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The genealogy of morals

On the Genealogy of Morality: A Polemic (Genealogy of Morals) is an 1887 book by German philosopher Friedrich Nietzsche. It consists of a preface and three interrelated essays that expand and follow through on concepts Nietzsche sketched out in Beyond Good and Evil (1886). The three trace episodes in the evolution of moral concepts with a view to confronting "moral prejudices", specifically those of Christianity and Judaism. Some Nietzsche scholars consider Genealogy to be a work of sustained brilliance and power as well as his masterpiece. Since its publication, it has influenced many authors and philosophers. In the "First Treatise", Nietzsche demonstrates that the two opposite pairs "good/evil" and "good/bad" have very different origins, and that the word "good" itself came to represent two opposed meanings. In the "good/bad" distinction, "good" is synonymous with nobility and everything which is powerful and life-asserting; in the "good/evil" distinction, which Nietzsche calls "slave morality", the meaning of "good" is made the antithesis of the original aristocratic "good", which itself is re-labelled "evil". This inversion of values develops out of the resentment of the powerful by the weak. In the "Second Treatise" Nietzsche advances his thesis that the origin of the institution of punishment is in a straightforward (pre-moral) creditor/debtor relationship. Man relies on the apparatus of forgetfulness in order not to become bogged down in the past. This forgetfulness is, according to Nietzsche, an active "faculty of repression", not mere inertia or absentmindedness. Man needs to develop an active faculty to work in opposition to this, so promises necessary for exercising control over the future can be made: this is memory. Nietzsche's purpose in the "Third Treatise" is "to bring to light, not what ideal has done, but simply what it means; what it indicates; what lies hidden behind it, beneath it, in it; of what it is the provisional, indistinct expression, overlaid with question marks and misunderstandings" (§23). As Nietzsche tells us in the Preface, the Third Treatise is a commentary on the aphorism prefixed to it. Textual studies have shown that this aphorism consists of §1 of the Treatise (not the epigraph to the Treatise, which is a quotation from Nietzsche's Thus Spoke Zarathustra). This opening aphorism confronts us with the multiplicity of meanings that the ascetic ideal has for different groups: (a) artists, (b) philosophers, (c) women, (d) physiological casualties, (e) priests, and (f) saints. The ascetic ideal, we may thus surmise, means very little in itself, other than as a compensation for humanity's need to have some goal or other. As Nietzsche puts it, man "will rather will nothingness than not will".
Davidplays_5397 · 6.6K Views

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DISCLAIMER: This story is not owned by me. All rights belong to the original author and copyright holder. This copy is provided for offline reading purposes only. No copyright infringement is intended, and if the rightful owner requests removal, it will be taken down immediately. The washed-up magician Zong Jiu transmigrated into a horror, infinite flow novel about a survival show, taking the place of the cannon fodder who died tragically in the first evaluation round. This show was very interesting. Out of the tens of thousands of people, only a hundred people could survive, and the c-position (strongest contender) could even get a universal wish ticket. If it were someone else, they’d probably be scared to death. No one expected that Zong Jiu was not only unafraid, but also caused a sensational stir, shamelessly showing off his tricks the whole way. Once his tricks stopped, and his life could be considered safe and sound, he ended up in a rivalry with the novel’s big villain. Today you try to get at me, tomorrow I’ll get you back, back and forth, it’s pretty fun, heh. As a result, though it was just playing around, one time they got carried away and really did end up sleeping together. Watching the nemesis who was pressing him to the ground, Zong Jiu lazily lifted his gaze. “If you want to kill me then kill me, don’t speak nonsense.” Even when at a disadvantage, he showed no trace of fear, and actually continued to provoke him. That person used his ice-cold finger to trace his ear, and the action heading toward the aorta suddenly stopped. “What a pity. I’ve changed my mind.” — He was once very willing to personally give Zong Jiu death. Every day, he used to regret not gouging out his flesh, personally snapping his neck. But after this person fell into his hands, another, more urgent desire grew like weeds. Compared to winning or losing, he would rather see him crying and panting, with eyes red, begging for mercy.
zarawang · 9K Views
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