Download Chereads APP
Chereads App StoreGoogle Play
Chereads

Meldi Meldi Karta Maro

Like ka Chakkar

Characters: Rohan - Ek school student jo social media par kaafi active hai aur followers aur likes ko bahut seriously leta hai. Neha - Rohan ki classmate aur dost, jo responsible tareeke se social media use karti hai. Mr. Verma - School ke teacher, jo students ko social media ke risks ke baare mein samjhate hain. Scene 1: Rohan aur Social Media Ka Nasha Panel 1: Rohan apne phone par social media par scroll kar raha hai aur apne profile par like aur comments ka check kar raha hai. Text: "Wow! 100 likes! Lekin Neha ke 200 hain... kya karoon ki mere bhi aur followers badhein?" Panel 2: Rohan selfie lekar aur edit karke flashy captions ke sath post karte hue dikhaya jata hai. Text: "Shayad kuch aur cool post karne se mere likes badh jayenge!" Scene 2: Fake Fame Ka Pressure Panel 3: Rohan ek expensive sneakers kharid leta hai, sirf apne followers ko impress karne ke liye, lekin andar se nervous aur stressed lagta hai. Text: "In sab mein paise bhi kaafi lag rahe hain... par agar likes badh gaye toh worth it hoga!" Panel 4: Neha Rohan ko samjhati hai ki likes aur followers ke piche bhagna zaroori nahi hai, asli dosti aur self-worth in cheezon par depend nahi karti. Text (Neha): "Rohan, yeh sirf ek screen hai! Real life mein jo hum hain wahi sabse important hai." Scene 3: Galat Post Ka Nateeja Panel 5: Rohan bina soch-samajh ke ek party ki photo daal deta hai jisme kuch students ki consent ke bina unki embarrassing photos bhi dikhayi deti hain. Text: "Sabko show-off karna chahiye! Yeh toh ek mast post hai." Panel 6: Agle din, Rohan ko complaints milti hain aur kuch log usse naraz hote hain kyunki unke photos bina unki ijazat ke daale gaye the. Text: "Yaar, maine toh socha hi nahi ki isse unhe problem hogi..." Scene 4: Realization aur Apne Aap Ko Improve Karna Panel 7: Mr. Verma Rohan aur class ko social media ke responsible use ke baare mein samjhate hain aur batate hain ki likes aur comments se humari asli value nahi banti. Text (Mr. Verma): "Social media pe hamare actions ka asar dusre logon par bhi padta hai. Zaroori hai ki hum uska sahi istemal karen." Panel 8: Rohan apni posts ko delete karta hai, privacy aur responsible use ke baare mein seekhta hai, aur apni asli life par dhyan dena shuru karta hai. Text: "Mujhe ab samajh aaya ki real life mein khush rehna aur dusron ki respect karna sabse zaroori hai." Scene 5: New Beginning Panel 9: Rohan aur Neha real-life activities mein time spend karte hain, jaise sports aur reading, aur Rohan aakhir mein social media ka responsible use karne lagta hai. Text: "Ab main social media ko life ka ek hissa samajh kar use karunga, aur apne asli doston aur hobbies par focus karunga."
MODI_ENTERPRISES · 417 Views

ek time ek raza raheta tha wah bhot hi dayalu hua karta

  Login RAJA RAO Sections HomeLiteratureNovels & Short StoriesNovelists L-Z Raja Rao Indian writer Cite Share More WRITTEN BY The Editors of Encyclopaedia Britannica Encyclopaedia Britannica's editors oversee subject areas in which they have extensive knowledge, whether from years of experience gained by working on that content or via study for an advanced degree.... See Article History Raja Rao, (born November 8, 1908, Hassan, Mysore [now Karnataka], India—died July 8, 2006, Austin, Texas, U.S.), author who was among the most-significant Indian novelists writing in English during the middle decades of the 20th century. Raja Rao QUICK FACTS BORNNovember 8, 1908 Hassan, India DIEDJuly 8, 2006 (aged 97) Austin, Texas NOTABLE WORKS “The Serpent and the Rope” Descended from a distinguished Brahman family in southern India, Rao studied English at Nizam College, Hyderabad, and then at the University of Madras, where he received a bachelor’s degree in 1929. He left India for France to study literature and history at the University of Montpellier and the Sorbonne. Also while in France he married Camille Mouly, in 1931. He returned to India in 1933—the same year that, in Europe and the United States, some his earliest short stories were published—and spent the next decade there moving among ashrams. He also participated in the movement for Indian independence and engaged in underground activities against the British. Roa returned to France in 1948 and subsequently alternated for a time between India and Europe. He first visited the United States in 1950, and in 1966 he became a professor of philosophy at the University of Texasat Austin, though he continued to travel widely. He retired and was named professor emeritus in 1980. His first marriage having ended in 1949, he married twice more, in 1965 (to Catherine Jones) and 1986 (to Susan Vaught). Rao wrote a few of his early short stories in Kannada while studying in France; he also wrote in French and English. He went on to write his major works in English. His short stories of the 1930s were collected in The Cow of the Barricades, and Other Stories (1947). Like those stories, his first novel, Kanthapura (1938), is in a largely realist vein. It describes a village and its residents in southern India. Through its narrator, one of the village’s older women, the novel explores the effects of India’s independence movement. Kanthapura is Rao’s best-known novel, particularly outside India. His subsequent novels took an increasingly broad focus, and by 1988 one critic hazarded that Rao’s “greatest achievement is the perfection of the metaphysical novel.” Rao’s second novel, The Serpent and the Rope (1960), is an autobiographical account of the narrator, a young intellectualBrahman, and his wife seeking spiritual truth in India, France, and England. The novel takes Rao’s first marriage and its disintegration as its subject. More broadly, it investigates the intersections of Eastern and Western cultural traditions, a subject reinforced by the novel’s style, which brings together many literary forms and texts from across those traditions. The Serpent and the Ropedrew wide praise and is considered by many critics to be his masterpiece. .......
DaoisttFRucw · 2K Views
Related Topics
More