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Love You Self Evident Drama

The Price For Loving You

The Price for Loving You Nicolas Blackwood had never been the son his father wanted. In a family of powerful alphas, he was an anomaly—an omega, a stain on the legacy his father spent decades building. Weak. Useless. A mere bargaining chip to secure alliances. That was all Adrian Blackwood saw in him. But Nicolas never cared for power, nor did he crave his father’s approval. His heart belonged to something greater—freedom, dance, the thrill of losing himself in movement, and the people who truly loved him. His mother, whose warmth shielded him from his father’s cold expectations. Lachelle, the best friend who never left his side. And Lucas, the boy who once made him believe in love. But the fragile world Nicolas built shatters when his older brother, Nathaniel, is murdered. His father, the man who had barely acknowledged his existence, suddenly turns his gaze on him. And now, Nicolas has a duty to fulfill. His body, his life, his future—none of it belongs to him anymore. He is to be bound to Caleb Montgomery, the son of a powerful business family. A loveless marriage, a cage disguised as duty. His fate is sealed. Until Dominik Nikolayevich Rizzo steps into his life. The last heir of two great mafia dynasties—his Russian father and Italian mother had built an empire together, their love as dangerous as it was legendary. But love wasn’t enough to save them. On the night before his mother’s birthday, Dominik had left their estate to buy her flowers, only to return to a nightmare. His home engulfed in flames, his parents trapped inside. He had screamed for them. He had fought to reach them. But there was nothing left to save. And Adrian Blackwood had been the one who lit the match. For years, Dominik lived for one thing—revenge. He would infiltrate the Blackwood family, rip them apart from the inside, and watch as their empire crumbled beneath his feet. Killing Caleb Montgomery was just another step in his plan. Taking his place at Nicolas' side was another. But nothing could have prepared him for Nicolas himself. The omega was nothing like he expected—defiant, sharp-tongued, and entirely too beautiful. Too captivating. And in one reckless night, one moment of madness neither of them saw coming, Nicolas' heat drives him straight into Dominik's arms. He claims him. And worse—he marks him. Now, they are bound by something stronger than hatred. A connection neither of them wanted. Nicolas, trapped in the arms of the very man who destroyed his life. Dominik, bound to the omega he was meant to ruin. But the deeper Nicolas digs, the more secrets he unearths—truths his family has buried beneath blood and lies. The real reason Nathaniel was murdered. The sins his father tried to erase. And worst of all… The most dangerous man in his life—the one who led him into the darkness, the one who shattered his world— Was the same man he was falling in love with.
Elinadking · 345 Views

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PROLOGUE: WRITING A SET OF all possible character strings. All possible books would be contained in that. Most unfortunately though, there is no guarantee whatsoever you would be able to find within it the book you were hoping for. It could be you might find a string of characters saying, “This is the book you were hoping for.” Like right here, now. But of course, that is not the book you were hoping for. I haven’t seen her since then. I think she’s most likely dead. After all, it has been hundreds of years. But then again, I also think this. Noticing her as she gazes intently into the mirror, the room in disarray; it is clear that centuries have flowed by, or some such. And she, perhaps, has finished applying her makeup, and she is getting up and is going out to look for me. Her eyes show no sign of taking in the fact that the house has been completely changed, destroyed around her. The change was gradual, continuing, and even long ago she was not very good at things like that. As far as she is concerned, that is not the sort of thing one has to pay attention to. Not that she is aware, but it seems so obvious, she doesn’t need to care about it. Have we drowned, are we about to drown, are we already finished drowning, are we not yet drowning? We are in one of those situations. Ofcourse, it could be that we will never drown. But think about it. I mean, even fish can drown. I remember her saying meanly, “If that’s the case, you must be the one from the past.” It is true of course. Everybody comes out of the past; it’s not that I’m some guy who comes from some particular past. Even when that is pointed out, though, she shows no sign of backing down. “It’s not as if I came out of some bizarro past,” she said. That’s how she and I met. Writing it down this way, it doesn’t seem like anything at all is about to happen, right? Between her and me, I mean. As if something could ever really happen. As if something continues to happen that might ever make something else happen. I am repeating myself, but I haven’t seen her since then. She promised me, with a sweet smile, that I would never see her again. For the short time we were together, we tried to talk about things that really meant something to us. Around that time there were a lot of things that were all mixed up, and it was not easy to sort out what was really real. There might be a pebble over there, and when you took your eyes off it it turned into a frog, and when you took your eyes off it again it turned into a horsefly. The horsefly that used to be a frog remembered it used to be a frog and stuck out its tongue to try to eat a fly, and then remembered it used to be a pebble and stopped and crashed to the ground. With all this going on, it’s really important to know what’s really real and what’s not. “Once upon a time, somewhere, there lived a boy and a girl.” “Once upon a time, somewhere, there lived boys and girls.” “Once upon a time, somewhere, there lived no boy and no girl.” “Once upon a time…lived.” “Lived.” “Once upon a time.” From beginning to end, we carried on this back-and-forth process. For example, in this dialogue, we were somehow finally mutually able to comeup with this kind of compromise statement: “Once upon a time, somewhere, there lived a boy and a girl. There may have been lots of boys, and there may have been lots of girls. There may have been no boys at all, and there may have been no girls at all. There may even have been no one at all. At any rate there is little chance there were equal numbers of each. That is unless there had never been anybody at all anyway.” That was our first meeting, she and I, and of course it meant we would never see each other again. I was making my way in the direction she had come from, and she was headed in the direction I had come from, and this is a somewhat important point; you must realize this walking had to be,
author_3 · 3.1K Views
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