Qin Mu and Deaf painted. One painted to put down his feelings in his painting. The other painted to put down his mortal heart to depict another god with the state of mind of a god.
Qin Mu was painting Divine King Lang Wo, but not really, for it was his ideal lover.
Deaf wanted to finish the transformation of his painting path so he could use painting to carry his Dao.
His aura became more and more discernible as his god nature became denser and denser. The brush in his hand became more than a brush. It became a divine weapon to create life. A new god was born at the touch of his brush.
After a while, it was Qin Mu who put down his brush first as he finished his work.
Deaf was still creating a new life with his thin brush, which radiated an aura of creation. The blood, flesh, and bones of the lady in the painting appeared from his brush.
The god nature of the lady in the painting emerged.
