past. This forgetfulness is, according to Nietzsche, an active "faculty of repression", not mere inertia or absentmindedness. Man needs to develop an active faculty to work in opposition to this, so promises necessary for exercising control over the future can be made: this is memory. Nietzsche's purpose in the "Third Treatise" is "to bring to light, not what ideal has done, but simply what it means; what it indicates; what lies hidden behind it, beneath it, in it; of what it is the provisional, indistinct expression, overlaid with question marks and misunderstandings" (§23). As Nietzsche tells us in the Preface, the Third Treatise is a commentary on the aphorism prefixed to it. Textual studies have shown that this aphorism consists of §1 of the Treatise (not the epigraph to the Treatise, which is a quotation from Nietzsche's Thus Spoke Zarathustra). This opening aphorism confronts us with the multiplicity of meanings that the ascetic ideal has for different groups: (a) artists, (b) philosophers, (c) women, (d) physiological casualties, (e) priests, and (f) saints. The ascetic ideal, we may thus surmise, means very little in itself, other than as a compensation for humanity's need to have some goal or other. As Nietzsche puts it, man "will rather will nothingness than not will".
Davidplays_5397 · 6.5K Views

C M

Mehrajān's heart is a fragile mosaic, pieced together by moments with the one person who defined her world—Muazam. In this reflective and raw exploration of love and loss, Mehrajān finds herself looking back at the memories of the boy she loved, the boy who was always just out of reach. Each chapter is a separate fragment of their intertwined lives, capturing a single moment that was forever marked by him. In one chapter, Mehrajān stands frozen in her kitchen, hearing a conversation between Muazam and her aunt that shatters her heart. His rejection of her—the very person who had quietly fallen for him—leaves her feeling lost and betrayed. Yet, this is only one of the many moments that have shaped her emotional landscape. Every recollection is a mixture of passion, pain, and nostalgia—memories of fleeting glances, whispered words, and unspoken connections that shaped her world. The narrative doesn't follow a linear path but instead unfolds like a scattered collection of thoughts and emotions, each memory tied to Muazam, each one a chapter of her heart. Through these fragments, Mehrajān grapples with the complexity of love, the sorrow of unrequited feelings, and the confusion of growing up in a world of family expectations and personal desires. [ CHOOSE ME ] is not just a love story—it's a tender journey through a girl’s heart, where love is never simple, and the memory of someone can change everything. Through each chapter, readers will find themselves drawn into Mehrajān’s world, feeling the weight of her unspoken love and the bittersweet truth that sometimes, memories are all that remain.
Marwa_Tahir · 9.7K Views
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