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Haryana Csat Syllabus

That Time I Got Reincarnated With Gacha System In Mahabharata

(This Story Takes Place In AU So, Don't Expect To Go Things As It Was In the Original Mahabharat.) Hindu x Greek x Norse (Mythologies Included) ******************* My name is Aditya. I am a seventeen-year-old who used to live in Kurukshetra, Haryana, and, of course, an orphan. Life was ordinary until a tragic accident took me away from the modern world—only to be reborn in a time I had only read about in history books: the Mahabharata era. As for how I got to this conclusion? Well, the answer to that question lies with the man-god sitting far away from me with a mischievous smile on his handsome face—Lord Krishna. It seems my memories awakened at a significant moment: the Swayamvara of Draupadi. Standing amidst an assembly of kings and warriors, I watch as Karna is insulted and humiliated for his lower caste. The tension in the air was palpable, and I realized that I was witnessing one of the most pivotal events in the Mahabharata. My heart raced with both excitement and dread. But as I tried to process this, something even stranger happened—a voice echoed in my mind. [Welcome, User! You have activated the Gacha System.] What on earth? Or rather, what in the Mahabharata? Before I could even fully comprehend the situation, I felt a strange pull within me, like an invisible force connecting me to something far greater. The system interface appeared in front of my eyes, listing various abilities, weapons, and companions—all locked behind a gacha mechanism. Apparently, I had been reincarnated not just as a mere observer but with a cheat ability straight out of a video game. The Gacha System allowed me to draw random skills, weapons, or even templates from the grand pool of every mythological lore. But there was a catch: each draw required "Fate Points," and earning those points meant altering the events of this world. As I stood there, watching the unfolding drama with Karna, I realized that I was no longer just a bystander. I had the power to change history, for better or worse. But meddling with destiny in such a grand tale came with unimaginable consequences. What if I anger the gods? What if I change the fate of heroes like Arjuna, Karna, or Bhishma? The weight of it all hit me like a thunderbolt. Still, one thing was certain—I couldn't let things play out the way they did in the original story, not if I had the power to make things right. With the Gacha System at my side, I had the chance to rewrite the Mahabharata itself. But I needed to be cautious. Lord Krishna’s knowing gaze seemed to pierce through me as if he already knew about my unique circumstances. Was he testing me? Guiding me? Or simply waiting to see how my actions would shape the future? Then let's start with this event itself. ********************** Disclaimer: Remember, this is a fanfiction about Mahabharata. Not "Original" Mahabharata. I have no intention to harm anyone's religious belief, I am just writing a what-if story from my perspective. If you don't like it, So I kindly request you not read further this.
Suryaputra_Karna01 · 201.3K Views

Splash Splash Love

Danbi adalah siswa sekolah menengah atas yang mengambil Tes Kemampuan Skolastik Perguruan Tinggi (CSAT). Namun dia memiliki ketakutan yang tidak rasional terhadap matematika, dan enggan untuk mengambilnya dan saat dalam perjalanan untuk duduk untuk ujian dia berhenti di taman bermain bermain di kolam hujan dan melakukan perjalanan melalui salah satu dari mereka yang ternyata menjadi portal waktu ke era Joseon. Di Joseon dia keliru untuk seorang kasim dan melayani di istana dia dengan demikian menjadi kepercayaan Raja Lee Do. Danbi menemukan bahwa di Dinasti Joseon tingkat matematika dan sains sekolah tingginya menjadikannya ilmuwan terbesar di seluruh Kerajaan. Dia jatuh cinta dengan Raja dan menginspirasi dia dalam reformasi negaranya. Namun, karena khawatir akan hak istimewa mereka sendiri, Danbi menjadi sasaran para abdi dalem tradisionalis yang mencari kematiannya. Memiliki tangan dalam menyelamatkan Raja dan Ratu, Danbi menjadi teman dengan Ratu yang, untuk memungkinkan Raja dan Danbi untuk bersama, mendukung Danbi menjadi permaisuri. Dipersembahkan kepada Ratu Janda, yang merupakan doppelganger dari ibunya sendiri, Danbi menjadi sangat sakit di rumah dan karenanya memutuskan untuk kembali ke zamannya. Lee menerima keputusannya, dan mereka pergi, menuju pantai, di mana mereka saling berpisah sebelum Danbi menghilang ke portal di air. Ketika dia menghilang, Lee bersumpah bahwa dia akan menemukannya lagi, tidak peduli berapa lama. Kembali ke zamannya, Danbi suatu hari menonton seorang penyanyi di layar di tempat kerjanya, dan terpana bahwa artis tersebut adalah salinan langsung dari pengawal Raja. Penyanyi menyatakan lagu cinta dan menyanyikan tentang "percikan cinta", ketika tiba-tiba mulai hujan di luar. Di luar di jalan, Danbi memperhatikan sebuah kolam air dan dengan serius mempertimbangkan untuk melangkah ke dalamnya, kembali ke Lee, ketika dia tiba-tiba didekati oleh seorang pria yang diam-diam memegang payung di atas kepalanya. Dia mendongak dan menyadari bahwa dia adalah raja, salinan hidup Lee, dan mereka berdiri diam menatap mata masing-masing untuk waktu yang lama sebelum dia memecah kesunyian dengan mengatakan kepadanya bahwa mereka telah bertemu sebelumnya - "dahulu sekali", dia menambahkan, dan pemirsa ditunjukkan kilas balik dari kesempatan sebelumnya di sebuah bus di mana Danbi menjatuhkan barang-barangnya di lantai dan dia membantunya mengambilnya. Sangat tersirat bahwa dia adalah reinkarnasi dari Lee, yang sekarang akhirnya menemukan cintanya lagi seperti dia bersumpah dia akan bertahun-tahun yang lalu.
Shinta123 · 39.2K Views

