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Sinbad Proteus

Proteus' Paradigm and Pandora's Paradox

Three times the universe has begun with a bang, and twice it ended with the stars being devoured by something that does not exist. The third time, however, something that *should not have existed* hijacked the process. 729 eternal proto-stars now orbit the Cornerstone of all Creation, in which sleeps Arius, the Arbiter of the fifteen dimensions Creation exists in, and Nobody; as Guardian of the Non-Euclidean Infinite Archive, existing outside of reality... isolated . Across those fifteen dimensions which the two watch over; preside "Bearers of Sparks," or "Exceptions," empowered by the myriad stars, and metaphysical influence, spread across the multiverse. Beings across all fifteen dimensions are bound by a plethora of things, but first and foremost aside from causality is something called "The First Anomaly," which exists in all dimensions simultaneously. The dimension it is observed in will shift reality in accordance with a number of precepts, which are determined by the second most prominent binding aspect of the Third Cycle: "The Rule of Three." The Rule of Three is the physical formation of a paranormal law of nature, which acts as a causal filtration device. It also has a secondary function, which allows for Exceptions to offset and utilize any amount of energy in flux by bypassing the typical side-effects of thermodynamic energy transfer as we understand it. This is not to be confused for magic, because magic has a cost. This isn't reality bending/warping in the conventional sense either, as it's not bending the whole of reality but a singular aspect in a nigh-infinite multitude of potential ways, with 100% energy efficiency in cost/effectiveness/application which those who are not Exceptions cannot replicate without multiple sponsorships. This story follows an abnormality above anomalies; an Exception among Exceptions, a Transmigrator from the other side of an otherwise impassable wall, by the name of Lee Kühren.
Daniel_Weissman_4813 · 7.6K Views

MIDDLE EAST MYTH

This Will be the stories and myth I have collected and I don't own the stories just a person who like a certain culture wich is a middle eastern so enjoy - Level of Magic Variable. Magic is definitely a part of Arabian Fantasy. It is a sub-genre steeped in mysticism and lore. Some authors create recognizable magic systems, while others create a magical atmosphere or a world with a mythos immersed in magic. Magic is important, and it varies from the very specific, genies granting wishes, to just a magical feeling emanating from the page. - Level of Grand Ideas/Social Implications Variable. There is plenty of variation in this sub-genre. However, many stories ponder larger questions or offer critiques on social structures. Fate and destiny are often invoked and pondered. Even allegory is sometimes used to contemplate ideas. - Level of Characterization High. Characters are so well done in Arabian Fantasy that they have become cultural icons—Aladdin, Sinbad, Ali Baba, Scheherazade. Authors draw on the rich literary history of these characters, they reinvent them, they use them as a basis for new and heroic characters, and they make readers invested in these characters. - Level of Plot Complexity High. Arabian Fantasy is multi-layered, it is rich, it is varied, it is an adventure, it is romance, and so much more. Arabian Fantasy is remarkable for its use of narrative techniques that subsequent genres and authors have adopted. Techniques like dramatic visualization and frame narratives make the story, and the plot, more complex and engaging. -Level of Violence Variable. Arabian Fantasy is not an innately violent sub-genre. Fighting and battles often dot the plotlines of an Arabian Fantasy story though, it makes for tense and action-packed stories. Indeed, violence in most of these stories is necessary to the plot. (If you're looking for something wholly new and unique. Arabian Fantasy draws on ancient cultures, religions, myths, and histories. The sub-genre has a rich history that authors are influenced by, that inform new stories, that build the story's setting/world, that shape new and old characters alike. So even in modern Arabian Fantasy stories, the historical and the traditional are woven into more than just the setting. This doesn't mean authors are simply rehashing old stories, but the sub-genre doesn't escape its history.)
Sage_Middle_east · 38.9K Views

ARABIAN NIGHTS

"One Thousand and One Nights," also known as "Arabian Nights," is a collection of Middle Eastern folk tales and stories that have captivated readers for centuries. The book is framed by the story of Scheherazade, a clever and resourceful young woman who tells captivating stories to her husband, King Shahryar, in order to save her own life. The tales within "One Thousand and One Nights" are incredibly diverse, featuring a wide range of characters, settings, and themes. They encompass adventure, romance, fantasy, and morality, offering a rich tapestry of narratives that transport readers to distant lands and times. Among the most famous stories within the collection are "Aladdin's Wonderful Lamp," "Ali Baba and the Forty Thieves," and "Sinbad the Sailor." These tales have become iconic in their own right, with their memorable characters, magical elements, and moral lessons. Throughout the book, readers encounter a blend of fantasy and reality, where jinn (genies), princesses, sultans, and ordinary people coexist. The stories often explore themes of love, loyalty, justice, and the consequences of one's actions. They also provide insights into the cultural and social norms of the Middle East during the time of their creation. "One Thousand and One Nights" is not just a collection of stories; it is a testament to the power of storytelling itself. It celebrates the art of narrative, the resilience of the human spirit, and the enduring nature of tales that transcend time and place. -------- Disclaimer : This is not an original work
Ahmed_M_Oshey · 2.7K Views
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