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Self Destructive Julia Rizik

Azurael Shunyaviel: Infinite Source Of All Creation And Destruction

Additional tags #Gods #Devil #Ancient beings #Creators #Monarchs ........... Zar had just completed the prologue of his first novel—a sprawling, intricate universe known as the Nexus Verse, filled with multiverses, ancient beings, and a god-tier academy designed to train the most powerful individuals across existence. He had poured years into world-building, designing complex systems, and crafting lore that would put even the greatest fictional worlds to shame. It was his magnum opus… or so he thought. Then, on the night of his 22nd birthday, something went horribly wrong. A simple cake-cutting moment turned into an out-of-body experience, and when he woke up, he wasn’t at home anymore. Instead, he found himself standing inside the very world he had created—but there was a problem. He had only written the prologue. The rest? Just scattered ideas in his head. And now, he was here. To his horror, the Nexus Verse was far more vast and chaotic than he had imagined. His "brilliant" concepts had backfired spectacularly—there weren’t just a few multiverses, there were over 9,000 of them, each teeming with powerful civilizations, cosmic monstrosities, and warlords that made gods look like insects. Worse, the Nexus Academy—the elite institution he had designed to train only the strongest beings—was real. And as fate would have it, he was now a participant in its entrance exam. Armed with whatever scraps of lore he can remember and the horrifying realization that he might have made this world way too overpowered, Zar must navigate the trials of Nexus Academy, outsmart beings that defy logic, and pray that none of the godlike entities he wrote into existence decide to obliterate him just for fun. After all, if the author himself doesn’t even know what happens next… how the hell is he supposed to survive? As he struggles to comprehend the madness he has been thrown into, a voice—ancient, boundless, and resonating with unfathomable power—echoes in his mind. [At long last… the Architect awakens. Welcome, my sole and rightful wielder.] Zar's breath caught in his throat. What the hell had he created?
ZARXOM · 10K Views

self-references engine

PROLOGUE: WRITING A SET OF all possible character strings. All possible books would be contained in that. Most unfortunately though, there is no guarantee whatsoever you would be able to find within it the book you were hoping for. It could be you might find a string of characters saying, “This is the book you were hoping for.” Like right here, now. But of course, that is not the book you were hoping for. I haven’t seen her since then. I think she’s most likely dead. After all, it has been hundreds of years. But then again, I also think this. Noticing her as she gazes intently into the mirror, the room in disarray; it is clear that centuries have flowed by, or some such. And she, perhaps, has finished applying her makeup, and she is getting up and is going out to look for me. Her eyes show no sign of taking in the fact that the house has been completely changed, destroyed around her. The change was gradual, continuing, and even long ago she was not very good at things like that. As far as she is concerned, that is not the sort of thing one has to pay attention to. Not that she is aware, but it seems so obvious, she doesn’t need to care about it. Have we drowned, are we about to drown, are we already finished drowning, are we not yet drowning? We are in one of those situations. Ofcourse, it could be that we will never drown. But think about it. I mean, even fish can drown. I remember her saying meanly, “If that’s the case, you must be the one from the past.” It is true of course. Everybody comes out of the past; it’s not that I’m some guy who comes from some particular past. Even when that is pointed out, though, she shows no sign of backing down. “It’s not as if I came out of some bizarro past,” she said. That’s how she and I met. Writing it down this way, it doesn’t seem like anything at all is about to happen, right? Between her and me, I mean. As if something could ever really happen. As if something continues to happen that might ever make something else happen. I am repeating myself, but I haven’t seen her since then. She promised me, with a sweet smile, that I would never see her again. For the short time we were together, we tried to talk about things that really meant something to us. Around that time there were a lot of things that were all mixed up, and it was not easy to sort out what was really real. There might be a pebble over there, and when you took your eyes off it it turned into a frog, and when you took your eyes off it again it turned into a horsefly. The horsefly that used to be a frog remembered it used to be a frog and stuck out its tongue to try to eat a fly, and then remembered it used to be a pebble and stopped and crashed to the ground. With all this going on, it’s really important to know what’s really real and what’s not. “Once upon a time, somewhere, there lived a boy and a girl.” “Once upon a time, somewhere, there lived boys and girls.” “Once upon a time, somewhere, there lived no boy and no girl.” “Once upon a time…lived.” “Lived.” “Once upon a time.” From beginning to end, we carried on this back-and-forth process. For example, in this dialogue, we were somehow finally mutually able to comeup with this kind of compromise statement: “Once upon a time, somewhere, there lived a boy and a girl. There may have been lots of boys, and there may have been lots of girls. There may have been no boys at all, and there may have been no girls at all. There may even have been no one at all. At any rate there is little chance there were equal numbers of each. That is unless there had never been anybody at all anyway.” That was our first meeting, she and I, and of course it meant we would never see each other again. I was making my way in the direction she had come from, and she was headed in the direction I had come from, and this is a somewhat important point; you must realize this walking had to be,
author_3 · 1.7K Views

