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Funny Tales With Morals

blacksmith of a Thousand tales

Title: The Blacksmith of a Thousand Tales Reyn, a young blacksmith, was reborn into a magical world with the skills and passion he had in his previous life. Raised as the son of a humble blacksmith and a cook in the bustling city of Greyhold, Reyn has a deep love for crafting weapons and an admiration for the legendary creations of his former world. Unbeknownst to his peers, his past life’s knowledge and the influence of anime and video games inspire his every forge. Now, with the ability to imbue his creations with magical properties, Reyn dreams of crafting legendary weapons and sharing his masterpieces with the world. When Reyn is gifted a mysterious book of runes by his childhood friend Liora, his journey into the world of adventurers begins. As he hones his skills, he crafts magical weapons inspired by his favorite stories and games, including replicas of iconic swords. He builds a reputation for his ingenuity, even earning the trust of a seasoned adventurer named Garret, who commissions him to forge the legendary Buster Sword. Despite his growing fame, Reyn keeps a low profile, determined to protect his craft and prevent his work from falling into the wrong hands. Alongside Liora, Garret, and other new friends, Reyn embarks on a path of exploration, crafting divine weapons for worthy adventurers while uncovering the deep secrets of the world. As he faces challenges that test his skills, his bonds with those around him grow stronger, and he finds himself at the center of a larger mystery — one that could alter the fate of the Empire of Caelum forever. The story of Reyn, the Blacksmith of a Thousand Tales, is one of magic, adventure, and the forging of not just weapons, but the bonds that will define his destiny.
bold_bolds · 27.9K Views

The genealogy of morals

On the Genealogy of Morality: A Polemic (Genealogy of Morals) is an 1887 book by German philosopher Friedrich Nietzsche. It consists of a preface and three interrelated essays that expand and follow through on concepts Nietzsche sketched out in Beyond Good and Evil (1886). The three trace episodes in the evolution of moral concepts with a view to confronting "moral prejudices", specifically those of Christianity and Judaism. Some Nietzsche scholars consider Genealogy to be a work of sustained brilliance and power as well as his masterpiece. Since its publication, it has influenced many authors and philosophers. In the "First Treatise", Nietzsche demonstrates that the two opposite pairs "good/evil" and "good/bad" have very different origins, and that the word "good" itself came to represent two opposed meanings. In the "good/bad" distinction, "good" is synonymous with nobility and everything which is powerful and life-asserting; in the "good/evil" distinction, which Nietzsche calls "slave morality", the meaning of "good" is made the antithesis of the original aristocratic "good", which itself is re-labelled "evil". This inversion of values develops out of the resentment of the powerful by the weak. In the "Second Treatise" Nietzsche advances his thesis that the origin of the institution of punishment is in a straightforward (pre-moral) creditor/debtor relationship. Man relies on the apparatus of forgetfulness in order not to become bogged down in the past. This forgetfulness is, according to Nietzsche, an active "faculty of repression", not mere inertia or absentmindedness. Man needs to develop an active faculty to work in opposition to this, so promises necessary for exercising control over the future can be made: this is memory. Nietzsche's purpose in the "Third Treatise" is "to bring to light, not what ideal has done, but simply what it means; what it indicates; what lies hidden behind it, beneath it, in it; of what it is the provisional, indistinct expression, overlaid with question marks and misunderstandings" (§23). As Nietzsche tells us in the Preface, the Third Treatise is a commentary on the aphorism prefixed to it. Textual studies have shown that this aphorism consists of §1 of the Treatise (not the epigraph to the Treatise, which is a quotation from Nietzsche's Thus Spoke Zarathustra). This opening aphorism confronts us with the multiplicity of meanings that the ascetic ideal has for different groups: (a) artists, (b) philosophers, (c) women, (d) physiological casualties, (e) priests, and (f) saints. The ascetic ideal, we may thus surmise, means very little in itself, other than as a compensation for humanity's need to have some goal or other. As Nietzsche puts it, man "will rather will nothingness than not will".
Davidplays_5397 · 7.1K Views
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