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Grimm Who Cut Off Nick'S Mom Head

The Director’s Cuts: Horror Tales

Not every horror story gets released. Some are buried. Forgotten. Or never meant to be seen. These are the films that whisper in projection rooms, flicker through broken reels, and show up on tapes no one remembers recording. “Each novel is a standalone nightmare—scripted, cast, and directed by a man no one remembers hiring.” The Director. No one has seen his face. No one has survived two of his films. You're not reading a novel. You're watching his cut. Just pray he never turns the camera on you. --- ## Book 1: My Husband is a Serial Killer (and He Doesn't Know It) The reel clicks to life in an empty theater. Frame one: a woman's trembling hands holding a bloodstained journal. The handwriting inside matches her husband's perfectly—each confession detailing murders that made headlines, each date stamped with precision. Behind the camera, something breathes. Mara Lockwood thought she'd escaped her fractured past when she married Daniel Kessler—a gentle trauma therapist who forgets where he puts his keys, loses hours to daydreams, and loves her with desperate intensity. Their seaside home feels safe. Quiet. Until the journal surfaces from a locked drawer, its pages filled with Daniel's careful script describing acts of violence he swears he never committed. The camera never blinks. As bodies surface along the fog-drenched Oregon coast and Detective Elara Finch closes her investigation net, Mara faces an impossible choice: expose the man she loves or become his accomplice. Because the deeper she digs, the more she discovers about their shared time at Haven Creek Mental Health Facility—memories that were supposed to stay buried. Daniel's blackouts are getting worse. His sleepwalking more violent. And someone keeps leaving notes on Mara's windshield: "He doesn't remember what you made him do." In the projection booth, a clapperboard snaps. The Director adjusts his focus. He's been waiting for this story—one where the audience can't tell who's performing and who's just pretending to be real. Because if Daniel's the killer, Mara might be the reason he became one. And if she's covering for him... The film has already started. --- Disclaimer: All characters are original. Visual references are imagined and used for creative purposes only. No real person, actor, or public figure is involved or affiliated with this work. Poster concept and story by [D_Setia] Cover art generated using AI with original composition
D_Setia · 5K Views

Head Over Boots

The dust of a small Texas town settled around Tessica Raleigh, a world away from the familiar outskirts of Dodge City, Kansas. She didn't expect much from this "Podunk" place, certainly not excitement. Her life revolved around the rhythm of the seasons, the annual harvest of wheat and corn that her family meticulously managed. Her true sanctuary wasn't a quiet room or a bustling city street; it was the cab of a combine or a tractor, the steady hum of the engine a comforting presence as she plowed and harvested the crops. Romance was a distant, practically nonexistent, concept in her demanding schedule. Her parents, meanwhile, basked in their perceived wealth from the successful harvests, seemingly oblivious to anything beyond their financial comfort. On the Triple R Ranch, Logan Ray was living a different, yet equally focused, life. His days were steeped in the traditions of the ranch, a legacy passed down by his dad and uncles. His sophomore year had been smooth sailing, and he felt no anxieties about stepping into junior year. The only real pressure came from his friends, who relentlessly teased him about getting a girlfriend. Logan, however, had his priorities set on his studies and the demanding work of the ranch. He found far more interest in the intricacies of cattle and crops than in high school dating. This focus, however, sometimes made him a target for Kale Edwards, Sawyer Edwards' oldest son, whose animosity often manifested in physical blows.
MG_Ramsey · 16.1K Views
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