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Harry Styles Self Harm

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PROLOGUE: WRITING A SET OF all possible character strings. All possible books would be contained in that. Most unfortunately though, there is no guarantee whatsoever you would be able to find within it the book you were hoping for. It could be you might find a string of characters saying, “This is the book you were hoping for.” Like right here, now. But of course, that is not the book you were hoping for. I haven’t seen her since then. I think she’s most likely dead. After all, it has been hundreds of years. But then again, I also think this. Noticing her as she gazes intently into the mirror, the room in disarray; it is clear that centuries have flowed by, or some such. And she, perhaps, has finished applying her makeup, and she is getting up and is going out to look for me. Her eyes show no sign of taking in the fact that the house has been completely changed, destroyed around her. The change was gradual, continuing, and even long ago she was not very good at things like that. As far as she is concerned, that is not the sort of thing one has to pay attention to. Not that she is aware, but it seems so obvious, she doesn’t need to care about it. Have we drowned, are we about to drown, are we already finished drowning, are we not yet drowning? We are in one of those situations. Ofcourse, it could be that we will never drown. But think about it. I mean, even fish can drown. I remember her saying meanly, “If that’s the case, you must be the one from the past.” It is true of course. Everybody comes out of the past; it’s not that I’m some guy who comes from some particular past. Even when that is pointed out, though, she shows no sign of backing down. “It’s not as if I came out of some bizarro past,” she said. That’s how she and I met. Writing it down this way, it doesn’t seem like anything at all is about to happen, right? Between her and me, I mean. As if something could ever really happen. As if something continues to happen that might ever make something else happen. I am repeating myself, but I haven’t seen her since then. She promised me, with a sweet smile, that I would never see her again. For the short time we were together, we tried to talk about things that really meant something to us. Around that time there were a lot of things that were all mixed up, and it was not easy to sort out what was really real. There might be a pebble over there, and when you took your eyes off it it turned into a frog, and when you took your eyes off it again it turned into a horsefly. The horsefly that used to be a frog remembered it used to be a frog and stuck out its tongue to try to eat a fly, and then remembered it used to be a pebble and stopped and crashed to the ground. With all this going on, it’s really important to know what’s really real and what’s not. “Once upon a time, somewhere, there lived a boy and a girl.” “Once upon a time, somewhere, there lived boys and girls.” “Once upon a time, somewhere, there lived no boy and no girl.” “Once upon a time…lived.” “Lived.” “Once upon a time.” From beginning to end, we carried on this back-and-forth process. For example, in this dialogue, we were somehow finally mutually able to comeup with this kind of compromise statement: “Once upon a time, somewhere, there lived a boy and a girl. There may have been lots of boys, and there may have been lots of girls. There may have been no boys at all, and there may have been no girls at all. There may even have been no one at all. At any rate there is little chance there were equal numbers of each. That is unless there had never been anybody at all anyway.” That was our first meeting, she and I, and of course it meant we would never see each other again. I was making my way in the direction she had come from, and she was headed in the direction I had come from, and this is a somewhat important point; you must realize this walking had to be,
author_3 · 1.7K Views

Harry's a she

Set in an alternate wizarding world shaped by a matriarchal society, this story reimagines the familiar backdrop of Hogwarts and its surrounding conflicts. Power is inherited through the female line, and pureblood families fiercely guard their legacy amidst growing tensions with Muggleborns. The imbalance in the number of witches and wizards has made pureblood males valuable but objectified commodities, intensifying the social and political struggles within the magical world. At the heart of the story is Arcturus Regulus Black, the reincarnated son of Regulus Black. Carrying memories of a past life, Arcturus refuses to follow in the footsteps of Holly Potter, the female equivalent of the Boy Who Lived. Instead, his ambition is to break free from the constraints of his birthright, gaining power to rewrite his destiny in a society where he is marginalized by virtue of his gender. Arcturus is not alone in his reincarnation. Ronda Weasley, the female reincarnation of Ron, and Serena Prince, the female reincarnation of Severus Snape, navigate their own struggles as they reconcile their former lives with the constraints and expectations of this matriarchal world. The group faces questions of identity, legacy, and loyalty, balancing their memories of the past with the possibilities of the present. Their journey unfolds against a backdrop of political turmoil. Holly Potter, destined to fight Voldemort, plays the central role in a fight that echoes the original timeline but is subtly altered by the presence of the reincarnated souls. Simultaneously, the enigmatic Aurora Malfoy—Draco's older sister and another reincarnated soul—must contend with her family's legacy in this transformed world. Meanwhile, Hogwarts, led by Alba Dumbledore, becomes a battleground of ideologies. Dumbledore, though a figure of wisdom, unconsciously upholds the traditions of the matriarchy, while Gellert Grindelwald rises as a voice for men’s rights, creating an additional layer of conflict. The struggle between these ideologies mirrors the broader fight against Voldemort, adding complexity to the characters’ decisions. In a story that mixes politics, societal critique, and the power of memory, the young protagonists confront questions of whether to preserve the world they now inhabit or risk everything to reshape it. Their choices will define the fate of the wizarding world, testing the limits of friendship, power, and identity in a society where nothing is as it once was. Note, this story will NOT have R18 scenes at least for the first volume, if it then does, there will be a tag and you can pass. To summarize this world, it's a matriarchal version of the Harry Potter world while the muggle world remains the same. With all this shit, there are half a dozen reincarnated people of all age (mostly Hogwarts's students) who will make butterfly effects while trying to adapt to this world, including the MC. I decided to write this book as a study, I wanted to see what would happen if I decided to create parameters according to the book and then I would try adding variables to see the changes. The result is that the world is a matriarchy which thus led me to add parameters to explain the reason as to why it's a matriarchy and then to add seven reincarnated persons who will each add butterfly effects.
DecoupeTout · 24.1K Views
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