Fang Zhao was still mulling over Wayne's words the next day on his way to the Qi'an Academy of Music.
As a composer, Fang Zhao touched on styles that were rarely used. Whenever people in the music industry talked about Fang Zhao, they would mention his four-piece series, "100-Year Period of Destruction," which had become his trademark style—classical combined with modern. This had given rise to a wave of popularity for symphonic epics due to the perfect blending of traditional and electronic music.
But whether it was his global lecture tour or his symphonic epics, after a few months had passed, he'd gradually been forgotten by people. The pace of life in the New Era was very quick. Other than those in the industry who were meticulously studying this, other people found new things to pay attention to.
