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IN HIS WRITING

It is to be known, when a girl turns sixteen-: She is no more a girl! And, it is to be added, a man's greatest charm, is his rich earns and wit of standing out!! ***** ‘To, Miss Victoria Lancaster… My pen has sung, my writing has spoken… and I still remain a stranger! Or am I? My apologies for the wait, I stood by the riverside in Welsh lands, wondering why an imposter would impersonate my writings to you… Forgive me for calling him the word—I stand hurt, and hurt even more by this! From Prince Harry McVourse… with Love.' ***** Victoria Lancaster, fourth of the six Lancaster siblings, stands in the predicament of societal wants and her lone desire for love. Being introduced to society for the first time, and as the first daughter of her family to be introduced, she needs a successful first season. And a successful season for a lady means, securing a suitor and a husband! Concurrently, Harry McVourse, standing as Knight, seeks the same accomplishments as Victoria, but his situation is quite melodramatic! His mother, the third of King Charles' five wives—though each was married one after the other and divorced except for the last—seeks to have her two sons marry swiftly and bless her with a grandson. A grandson is not her will but a want from King Charles, demanded of his sons. This, indeed, is an all-queens' contest to see whose son shall deliver a grandson first. Knight, despite understanding the depth and urgency of the matter, knows that the partner must be his. An uncareful selection would lead to years of despair and pain! As of that matter, he depicts societal balls and celebrations as a confined showcase of hypocrisy and pretense. He needs see the eligible spinsters beyond societal confines, and that’s what leads him to stand as a night guard in the Lancasters' new London mansion. A coincidence? Therefore, with Victoria Lancaster being the definite spinster Knight becomes much engaged with, he gradually develops a desire for the girl. However, despite this desire, he is opposed by many admirers, especially his brother, Prince Edward McVourse, whose efforts cannot be overlooked, in addition to his half-brother, Prince William McVourse, a lad whose in future leaves Knight wrathful due to a certain impotent depiction. As a result, he delights in the idea of writing to Lady Lancaster every morning. An anonymous write! His intention being; to the least, stand out from the men in pursuit. However, without Knight’s knowledge, Victoria is slowly enjoying the curves and words in those writings. Each night, she dreads time to pass quickly, anticipating another writing to be brought to her. She becomes intrigued until she desires to know the man behind the writing. Additionally, her mother pressures her to stand firm on the choice of the man she is to choose—Lord Edward, Knight’s elder brother, who is said to possess two hundred thousand a year. The letters draw Victoria and Knight closer, but their budding connection faces significant challenges. Knight must navigate the rivalry with his brothers, particularly Edward and William, both competing for Victoria's hand, in addition to formally acquainting himself with the ladyship. Victoria, on the other hand, struggles to reconcile her growing feelings for the unknown writer with her mother's expectations and the societal norms of the time. What happens next? "In His Writing" is a novel set in the Victorian era, embracing themes of romance, mystery, and conflict, in addition to societal conflicts, identity, and desires. (DAILY UPDATES A WEEK.) I HOPE Y'ALL SHALL ENJOY. LIKE, COMMENT.
Rhoda_Andrian · 69.6K Views

God Of Fiction: The Faceless One

Gray World is dominated by the will of Gods and thrives under the control of iron gears and steam. It is a place where faith is not a passive devotion but a currency—traded, bought, and sold by churches that wield their gods' influence as weapons. It is a place where value is absolute, value is everything, shaping every belief and controlling every life. Run by ironclad reign of Church of Steel, every life here reeks of smoke and decay, while the Church of Sacrifice whispers promises of salvation through pain and sacrifice. Yet, amidst this ever existing Gods of sacrifice, iron, and decay, a new God descends—one who was once known as The Faceless One, God of Confusion, Keeper of secrets, Messiah of messengers by en masse: the God of Fiction. God of Fiction, Ashur, reincarnates after dying by the wiles of God of Sacrifice and others. Unlike other gods, Ashur, does not demand worship through suffering or material devotion. Instead, he brings something far more dangerous: the ability to weave fantasies into existence, to blur the line between fiction and reality. "Is fiction not a truth waiting to be realized?" Whispers spread among the people—rumors of a church that doesn't preach, of a god who offers not suffering but something far more seductive: choice. They speak of dreams too vivid to be mere illusions and realities that seem to bend to their imaginations. What is fiction, if not another form of reality? When the masses begin to believe, does belief not shape the world itself? As his own proclamation goes— [To not exist does not mean one truly does not exist, for to be known is also a form of existence.] ﹌﹌﹌﹌﹌ [This book has been dropped] [If you want to read something after it, I would recommend, “Death Game: Beyond Reality“]
_Darker_Than_Black · 53.2K Views
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