Empire Destruction: Rise of the Forgotten Elements

In a world dominated by twelve elemental empires, each ruled by an Elemental Sovereign, the fragile balance of power shatters when the Void Empire—keeper of equilibrium—collapses in a mysterious event known as the "Voidfall." With the Void Empire gone, chaos erupts as the remaining kingdoms descend into war, each seeking to claim dominion over the fractured elements. The story follows Eryon, an orphan with a mysterious past tied to all twelve elements. He becomes the prime suspect for the Voidfall and is hunted across empires. Eryon’s journey unfolds as he discovers that the Void Empire’s destruction wasn’t an accident but a carefully orchestrated plan to awaken the Thirteenth Element—a forbidden force capable of rewriting the laws of existence. With allies and enemies from all empires, Eryon must navigate betrayal, uncover lost truths, and decide the fate of the warring world. Will he unite the empires or obliterate them to forge a new era? 1. Engaging Characters Protagonist: Eryon: A sarcastic yet compassionate protagonist who harbors the ability to wield all elements but struggles with guilt over his suspected role in the Voidfall. His arc focuses on self-discovery and redemption. Character Flaw: Eryon often doubts his ability to lead and fears his power might consume him. Supporting Cast: Lyra (Fire Empire): A hot-headed warrior princess seeking revenge for her family’s death. Her growing respect and romantic tension with Eryon evolve into a deep partnership. Kaen (Water Empire): A calm and strategic tactician who becomes Eryon’s closest ally. Selis (Void): The last survivor of the Void Empire, struggling with grief and harboring secrets that may change the world's fate. Antagonists: A council of corrupted rulers from the surviving empires, each with unique goals. Character Arcs: Eryon’s growth from a fugitive to a leader of a revolution. Lyra learning to balance vengeance with compassion. Kaen overcoming his fear of battle to protect those he loves. Selis’s journey from despair to hope as she confronts her role in the Voidfall. 2. Appealing World-Building Setting: Twelve unique elemental empires, each with distinct landscapes, architecture, and cultures. Fire Empire: Volcanic wastelands and towering magma forges. Water Empire: Floating cities on an endless ocean. Void Empire: A shattered land where the sky bleeds light. Lore and History: A 1,000-year-old prophecy foretold the Voidfall, but its true meaning was hidden. Elemental crystals created the empires, but their origin remains a mystery. Consistency: Rules for elemental magic are strictly defined but leave room for creative surprises. 3. Unique Plot and Conflict Clear Conflict: Eryon must clear his name, uncover the truth behind the Voidfall, and prevent the rise of the Thirteenth Element. Themes: Unity vs. division, power’s corrupting influence, and the cost of redemption. Twists and Surprises: A hidden traitor within Eryon’s group. The Thirteenth Element isn’t destruction but rebirth, forcing Eryon to rethink his goals. 4. Action and Adventure Fast-Paced Scenes: Escapes from elemental assassins, battles in hostile territories, and raids on empire fortresses. Fight Scenes and Battles: Epic battles between armies wielding elemental magic. Personal duels showcasing Eryon’s growth and creativity in using multiple elements. Strategic Plot Progression: Each empire Eryon visits reveals a piece of the Voidfall mystery, driving the overarching plot forward. 5. Humor and Tone Light-Hearted Moments: Eryon’s witty banter with Lyra. Comedic relief from quirky supporting characters, like a cowardly mercenary or a talking elemental familiar. Tone Variation: Balancing heavy themes with moments of hope, humor, and camaraderie. 6. Romantic Subplots Romantic Tension: Slow-burn romance between Eryon and Lyra as they grow from rivals to lovers.
Akash_Bhowmik · 5.7K Views
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