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Citations Kaneki

The Oresteia (Modernized)

All three of the great Greek Tragedians have written plays about the bloody chain of murder and revenge within the royal family of Argos. Yet theirs is in fact not a story of tragedy, but rather one of redemption. As they move from darkness to light, from rage to self-governance, from primitive ritual to civilized institution, their spirit of struggle and regeneration becomes an everlasting song of celebration to be heard throughout the ages. Forming a discourse set against the emergence of Athenian democracy out of a period of chaos and destruction, the Orestian plays are compelling stories of the tensions between our obligations to our families and the laws that bind us together as a society. In the beginning, we witness how a king’s decision to sacrifice his daughter and turn the tide of war inflicts lasting damage on his family, culminating in a terrible act of retribution. In the aftermath of regicide, we behold how a son must set out to avenge his father’s death by committing a most egregious sin. In the end, the sinner is tormented by supernatural powers that can never be appeased, but ultimately finds redemption and ends the curse on his house once and for all. Woven through all of this is the story of a friendship so close that it elevates itself to brotherhood - Where the blood of the covenant is shown to be indeed thicker than the water of the womb. In this very brief twelve-chapter modern rendition of the Orestian plays, I have chosen to place my focus mainly on the lives of the characters Orestes and his best friend Pylades. The chapters, each around 2000-2500 words, are split up evenly between them in first-person narrative. I hope that you will come to enjoy reading this heartwarming story, but more importantly, that you see how the conflicts portrayed in the story, whether human or institutional, are still much very relevant to our societies today. Note on Sources: The details of this story is very loosely based on The Oresteia by Aeschylus, who was one of the three great Greek Tragedians (though this story is not a tragedy). And I mean very loosely. Other sources that I referenced for detail and inspiration are Mythology by Edith Hamilton, Electra by Sophocles, and Iphigenia in Tauris by Euripides. You may also find that I have quoted some of these works, and others (such as Shelley's Ozymondaeus), without citations (average of 1-2 such quotes per chapter). I did this because I do not have the ability to describe certain scenes nearly as well as some of those writers. If you read a particularly beautiful piece of prose here, chances are it's probably stolen lol.
HAXX0RZ · 28.8K Views

Mythe du miracle : Renaître pour défier mon destin

Xiu Wanxue se réveilla et découvrit qu'elle était renée. Cette fois, elle apprit qu'elle n'était qu'une personne insignifiante dans ce monde où existaient la fille et les fils de la destinée. Repensant à tous les événements tragiques qui s'étaient produits dans sa vie antérieure, elle soupira amèrement. Pas étonnant ; ils la détestaient tant, même si elle n'avait rien fait de mal, si ce n'est désirer obtenir 'leur' soin et amour. Pas étonnant ; ils aimaient tous 'elle' tellement. Il s'avéra que Xiu Wanxia, sa sœur jumelle, était la fille de la destinée, entourée d'opportunités défiant le ciel, d'hommes extraordinaires et de partenaires bêtes puissants. Le ciel et la terre lui accordèrent une chance de repartir à zéro, elle ne ferait plus les mêmes erreurs et ne se méprendrait plus sur les gens. Elle sera seulement gentille avec ceux qui la traitent avec gentillesse et punira ceux qui blessent ses proches. Le vieux bracelet qu'elle portait au poignet était en fait un espace portable avec un petit monde à l'intérieur où elle pouvait tout planter. Apprendre l'alchimie, dessiner des runes, contracter des bêtes, explorer les trésors... beaucoup d'autres choses excitantes vont se passer ici. A travers le sang et le dur labeur, elle entama son voyage vers l'immortalité et s’éleva au-delà du ciel pour trouver sa liberté et défier son destin de la vie dernière. Cependant, quelque chose clochait. Que se passerait-il, quand elle découvrirait que tout était complètement différent de ce qu'il semblait être ? Quand les secrets commenceraient lentement à transparaître, tout s'avéra être si....... Ce livre participe au Webnovel Spirity Award 2024. NOTE : Ce livre est un roman de harem inversé, la fin est absolument un harem inversé. Couverture de : Générateur IA de Webnovel Image du personnage : Pinterest, le crédit revient à tous les propriétaires originaux Les citations de chaque personnage ne sont pas de moi. Je les ai recherchées sur un site web. Le crédit revient aux propriétaires de ces citations. Mon nom d'utilisateur DISCORD : littlecarrot6510 https://discord.gg/8tn2JkKs Mon Instagram : Littlecarrot006__ #HaremInverséFL #Renaissance #EspacePortable #Figurant #Romance #PartenairesBêtes #Aventures #RomanceNoire #MondeImmortel #Xianxia #IntriguesTordues #Combat #RomanDétaillé #PasséMystérieux #MémoireDeVieAntérieure #RomanAvecMorale #Inspiration
Littlecarrot · 51.4K Views