Might of the heavenly Goddess - A Genius Reborn to love

Qiao jangmi the girl The emperor Dotes on and trusted the consorts tried to gain her favor, but secretly wished her dead the crown prince vowed to get rid of her after she rejected his proposal Of being his consort and the officials wished that they could devour her bones and eat her flesh. The crafty wanted to get into her favor. The honorable wanted to kill her The commoners looked down upon her For she is the rebel and waste that everyone wanted dead. Ten thousand years ago He is Lord Mo Yue a cold and detached man whom everyone loved But fears. He is vicious, merciless, cruel and savage. Receives flattery and take unfair advantage, causing calamity and chaos beyond the scope of syllabus. But he vanished from the face of earth for thousands of years only to be found and awaken mysteriously by Qiao jangmi And such she got a love that she wouldn't even dare to think about. That cold fragrance had always stood by her side and vaguely always surrounded her. He was like an antidote that seemed to carry poison, making her go crazy. If you don't abandon me, then I will give up everything for you to have a life of no worries! When Mo yue pulled Qiao jangmi white garment and saw a dark scar on her fair white thigh, his lips were in a thin line displeased, "Do you detest me now?" Jangmi asked? Mo Yue touched her forehead with his lips and laughed, "How would I dislike you? You are the one I want to be with. Now, you are just one step away from me." Even through rain of blood and forest of daggers, I will stay by your side in this life, looking at how the flowers bloom and wither and how winter becomes spring.
Fi_Cool · 8.1K Views

