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Miles Morales The Prowler

The Saintess, The Villainess, and The Enchantress

In the heart of a vast and fertile land, nestled amidst rolling hills and lush meadows, stood the grand mansion of the De Lolce family. This stately home belonged to Duke Castel and Duchess Aerwyna, a couple whose reputation preceded them throughout the entire nation of Philippeldephia. Duke Castel was celebrated far and wide as the most brilliant scientist in the country, his mind teeming with discoveries that pushed the boundaries of what was possible. In contrast, Duchess Aerwyna was renowned for her culinary prowess, her dishes and baked goods the very definition of perfection, sought after by the elite of the land. Three years into their blissful marriage, their joy knew no bounds when Aerwyna gave birth to triplets. Yet, their happiness was cruelly snatched away when the babies, too weak to survive, passed away shortly after entering the world. The grief was unbearable, and neither Castel nor Aerwyna could reconcile with the tragedy that had befallen them. The halls of their mansion, once filled with dreams of a bright future, were now heavy with sorrow. But Duke Castel, a man driven by the relentless pursuit of knowledge, refused to accept fate’s verdict. One fateful night, he conceived a daring experiment—one that could defy the natural order and bring their children back from the brink of death. In the dim glow of his laboratory, surrounded by beakers and vials of mysterious substances, he worked tirelessly, driven by a desperate hope. Finally, the moment arrived. Castel was on the verge of success, his hands trembling with a mix of fear and anticipation. But in a single, fateful moment, as he reached for the final component, his hand accidentally knocked over a set of strange chemicals. The colorful liquids spilled across the lab table, seeping into the lifeless bodies of the three infants. In an instant, something extraordinary began to happen. The triplets, instead of merely returning to life, started to change. Their small forms absorbed the spilled concoction, and they became something... different. The experiment had gone awry, and the results were beyond anything Castel could have predicted. From that night onward, the De Lolce mansion became the stage for a series of unexpected events, as the once-ordinary lives of Castel and Aerwyna took a turn toward the extraordinary—all because of a single, accidental spill that altered the course of their family’s destiny. Note: This is more like a long script rather than a novel type.
ShananeShanane · 60.9K Views

The genealogy of morals

On the Genealogy of Morality: A Polemic (Genealogy of Morals) is an 1887 book by German philosopher Friedrich Nietzsche. It consists of a preface and three interrelated essays that expand and follow through on concepts Nietzsche sketched out in Beyond Good and Evil (1886). The three trace episodes in the evolution of moral concepts with a view to confronting "moral prejudices", specifically those of Christianity and Judaism. Some Nietzsche scholars consider Genealogy to be a work of sustained brilliance and power as well as his masterpiece. Since its publication, it has influenced many authors and philosophers. In the "First Treatise", Nietzsche demonstrates that the two opposite pairs "good/evil" and "good/bad" have very different origins, and that the word "good" itself came to represent two opposed meanings. In the "good/bad" distinction, "good" is synonymous with nobility and everything which is powerful and life-asserting; in the "good/evil" distinction, which Nietzsche calls "slave morality", the meaning of "good" is made the antithesis of the original aristocratic "good", which itself is re-labelled "evil". This inversion of values develops out of the resentment of the powerful by the weak. In the "Second Treatise" Nietzsche advances his thesis that the origin of the institution of punishment is in a straightforward (pre-moral) creditor/debtor relationship. Man relies on the apparatus of forgetfulness in order not to become bogged down in the past. This forgetfulness is, according to Nietzsche, an active "faculty of repression", not mere inertia or absentmindedness. Man needs to develop an active faculty to work in opposition to this, so promises necessary for exercising control over the future can be made: this is memory. Nietzsche's purpose in the "Third Treatise" is "to bring to light, not what ideal has done, but simply what it means; what it indicates; what lies hidden behind it, beneath it, in it; of what it is the provisional, indistinct expression, overlaid with question marks and misunderstandings" (§23). As Nietzsche tells us in the Preface, the Third Treatise is a commentary on the aphorism prefixed to it. Textual studies have shown that this aphorism consists of §1 of the Treatise (not the epigraph to the Treatise, which is a quotation from Nietzsche's Thus Spoke Zarathustra). This opening aphorism confronts us with the multiplicity of meanings that the ascetic ideal has for different groups: (a) artists, (b) philosophers, (c) women, (d) physiological casualties, (e) priests, and (f) saints. The ascetic ideal, we may thus surmise, means very little in itself, other than as a compensation for humanity's need to have some goal or other. As Nietzsche puts it, man "will rather will nothingness than not will".
Davidplays_5397 · 7.1K Views
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