In the snowstorm on the Bridge of Helplessness, Xu Yourong's South Sea Sword Cry and Chen Changsheng's Descent of Heavenly Music were opponents, but today they were companions.
And these two sword techniques had both originated from South Stream Temple, so they were innately intimate.
The sword cry and sword hum rose together, lingering and changing, becoming increasingly emotional and high-pitched until they peaked and then ceased to be heard.
That it could not be heard did not mean that no sound was being made. The pair's swords were just vibrating at such a high frequency that normal people could no longer hear them.
People could not hear, but the flower could.
The assault of these noiseless waves of sound caused the little red flower to suddenly halt. Then, like it was being buffeted by the wind, it began to sway.
