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Miguel O'Hara Vs Miles Morales

Operation Honey Trap vs The Emperor of the Apocalypse

[WARNING: MATURE CONTENT] The Emperor’s runaway brides have formed a rebel group of scantily clad beauties trained in honey trap techniques. Delphi Chastain is their leader, a fiery beauty with a big axe to grind and a dream of freedom she’s willing to die for. EXTRACT: ““Kiss me baby?” she breathed in her best babydoll voice. “Are you sure?” he growled. She nodded, fluttering her pretty green eyes at him. He didn’t have to be asked twice. Alton pinned her arms above her head and kissed her roughly with all of the force of the desire he was feeling. Three, two, one! she counted in her head. She bit his lip at the same time as she brought her knee up as hard as she could and kneed the man in the groin. He grunted with pain and fell sideways off her, clutching his bollocks. She leapt to her feet and sprinted off, picking up her belongings on the way past. “Thanks for saving me Commander,” she called cheerily at him as she ran away. “Sorry about the crown jewels, but I’m not going back to the palace, so I don’t need them.” Post-WW3 there’s just the Island, and it’s ruled by the Emperor. It’s back to the good old days of polygamy and keeping women covered and chaperoned. The Emperor has raised Delphi and seven other gorgeous girls in the palace to join his harem, training and surgically enhancing them, like treats in a fantasy smorgasbord. But the girls escape and sail off the Island to the uninhabited Mainland, now overrun by mutant tubiàn beasts created as weapons during the War. Hot on their tails are the Emperor’s Honour Guard. Delphi leads the Girls over, under (^_-), and through the enemy, as they battle and tame beasts and men in their struggle to build an army to take down the Empire. Can the girls survive on their own on the Mainland and build a rebel army? Are there any trustworthy men, or are they all the same? Can the Guards resist the charms of the warrior girls? Do they want to? #enemiestolovers #sexywarrior #r18 #smut #post-apocalypse #war #action #fastpaced #scifi #betrayal #revenge #beast taming #battleofthesexes
ShuiShu · 241.4K Views

O Preço para O Amanhã

#Drama Psicológico #Ficção Contemporânea #Romance #Autodescoberta Jefferson, 22 anos, vive preso em um ciclo interminável de solidão e desesperança. Ainda morando com a mãe, seu lar não é mais um lugar de acolhimento, mas um reflexo de seu vazio interno. Seus dias são marcados pela monotonia e pela sensação de estar paralisado no tempo. Seu quarto, escuro e desordenado, carrega o cheiro de cigarros que ele nunca fumou, um símbolo de sua luta invisível contra a depressão que ele tenta esconder de todos, até de si mesmo. Ele está perdido em um espelho que já não reflete a pessoa que um dia foi – alto, magro, abatido, e distante de quem ele sonhou ser. A vida de Jefferson muda quando uma garota surge em seu caminho, com sua energia contagiante e seu jeito de viver intensamente. Ela vê nele algo que ele próprio já desistiu de ver. Sua presença, simples e vibrante, começa a quebrar as barreiras que ele construiu, trazendo pequenas faíscas de cor para um mundo que ele acreditava ter se apagado. Apesar de sua resistência, a garota não desiste e, com o tempo, ensina-lhe a importância de se permitir sentir, de abraçar as mudanças e de buscar algo além da dor. Mas Jefferson carrega segredos profundos e cicatrizes do passado que ele nunca teve coragem de encarar. Agora, ele se vê diante de uma escolha difícil: continuar se afundando em um abismo sem fim ou enfrentar suas sombras e dar um passo em direção a uma nova vida. Será que ele terá coragem de pagar o preço para um amanhã que parecia impossível? Uma história que percorre os altos e baixos da tristeza, da alegria e do recomeço, baseada em fatos reais, onde o verdadeiro preço da mudança pode ser mais alto do que ele imagina, mas a recompensa é a chance de se reencontrar.
Jefferson_Oliveira_0999 · 29 Views

The genealogy of morals

On the Genealogy of Morality: A Polemic (Genealogy of Morals) is an 1887 book by German philosopher Friedrich Nietzsche. It consists of a preface and three interrelated essays that expand and follow through on concepts Nietzsche sketched out in Beyond Good and Evil (1886). The three trace episodes in the evolution of moral concepts with a view to confronting "moral prejudices", specifically those of Christianity and Judaism. Some Nietzsche scholars consider Genealogy to be a work of sustained brilliance and power as well as his masterpiece. Since its publication, it has influenced many authors and philosophers. In the "First Treatise", Nietzsche demonstrates that the two opposite pairs "good/evil" and "good/bad" have very different origins, and that the word "good" itself came to represent two opposed meanings. In the "good/bad" distinction, "good" is synonymous with nobility and everything which is powerful and life-asserting; in the "good/evil" distinction, which Nietzsche calls "slave morality", the meaning of "good" is made the antithesis of the original aristocratic "good", which itself is re-labelled "evil". This inversion of values develops out of the resentment of the powerful by the weak. In the "Second Treatise" Nietzsche advances his thesis that the origin of the institution of punishment is in a straightforward (pre-moral) creditor/debtor relationship. Man relies on the apparatus of forgetfulness in order not to become bogged down in the past. This forgetfulness is, according to Nietzsche, an active "faculty of repression", not mere inertia or absentmindedness. Man needs to develop an active faculty to work in opposition to this, so promises necessary for exercising control over the future can be made: this is memory. Nietzsche's purpose in the "Third Treatise" is "to bring to light, not what ideal has done, but simply what it means; what it indicates; what lies hidden behind it, beneath it, in it; of what it is the provisional, indistinct expression, overlaid with question marks and misunderstandings" (§23). As Nietzsche tells us in the Preface, the Third Treatise is a commentary on the aphorism prefixed to it. Textual studies have shown that this aphorism consists of §1 of the Treatise (not the epigraph to the Treatise, which is a quotation from Nietzsche's Thus Spoke Zarathustra). This opening aphorism confronts us with the multiplicity of meanings that the ascetic ideal has for different groups: (a) artists, (b) philosophers, (c) women, (d) physiological casualties, (e) priests, and (f) saints. The ascetic ideal, we may thus surmise, means very little in itself, other than as a compensation for humanity's need to have some goal or other. As Nietzsche puts it, man "will rather will nothingness than not will".
Davidplays_5397 · 6.6K Views
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