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Limgrave Mausoleum

Hallowed Be Thy Ashes

Once, there was light. Once, there were men who believed in gods, who built their kingdoms atop the bones of the fallen and drank deep from the veins of the earth, thinking themselves mighty. But the light is gone now, and the gods have drowned in the black tide of their own deceit. The world is a vast and seething thing, its skies thick with smoke that does not rise from fire but from something deeper, older—something that has been watching, waiting, hungering. The cities stand like mausoleums, their spires reaching desperately for heavens that no longer listen. In the great courts of the nobles, the masked and the damned play at civility, waltzing on floors slick with centuries of betrayal. They are not men anymore, not truly—they are echoes, puppets pulled by unseen strings, twisting their knives in games of power that no longer matter. The kings of death, their crowns rusted and their flesh long decayed, whisper prophecies of endings even they cannot fathom. Beneath the streets, beneath the stone, beneath the very skin of the world, something writhes. The dead do not sleep here, they do not rest—they plot. They whisper in voices like cracking bone, singing hymns of ruin to deities who no longer speak, who have forgotten even their own names. And yet, their will remains, etched into the marrow of creation itself. And then there is him. He has no past, no name worth carving into the annals of history. He is not a hero, nor a villain, nor even a man—he is a force, a wound torn through the fabric of a dying world. He does not rage because he chooses to. He rages because it is all there is left. He has seen the suffering, the endless cycles of deception, of power shifting from one wretched hand to another. He has seen the gods rise and fall, has watched kings build their empires only to drown in their own excess. He does not seek to rule, nor to save—he seeks only to end. But the world is not so kind as to simply burn and be done with it. No, it fights. It writhes. It plots. There are things older than kings, older than gods—things that do not want salvation, do not want balance, but only to exist, to keep the cycle turning, to let the suffering continue because it must. They whisper in the ears of the desperate, promising power, promising escape, promising meaning where there is none. They have no faces, no forms, only presence, seeping into the hearts of men, into the bones of reality itself. And so, the game continues. The nobles lie. The kings rot. The gods stir. The dead plot. And he—he burns. But even fire is not enough to cleanse this world, for the embers do not die. They scatter, carried by winds that have no master, to be caught in the hands of the next fool who thinks they are strong enough to wield them. There is no hope. No salvation. No final mercy. Only the great unraveling, the long decay, the inevitable ruin. And the jester? The jester does not laugh. For what laughter could exist in a world that has already lost? ****
Giraffed899 · 5.3K Views

Merchant of the Underworld

The Fields of Elysium were progressing quite similarly in the manner of Earth (i.e the living) It's markets were dictated by the paper money and junk that found it's way to the world dimension or plane that the Underworld was located. It's economy ran based on the money printed and created by those still alive, which were strips of paper with specialized ink stains called legacy money. This money held the blessing and the breath found only among the living and was difficult to counterfeit, but not impossible. Other objects of dedication suck as statues, cars, and even spirits of art, craftsmen masterpieces, swords, unfinished paintings, arias, secret messages could be found among the most venerated mansions and mausoleums. In this world all the bonds and promises made above were washed away, severed. Few among the living dared or even could visit. Most souls took it to create a second chance. This wasn't hell or heaven, purgatory or a waiting room, but rather a place to visit and stay. Some choose to stay, some disappeared, both heaven and hell coexisted as all could be found here. Various treasure hunts ensued in search of casinos and lost fortunes. Wandering spirits could be seen as was capable ministers, betrayed generals, scheming businessmen, and black-hearted villains. Ghosts of many pasts from unresolved debts and grudges existed as well. The cries and struggles of the uninspired, thoughtful philosophers and fallen empires helped to add to the chaos that was the netherworld. This was the story I originally wanted to write...however writing is hard. So this is what came out instead.
Michael_v1 · 12.3K Views

The Veiled Mansion: Chronicles of Shadows and Redemption

SYNOPSIS The night unfolded in a symphony of shadows, the moon casting its pale glow upon the cobblestone streets. As the clock struck midnight, a lone figure emerged from the darkness, shrouded in mystery. His name was Victor Blackwell, a man whose past was veiled in the secrets of a bygone era. The streets were hushed, and the air carried a whisper of suspense as Victor navigated the narrow alleys with the ease of a cat on the prowl. His coat billowed in the cool night breeze, and his piercing eyes scanned the surroundings, ever watchful for the unseen. In the heart of the city, a dilapidated mansion stood as a relic of forgotten grandeur. Its windows were like vacant eyes, staring into the depths of time. Victor approached with a sense of purpose, his steps echoing through the silence. The mansion held the key to a truth buried beneath layers of deceit. The door creaked open, protesting the intrusion of an unexpected visitor. Victor stepped into a dimly lit foyer, where the musty scent of antiquity lingered. A grand staircase ascended to the upper floors, each step echoing the echoes of a once vibrant history. As Victor delved deeper into the mansion's secrets, he unearthed the fragments of a tragic tale. Love betrayed, alliances shattered, and a darkness clung to the very walls of the forsaken abode. He traced the steps of those who came before him, following the spectral imprints of their existence. The rooms whispered with the weight of untold stories, and Victor found himself ensnared in a web of intrigue. A portrait on the wall seemed to gaze accusingly, revealing the visage of a woman whose eyes held the secrets of a thousand unspoken words. Her story entwined with Victor's own, a connection that transcended the boundaries of time. As the night wore on, Victor uncovered the threads of a conspiracy that spanned generations. The mansion, once a haven, had become a mausoleum for the truth. With each revelation, the shadows retreated, unveiling a tale of redemption and retribution. The first light of dawn painted the sky in hues of rose and gold as Victor emerged from the mansion, his quest fulfilled. The secrets that had haunted the night were now laid bare, and the city could breathe again. Victor Blackwell, a solitary figure in the early morning light, vanished into the folds of the awakening city, leaving behind the echoes of a night steeped in mystery and revelation.
Angrock · 26.1K Views
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