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Bones

Hallowed Be Thy Ashes

Once, there was light. Once, there were men who believed in gods, who built their kingdoms atop the bones of the fallen and drank deep from the veins of the earth, thinking themselves mighty. But the light is gone now, and the gods have drowned in the black tide of their own deceit. The world is a vast and seething thing, its skies thick with smoke that does not rise from fire but from something deeper, older—something that has been watching, waiting, hungering. The cities stand like mausoleums, their spires reaching desperately for heavens that no longer listen. In the great courts of the nobles, the masked and the damned play at civility, waltzing on floors slick with centuries of betrayal. They are not men anymore, not truly—they are echoes, puppets pulled by unseen strings, twisting their knives in games of power that no longer matter. The kings of death, their crowns rusted and their flesh long decayed, whisper prophecies of endings even they cannot fathom. Beneath the streets, beneath the stone, beneath the very skin of the world, something writhes. The dead do not sleep here, they do not rest—they plot. They whisper in voices like cracking bone, singing hymns of ruin to deities who no longer speak, who have forgotten even their own names. And yet, their will remains, etched into the marrow of creation itself. And then there is him. He has no past, no name worth carving into the annals of history. He is not a hero, nor a villain, nor even a man—he is a force, a wound torn through the fabric of a dying world. He does not rage because he chooses to. He rages because it is all there is left. He has seen the suffering, the endless cycles of deception, of power shifting from one wretched hand to another. He has seen the gods rise and fall, has watched kings build their empires only to drown in their own excess. He does not seek to rule, nor to save—he seeks only to end. But the world is not so kind as to simply burn and be done with it. No, it fights. It writhes. It plots. There are things older than kings, older than gods—things that do not want salvation, do not want balance, but only to exist, to keep the cycle turning, to let the suffering continue because it must. They whisper in the ears of the desperate, promising power, promising escape, promising meaning where there is none. They have no faces, no forms, only presence, seeping into the hearts of men, into the bones of reality itself. And so, the game continues. The nobles lie. The kings rot. The gods stir. The dead plot. And he—he burns. But even fire is not enough to cleanse this world, for the embers do not die. They scatter, carried by winds that have no master, to be caught in the hands of the next fool who thinks they are strong enough to wield them. There is no hope. No salvation. No final mercy. Only the great unraveling, the long decay, the inevitable ruin. And the jester? The jester does not laugh. For what laughter could exist in a world that has already lost? ****
Giraffed899 · 4.5K Views

The Concubine's Return

Yu Linlang, whose soul had traveled from another world, was finally brought home. At first, everyone assumed that the long-lost legitimate daughter—who had lived away from home for twelve years—would be a timid and helpless girl, easily bullied. However, to their surprise, no one in the mansion could match her sharp wit or martial prowess. The fake daughter, once confident in her place, soon found her status threatened. Yet, things took a turn for the worse when Yu Linlang displayed an extraordinary talent—solving cases by examining bones. With her skills, she cracked several bizarre mysteries, including the Demon Murder Case and the Netherworld Carriage Case, earning widespread fame. The fake daughter gritted her teeth. So what if she can read bones and solve cases? She’s still just a lowly coroner—unloved and unwanted! Hmph! But on Yu Linlang’s birthday, gifts flooded in like water, leaving everyone stunned. It turned out that she was the cherished treasure of powerful families—the Huo family of Shangjing and the Su family of Jinling. The fake daughter nearly collapsed. So what? I am the most extraordinary woman in Shuyun Women’s Academy! Among all the arts, my piano skills are unmatched! Everyone scoffed. Is she seriously challenging our Junior Master in music? Has she even heard of the Tianyin Master? Junior Master is the strongest Tianyin Master of our generation—able to heal wounds and kill enemies with music alone. With her bare hands on the piano, Yu Linlang makes flowers and leaves dance in the air, weaving stories of love and mystery. As she peels away layers of secrets, she composes a legend of her own.
Oribhabor_Favour · 1K Views
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