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Invitation Letter To Participate In Competition

How To Fall In Love With Eyes

Yeon-Jun Shin works as a talented barista at a cozy coffee shop nestled in a bustling neighborhood. His life has been shaped by a challenging reality—he lives with selective mutism, a condition that emerged from the deep-rooted trauma he faced during his childhood. After enduring significant hardships, Yeon-Jun was fortunate to be adopted by the father of Sung-Hoon Cha, the ambitious young entrepreneur who owns the coffee shop where he now flourishes. Despite his struggles, Yeon-Jun has quietly become a beloved figure among the patrons, drawing them in with his exceptional brewing skills and strikingly good looks. However, Yeon-Jun's tranquil existence is disrupted when he crosses paths with Woo-San Kim, a man of considerable wealth and influence. Woo-San hails from an illustrious lineage, being an eighth-generation chaebol, and currently holds a prestigious position in the media sector. Despite his high status and the expectations that come with it, he harbors a simple yet profound passion—he relishes the experience of sipping a perfectly crafted coffee at his favorite local café. More than just the coffee itself, he finds himself inexplicably drawn to Yeon-Jun, the enigmatic barista who serves him. Though they share many moments in the coffee shop, their interactions remain silent, marked only by Woo-San's lingering gaze fixated on Yeon-Jun behind the counter. Something about Yeon-Jun captivates him—perhaps it’s the way his eyes light up while expertly preparing a latte or the serene aura he projects amid the café's lively atmosphere. However, this budding connection takes an unexpected turn when Woo-San's grandfather, intent on preserving the family's honorable legacy, imposes an arranged marriage upon him. Caught in an emotional whirlwind, Woo-San faces a profound dilemma: should he regard the weight of familial duty and embrace a life scripted by tradition, or follow the uncharted path that his heart seems to beckon him toward—toward Yeon-Jun? As each day unfolds, he must navigate the complexities of obligation and desire, weighing his grandfather's demands against the quiet yet stirring bond he has formed with the barista. In a world governed by riches and expectations, what choice will Woo-San ultimately make? But there is also something else that connects them all together. Something that cannot be abandoned, neither by Yeon-Jun nor by Woo-San, but they're hiding it from each other. Will they become vulnerable enough to share it, or will a passion to reveal this secret destroy everything between them?
Evan_Jason · 2.3K Views

To Sleep In The Sea Of Time

This is a story of a guy who loses everything, and then gets it back. Same old new world story, just a different kind of story teller. *** They took away our hunter tags. They had us grow our hair. They gave us a new brand, when we were over there. They staged us out of Dragur, East of the Olim Horn. I guess they call us Slaves, but no one calls us much anymore. There is no fun in killing. I don't want to do it anymore. Karn brought Sorrow. Pookie brought Fear. Milk brought the fly boys. They did work in Undia. I worked mostly clandestine. Some Legends I should not say. We played with better wands. I could use the extra pay. Did Mara give the order? Did venom pay the way? They said we were slaying demons, but it was kind of hard to tell. There is no fun in killing. I don't want to do it anymore. This was before HALO, and Codex was king. Hej atop the rider, he never felt a thing. When our rider caught a spell, and both the mages killed. It pitched us over sideways on some cold Sylph hill. My back felt like it was broken, my legs I could not feel. I kept on slaying demons, but it was kind of hard to tell. There is no fun in killing. I don't want to do it anymore. I never did heal up right from injuries sustained Officially in Torin, unofficially we train. I remember all their faces. They dream about me still. I guess I'm slaying demons, but it's kind of hard to tell. There no fun in killing. I don't want to do it anymore. I speak the cold logistic, that old boys speak so well. Veni, Vedi, Vici. I'll see you in Hel. Maybe it's bravado, or an unspeakable guilt. That village, they were demons, but it was kind of hard to tell. There is no fun in killing. I don't wanna to do it anymore. I've done plenty. What is one more? -Corb Lund *** Come guess me this riddle. What beats shire leaves and fiddle? What is hotter than pleasures touch, and whiter than cream? What best wets his whistle? What is clearer than crystal? What is sweeter than honey and stronger than steam? What will make the lame walk? What will make the dumb talk? What is the elixir of life and philosopher's stone? And what helped Pookie-Baba dig up a tunnel, that runs from Shalamanda to West-Torin? When you are digging a crater, It is the best thing in nature, for sinking your sorrows and raising your joys. Sometimes I wonder, if lightning and thunder, is made out of the plunder, of the reddest hiski and oils. *** If you can keep your head when all about you, are losing theirs and blaming it on you. If you can trust yourself when all men doubt you, but make allowance for their doubting too. If you can wait and not be tired by waiting, or being lied about, don’t deal in lies, or being hated, don’t give way to hating, And yet don’t look too good, nor talk too wise. If you can dream, and not make dreams your master. If you can think, and not make thoughts your aim. If you can meet with Triumph and Disaster, and treat those two impostors just the same. If you can bear to hear the truth you’ve spoken, twisted by knaves to make a trap for fools, or watch the things you gave your life to, broken, and stoop and build them up with worn-out tools. If you can make one heap of all your winnings, and risk it on one turn of pitch-and-toss and lose, and start again at your beginnings, and never breathe a word about your loss. If you can force your heart and nerve and sinew, to serve your turn long after they are gone, and so hold on when there is nothing in you; Except the Will which says to them ‘Hold on!’ If you can talk with crowds and keep your virtue, nor walk with Kings, nor lose the common touch. If neither foes nor loving friends can hurt you. If all men count with you, but none too much. If you can fill the unforgiving minute, with sixty seconds worth of distance, run. Yours is the World and everything that’s in it, and which is more you’ll be a Man, my son. - Rudyard Kipling
man_of_culture3030 · 707.1K Views
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