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Marvels Eggs

Tamer’s Curse and the Forbidden Beast Eggs

In a world where taming powerful beasts is both art and survival, young Fowad Benit is left alone to carry on his family's legacy after his father despaired. With only fragments of ancient knowledge and a mysterious technique known as the Taming Circle, Fowad must train and grow in the treacherous Sapling Forest, home to beasts of every rank and danger. Armed with a pendant passed down from his ancestors, Fowad forms a bond with a spirited fox beast named Foxy, who becomes his fierce and loyal partner. But as they face deadly foes, they discover a hidden power within themselves, and even more secrets buried within the forest. A surprise companion joins them a chubby, fiery-red bird, Fattey, with an unknown lineage and abilities that defy all of Fowad’s training. As Fowad dives deeper into his family's lost techniques, he uncovers the potential to tame and evolve beasts far beyond his current level. Yet danger looms, as rival tamers, powerful beasts, and dark forces begin to stir, each with their own plans for Fowad’s legacy and the rare beasts that now fight by his side. In a race against time, Fowad must master his family’s ancient technique, tame new allies, and awaken the power within himself. But can he rise to the challenge before he becomes prey to the very beasts he seeks to control? "The Tamer’s Legacy" is a thrilling journey of friendship, courage, and untamed magic that will pull you into a world where the wild calls and only the strongest survive.
NF_Stories · 160.9K Views

The Little Joe is the Fake Hen of Golden Eggs.

Little Joe In the enchanting kingdom of Tallindorie, Little Joe is a spirited boy from a humble farming family, living a life of simplicity and joy. Despite facing rejection due to his modest background, he remains blissfully unaware of the harsh realities of life. His days are filled with secret training sessions with his father, indulging in hearty meals, and earnestly trying to make friends. But everything changes after a fateful encounter at school. When Joe bravely saves the teenage children of a powerful baron, he not only earns their friendship but also receives a mysterious gift that alters the course of his life. Later, after much suffering, fate thrusts Joe into the spotlight, drawing the attention of the lords from neighboring cities who see in him the potential to become a local defender. However, Joe’s dreams reach far beyond the accolades of knighthood. He aspires to be a true hero, someone who can make his parents proud, uplift his small town of Dhaubania, and stand against the corruption and injustices that plague the nobility in the kingdom of Tallindorie. Meanwhile, in the real world, Lowo N'air, a young orphan, is caught in the web of two scientists with dark ambitions. One is a pharmaceutical magnate seeking the perfect herb to create an innovative medicine, while the other is a portal technology developer searching for new worlds to conquer. Both seek the power to reshape reality, but their pursuits risk plunging the world into chaos. Fate takes an unexpected twist with the arrival of SIME, a System of Intelligent Multiple Choices. Due to a critical error, the system distorts the characters' desires in unimaginable ways. Little Joe, who once dreamed of becoming the greatest fighter, finds himself connected to a bugged system that strips him of all his abilities, leaving him at the lowest level of degradation, and only grants him insanely useless skills as rewards. As if that weren't enough, Joe also suffers from the bizarre ability to lay golden eggs—a power that brings him wealth but at the cost of his dignity. On the other hand, Lowo N'air, who longed for riches, is granted the potential to become a formidable warrior. Realizing they belong to different worlds yet are connected by shared technology, Joe and Lowo N'air become disillusioned with the absurd swap of their dreams. United in their frustration, Joe resolves to challenge and modify the very System that altered his destiny, while Lowo rebels, believing that no one should have the power to dictate their dreams.
Kall_Berti · 29.8K Views

egg and I .... winning the heart

1946, Betty McDonald’s whimsical autobiography was as popular as baked beans; now it’s almost completely forgotten, but, tellingly, still in print. Alas, after an hour or two with The Egg & I, it was excruciatingly obvious that Betty McDonald’s book is not a classic. On some weeks, there might be as many as five competing challenges for each nonfiction slot, but rarely as straightforward as this. Literary classics cluster on the north face of Parnassus. For this vertiginous terrain there are different sherpas. Italo Calvino says that a classic is “a book that has never finished what it wants to say”. Ezra Pound identifies “a certain eternal and irresponsible freshness”; TS Eliot, much more astringent, observed in The Sacred Wood that “no modern language can hope to produce a classic, in the sense I have called Virgil a classic”. Alan Bennett wryly notes: “Definition of a classic: a book everyone is assumed to have read and often thinks they have.” Among nonfiction classics, the most treacherous category is that creature beloved of publishers – “the contemporary classic”. A second cousin to that notorious impostor is the “instant classic”. Such books will have been judged by slippery criteria: popular and literary critical fashion, a changing marketplace and new technology, bestseller lists and hype. In the past 100 years, a familiar palette of blurbish adjectives has given shape and colour to a moving target: provocative, outrageous, prophetic, groundbreaking, funny, disturbing, revolutionary, moving, inspiring, life-changing, subversive… a portrait of sir walter raleigh wearing a brocaded and beaded doublet The 100 best nonfiction books: No 99 – The History of the World by Walter Raleigh (1614) Read more This list raises another troubling question: is nonfiction “the new fiction”? There are some good writers who will argue that this is so, but I believe that nonfiction (which can sometimes successfully bring together many genres) is not, strictly speaking, a genre of its own. Creatively – yes – using narrative techniques borrowed from fiction, it’s possible to give certain kinds of nonfiction the aura of a distinct new genre. Yet, at the end of the day, “nonfiction” fractures into time-hallowed categories such as philosophy, memoir, history, reportage and poetry (see below), etc. This is particularly true of “nonfiction classics” from the 18th and 19th centuries, titles such as A Treatise of Human Nature by David Hume or On Liberty by JS Mill. By that yardstick, a recent classic will be quite distinct, chiefly because its literary and cultural milieu is so different
Zabi_Khan_1535 · 1.9K Views
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