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Banca Ideal Bets

Pixelated Love

Seorang penulis muda bernama Arya memiliki impian besar untuk menjadi seorang komikus terkenal. Namun, dia merasa kurang percaya diri dengan kemampuannya menggambar. Suatu hari, dia menemukan sebuah game simulator realitas virtual terbaru yang menawarkan fitur avatar dengan kebebasan berekspresi tanpa batas. Dengan antusias, Arya menciptakan karakter idealnya dan mulai mengeksplorasi dunia dalam game tersebut. Namun, tanpa disangka, sebuah kesalahan sistem terjadi, dan Arya terjebak di dalam permainan. Dia tidak dapat keluar dan kembali ke dunia nyata. Dalam kebingungannya, Arya mencoba mencari jalan keluar, tetapi semakin lama dia berada di dunia virtual, semakin dia merasa nyaman dan terbiasa dengan kehidupan barunya. Di dalam permainan, Arya bertemu dengan seorang gadis bernama Liana, yang memiliki kepribadian dan karakteristik sesuai dengan sosok ideal yang selama ini ia cari di dunia nyata. Bersama Liana, Arya merasakan kebahagiaan yang belum pernah dia rasakan sebelumnya. Mereka berbagi petualangan, mimpi, dan bahkan perasaan yang semakin tumbuh di antara mereka. Namun, di balik kebahagiaan itu, Arya tetap menyadari bahwa dunia virtual bukanlah kenyataan. Pertanyaan besar mulai menghantui pikirannya: Apakah dia harus tetap tinggal dalam dunia ini demi cinta yang telah dia temukan, ataukah dia harus berusaha keluar dan kembali ke dunia nyata? Jika dia berhasil keluar, apakah cinta yang dia rasakan akan tetap bertahan, atau justru menghilang begitu saja, seiring berakhirnya permainan? Arya dihadapkan pada pilihan sulit antara dunia yang nyaman tetapi tidak nyata, dan kenyataan yang penuh tantangan tetapi sejati. Akankah dia memilih untuk tetap berada dalam ilusi demi cinta yang telah ia temukan? Atau akankah dia kembali ke dunia nyata dan menghadapi kemungkinan bahwa semua yang ia alami hanyalah fatamorgana dalam simulasi? Cerita ini hanyalah fiksi belaka.
ishkou · 81 Views

My Perpetuating Tale of Love

BASED ON A REAL LIFE-ONGOING LOVE STORY! You all might have read fictitious tales of ideal love... Are the boy and the girl rivals? Well, after some character development, they are now the world's happiest couple! Did the girl and the boy meet for the first time? Unfortunately, neither of them will come clean now, and it will take them roughly four seasons to realize that "oH, wE bOtH hAd a cRuSh oN eAcH oThEr aLl aLoNg!" Consider the life of a perfectly average adolescent named Alden, who, even though quite afraid to talk to girls, has fortunately or unfortunately fallen deeply in love with her gorgeous classmate Tyra, the ideal girl in his eyes, despite knowing the fact that she is definitely not interested in him. This is a taste of a real-life one-sided (hopefully, not for long) love story. But even after hearing this, Alden isn't quite ready to give up. Will his determination and perseverance be sufficient to turn this one-sided romance into a happy one, or will he fail at his first love? This novel places you in Alden's shoes and allows you to share in this fascinating journey with all of his innumerable problems in achieving his FIRST TRUE LOVE! Just so you know, my whole life I've tried to avoid consuming any romantic media. So I can't guarantee all you romance fans will eat any good with this novel, but REGARDLESS, this novel serves a greater purpose, and thus I will write it to the best of my capability. I HOPE YOU'LL BE KIND ENOUGH TO GIVE THE STORY A TRY!! My first and most probably my last romantic novel.
Elitrefy · 923 Views

The genealogy of morals

On the Genealogy of Morality: A Polemic (Genealogy of Morals) is an 1887 book by German philosopher Friedrich Nietzsche. It consists of a preface and three interrelated essays that expand and follow through on concepts Nietzsche sketched out in Beyond Good and Evil (1886). The three trace episodes in the evolution of moral concepts with a view to confronting "moral prejudices", specifically those of Christianity and Judaism. Some Nietzsche scholars consider Genealogy to be a work of sustained brilliance and power as well as his masterpiece. Since its publication, it has influenced many authors and philosophers. In the "First Treatise", Nietzsche demonstrates that the two opposite pairs "good/evil" and "good/bad" have very different origins, and that the word "good" itself came to represent two opposed meanings. In the "good/bad" distinction, "good" is synonymous with nobility and everything which is powerful and life-asserting; in the "good/evil" distinction, which Nietzsche calls "slave morality", the meaning of "good" is made the antithesis of the original aristocratic "good", which itself is re-labelled "evil". This inversion of values develops out of the resentment of the powerful by the weak. In the "Second Treatise" Nietzsche advances his thesis that the origin of the institution of punishment is in a straightforward (pre-moral) creditor/debtor relationship. Man relies on the apparatus of forgetfulness in order not to become bogged down in the past. This forgetfulness is, according to Nietzsche, an active "faculty of repression", not mere inertia or absentmindedness. Man needs to develop an active faculty to work in opposition to this, so promises necessary for exercising control over the future can be made: this is memory. Nietzsche's purpose in the "Third Treatise" is "to bring to light, not what ideal has done, but simply what it means; what it indicates; what lies hidden behind it, beneath it, in it; of what it is the provisional, indistinct expression, overlaid with question marks and misunderstandings" (§23). As Nietzsche tells us in the Preface, the Third Treatise is a commentary on the aphorism prefixed to it. Textual studies have shown that this aphorism consists of §1 of the Treatise (not the epigraph to the Treatise, which is a quotation from Nietzsche's Thus Spoke Zarathustra). This opening aphorism confronts us with the multiplicity of meanings that the ascetic ideal has for different groups: (a) artists, (b) philosophers, (c) women, (d) physiological casualties, (e) priests, and (f) saints. The ascetic ideal, we may thus surmise, means very little in itself, other than as a compensation for humanity's need to have some goal or other. As Nietzsche puts it, man "will rather will nothingness than not will".
Davidplays_5397 · 6.5K Views
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