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I Set Fire To The Rain One Piece

Setting souls

The two men couldn't have looked more out of place on the cold afternoon streets of New Hadepee. The first was a scrawny fellow, no taller than five foot eight, wearing a white shirt marred with ugly reddish-brown stains and a pair of plain tan pants. His companion, by contrast, carried himself with an air of quiet authority—a regal-looking man with a neatly trimmed black beard, wrapped in a great black coat with a red scarf pulled snug around his neck. "I heard the man himself has come back," the one in the stained shirt said, carefully balancing on the curb with his arms outstretched. "Oh? And where did you hear that?" his companion asked, turning his head with amusement to watch the precarious balancing act. "Welp, the sergeant major told me to go down to Olker, so I figured that could only mean he's back," the man in the white shirt replied. "Vistor has close cultural and political ties with the kingdom of Olker. Don't you think it's just a protection job?" the older man in black inquired, a hint of humor in his voice. "Oh, come on, Mang, you know they'd never give someone like me a protection job," the man in the white shirt scoffed, jumping off the curb and spinning around a lamppost. The older man—now known as Mang—came to a halt, reaching into his coat and pulling out an envelope. "Well, Tai, I suppose you're wrong." Mang handed the envelope to him. Tai peeled open the envelope, sliding out the letter and studying it carefully. "Oh wow, so Marlin is marrying the queen of those people?" he asked with a shrug. "She is not a queen. Don't let anyone call her that," Mang snapped. "And if her people weren't so damn difficult, we would have annexed them already." "So we let them succeed but not Gascon? Whose idea was that? They're more like us than those humans are," Tai said, frowning. "Gascon was willing to sell to the Emperor for a small chunk of change," Mang quipped. "The Noctrous family was not." "Ok so what's that matter, all we need is a little persuasion to change their minds? We killed the chief of Gnomandale and sent his stuffed head back to them, then they sold Gnomendale to us. All we need to do to get Olker is beat the hell out of Sylvie and she will sell." Tai folds the letter and places it back into the envelope. "Tai, the people of Vistor don't have the heart to see us beat up the Eladrin people like we did the Gnomes, and plus their Chief tramp Silvye is much too pretty for us to put her head on a stick."  "Welp, it's our loss," Tai muttered, spitting onto the sidewalk. "No, it's not. Not if Chester is back…" Tai frowned. "What's Chester gonna do?" "Last I recall, his fallout with Sylvie wasn't just a petty disagreement. Before he died, he built a fleet of ships and hid them in a cove somewhere. If he wanted revenge, all he'd need is an army." "And who the hell would fight for him?" "The same people who fight for us—the poor." This is a prequel to Then Maker, another story of mine. The writing may feel somewhat outdated compared to my more recent work, but it consists of a series of scenes that occur before the main events of the novel. The description is one of my most recent pieces, which is why it differs in style from the rest of the book.
Thornton_Chase · 1.6K Views

VA: 'DIAMØND TO RAIN'

VA: DIAMOND TO RAIN follows Satou Senji, a young student who roams the streets of Japan at night, exploring abandoned places and encountering other individuals who, like him, feel like outcasts in society. Set in 2009, the story dives deep into the lives of misfits—people who are disconnected from mainstream society, each with their own struggles and reasons for feeling like they don’t belong. Satou’s solitary hobby of wandering at night brings him into contact with a diverse group of people, each with their own backstory. Along the way, he meets several girls who, like him, have chosen to stay away from society or are living in isolation due to trauma, societal rejection, or personal choices. The story paints a picture of these lost souls finding connection in each other amidst the backdrop of Japan’s urban decay. One of the key figures in Satou's journey is Kanako Ryoyo, a 19-year-old girl who is a victim of human trafficking. She’s tough, cold, and emotionally guarded, but after escaping her captors, she ends up hiding in an abandoned asylum, where Satou first finds her. Their connection grows as Satou helps her find refuge at his home. Kanako is a complex character—nonchalant and blunt on the outside, yet deeply affectionate in her own way. Her trauma, mixed with Satou’s kindness, leads to a slow but steady emotional connection. As the story unfolds, Satou and the people he meets face personal challenges, emotional dilemmas, and moments of redemption. The narrative explores themes of broken families, societal rejection, the psychological toll of isolation, and the complexities of human emotions. The presence of illegal activities like human trafficking and underground bars also adds a dark layer to the story, setting a gritty tone for the series of encounters Satou has with those seeking meaning outside of society's rigid expectations. With a strong focus on psychology, adventure, and romance, VA: DIAMOND TO RAIN is a deeply emotional journey of outcasts, exploring how they navigate the world while searching for a place where they belong.
_KxE_ · 984 Views
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