Mahabharat : Great Epic of the Bharata Dynasty

Mahabharata, (Sanskrit: “Great Epic of the Bharata Dynasty”) one of the two Sanskrit epic poems of ancient India (the other being the Ramayana). The Mahabharata is an important source of information on the development of Hinduism between 400 BCE and 200 CE and is regarded by Hindus as both a text about dharma (Hindu moral law) and a history (itihasa, literally “that’s what happened”). Appearing in its present form about 400 CE, the Mahabharata consists of a mass of mythological and didactic material arranged around a central heroic narrative that tells of the struggle for sovereignty between two groups of cousins, the Kauravas (sons of Dhritarashtra, the descendant of Kuru) and the Pandavas (sons of Pandu). The poem is made up of almost 100,000 couplets—about seven times the length of the Iliad and the Odyssey combined—divided into 18 parvans, or sections, plus a supplement titled Harivamsha (“Genealogy of the God Hari”; i.e., of Vishnu). Although it is unlikely that any single person wrote the poem, its authorship is traditionally ascribed to the sage Vyasa, who appears in the work as the grandfather of the Kauravas and the Pandavas. The date and even the historical occurrence of the war that is the central event of the Mahabharata are much debated. The story begins when the blindness of Dhritarashtra, the elder of two princes, causes him to be passed over in favour of his brother Pandu as king on their father’s death. A curse prevents Pandu from fathering children, however, and his wife Kunti asks the gods to father children in Pandu’s name. As a result, the god Dharma fathers Yudhishtira, the Wind fathers Bhima, Indra fathers Arjuna, and the Ashvins (twins) father Nakula and Sahadeva (also twins; born to Pandu’s second wife, Madri). The enmity and jealousy that develops between the cousins forces the Pandavas to leave the kingdom when their father dies. During their exile the five jointly marry Draupadi (who is born out of a sacrificial fire and whom Arjuna wins by shooting an arrow through a row of targets) and meet their cousin Krishna, who remains their friend and companion thereafter. Although the Pandavas return to the kingdom, they are again exiled to the forest, this time for 12 years, when Yudhishthira loses everything in a game of dice with Duryodhana, the eldest of the Kauravas. The feud culminates in a series of great battles on the field of Kurukshetra (north of Delhi, in Haryana state). All the Kauravas are annihilated, and, on the victorious side, only the five Pandava brothers and Krishna survive. Krishna dies when a hunter, who mistakes him for a deer, shoots him in his one vulnerable spot—his foot—and the five brothers, along with Draupadi and a dog who joins them (Dharma, Yudhisththira’s father, in disguise), set out for Indra’s heaven. One by one they fall on the way, and Yudhisthira alone reaches the gate of heaven. After further tests of his faithfulness and constancy, he is finally reunited with his brothers and Draupadi, as well as with his enemies, the Kauravas, to enjoy perpetual bliss. The central plot constitutes little more than one fifth of the total work. The remainder of the poem addresses a wide range of myths and legends, including the romance of Damayanti and her husband Nala (who gambles away his kingdom just as Yudhishthira gambles away his) and the legend of Savitri, whose devotion to her dead husband persuades Yama, the god of death, to restore him to life. The poem also contains descriptions of places of pilgrimages. I'm not it's original creator i just want more people to read it across the world.
harsh07 · 11.2K Views

Why Book Coaching Could Be the Right Career Change for You

Does reading books all day (and getting paid for it) sound like the dream? What about controlling how much you work and how much you make? And are you yearning to do meaningful work to help others achieve their goals? This is the work of a book coach. We help writers through ideation, planning, drafting, and editing. We serve as craft experts, project managers, cheerleaders, and more. We do challenging work that’s also fulfilling and fun. This job is relatively new—though writers have gotten support, coaching, and editorial help from other places for centuries. And as more writers pursue both traditional and self-publishing, book coaching is poised to explode. It’s a great time for people who are looking to change careers to consider book coaching for their next chapter. But despite all the benefits, you still might ask: Is becoming a book coach right for me? If you’re just starting to consider this, or you’ve been on the fence for a while, here are answers to the questions that might be holding you back. How do I know that I’m qualified to be a book coach? The great thing about book coaching is that it doesn’t require any qualifications. That’s not to say that just anyone can start coaching tomorrow. But all the knowledge and skills that book coaching requires can be taught! (You can click here to download a syllabus for our Book Coach Certification program.) So if anyone could theoretically become a book coach, how do you know if you’d be well-suited to it? And will you like it? If you have most of these characteristics, you probably have the makings of a good coach. You must love books Perhaps this one goes without saying, but if you’re going to work all day at helping people write books, you should love books. Not only is this crucial to your enjoyment of coaching, but it also makes you better prepared to help others. When you read consistently, you further your understanding of the craft and you stay on top of trends in the industry. You must have or be willing to develop comfort with the creative process Calling it a process implies that things are straightforward, however the creative process is anything but. It’s messy, iterative, and deeply emotional. Is that something you can withstand? And can you help guide someone else through those trials? Fortunately, you don’t have to come to coaching with this skillset fully developed already, but you must be open to working on it because your writers will look to you, as their coach, for direction when the creative process challenges them. You must have or be willing to develop comfort with A significant aspect of book coaching–regardless of whether you work in fiction or nonfiction–is project management. Writing a book is big, and often unwieldy, undertaking, which is why so many writers struggle to make much progress on their own. You must know or be willing to learn about the marketplace If you choose to coach writers whose ultimate goal is publishing, you have to have an understanding of the market and what publishers and/or readers will expect. Yes, writing is a craft, but it’s also a business, and anyone who wants to produce a successful book has to weigh the business with the craft. As a book coach, writers will look to you with questions about publishing and more, so you have to be willing to equip yourself with the answers. You like to work one-on-one There are avenues for coaches, like teaching courses and holding retreats, that don’t involve one-on-one work, but most coaching is done this way. Working one-on-one is simply the most efficient approach to help a writer progress quickly because you’re entirely focused on their story and helping them address their unique needs. If that suits you too, you’ll love the ability to zero in on one writer at a time.
Adil_Khan_9573 · 2.4K Views
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