That time I got reincarnated as a slime Light novel

Satoru Mikami is an ordinary 37-year-old corporate worker living in Tokyo. He is almost content with his monotonous life, despite the fact that he doesn't have a girlfriend. During a casual encounter with his colleague, an assailant pops out of nowhere and stabs him. While succumbing to his injuries, a mysterious voice echoes in his mind and recites a series of commands of which he could not make sense. After regaining consciousness, Satoru discovers that he has been reincarnated as a Slime in an unfamiliar world. At the same time, he also acquires new-found skills, particularly the ability called "Predator," which allows him to devour anything and mimic its appearance and skills. He stumbles upon Veldora, a powerful 'Storm Dragon', who has been sealed for the last 300 years for reducing a town to ashes. Feeling sorry for him, Satoru befriends the dragon, promising to help him in destroying the seal. They decide to exchange names, Veldora bestows upon him name Rimuru, and receives name Tempest in return. Rimuru then consumes the dragon together with his prison in order to analyze the spell inside itself and eventually free Veldora. The disappearance of Veldora's aura creates a power vacuum which eventually makes Rimuru the leader of all beings inhabiting the Great Forest of Jura, who accept him as a ruler and together they found the nation of Tempest. With Rimuru's strength, wisdom and idealistic vision the new nation quickly grows in strength and influence. Soon Rimuru and his subjects draw the attention of the nearby foreign powers, from monarchs and legendary heroes to demon lords, some seeking to become their allies, while others intending to take advantage of or destroy them completely.
Ken_kaneki123 · 19.2K Views

The Gospel of Matthew

The position of the Gospel according to Matthew as the first of the four gospels in the New Testament reflects both the view that it was the first to be written, a view that goes back to the late second century A.D., and the esteem in which it was held by the church; no other was so frequently quoted in the noncanonical literature of earliest Christianity. Although the majority of scholars now reject the opinion about the time of its composition, the high estimation of this work remains. The reason for that becomes clear upon study of the way in which Matthew presents his story of Jesus, the demands of Christian discipleship, and the breaking-in of the new and final age through the ministry but particularly through the death and resurrection of Jesus. The gospel begins with a narrative prologue, the first part of which is a genealogy of Jesus starting with Abraham, the father of Israel. Yet at the beginning of that genealogy Jesus is designated as “the son of David, the son of Abraham”. The kingly ancestor who lived about a thousand years after Abraham is named first, for this is the genealogy of Jesus Christ, the Messiah, the royal anointed one. In the first of the episodes of the infancy narrative that follow the genealogy, the mystery of Jesus’ person is declared. He is conceived of a virgin by the power of the Spirit of God. The first of the gospel’s fulfillment citations, whose purpose it is to show that he was the one to whom the prophecies of Israel were pointing, occurs here: he shall be named Emmanuel, for in him God is with us. The announcement of the birth of this newborn king of the Jews greatly troubles not only King Herod but all Jerusalem, yet the Gentile magi are overjoyed to find him and offer him their homage and their gifts. Thus his ultimate rejection by the mass of his own people and his acceptance by the Gentile nations is foreshadowed. He must be taken to Egypt to escape the murderous plan of Herod. By his sojourn there and his subsequent return after the king’s death he relives the Exodus experience of Israel. The words of the Lord spoken through the prophet Hosea, “Out of Egypt I called my son,” are fulfilled in him; if Israel was God’s son, Jesus is so in a way far surpassing the dignity of that nation, as his marvelous birth and the unfolding of his story show. Back in the land of Israel, he must be taken to Nazareth in Galilee because of the danger to his life in Judea, where Herod’s son Archelaus is now ruling. The sufferings of Jesus in the infancy narrative anticipate those of his passion, and if his life is spared in spite of the dangers, it is because his destiny is finally to give it on the cross as “a ransom for many”. Thus the word of the angel will be fulfilled, “…he will save his people from their sins”. In Matthew begins his account of the ministry of Jesus, introducing it by the preparatory preaching of John the Baptist, the baptism of Jesus that culminates in God’s proclaiming him his “beloved Son”, and the temptation in which he proves his true sonship by his victory over the devil’s attempt to deflect him from the way of obedience to the Father. The central message of Jesus’ preaching is the coming of the kingdom of heaven and the need for repentance, a complete change of heart and conduct, on the part of those who are to receive this great gift of God Galilee is the setting for most of his ministry; he leaves there for Judea only and his ministry in Jerusalem, the goal of his journey, is limited to a few days. In this extensive material there are five great discourses of Jesus, each concluding with the formula “When Jesus finished these words” or one closely similar. These are an important structure of the gospel. In every case the discourse is preceded by a narrative section, each narrative and discourse together constituting a “book” of the gospel. The discourses are, respectively, the “Sermon on the Mount”, the missionary discourse, the parable discourse, the “church
Dali098 · 161.5K Views
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