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Splinters of Time

🇮🇶Muntadher_Khudhur
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Synopsis
In the coastal town of **Sarween**, where the waves of the sea collide with the curse of suspended time, a legend unfolds about a man imprisoned in an endless loop of guilt and oblivion. Adham, the writer who turned his heart into a ledger of lies and ghosts, battles the demons of his memory through **stone towers** that rise from the belly of the sea like divine punishment. Here, where events are born from the womb of pain, **Yara** transforms from a lost daughter into a cosmic enigma: a child who vanishes on a crimson night, only to return as mathematical ciphers that pierce the fabric of reality. Her letters are not cries for help, but calls from parallel worlds mocking humanity’s attempts to grasp time. The **twenty towers**, numbered with the blood of victims, are not mere stone—they are open books bleeding with the wounds of a past rewriting itself. Each tower is a mirror reflecting Adham’s fractured selves: a terrified child, a guilty youth, a weary old man. The **scar above the heart** is but a fiery seal reminding him that the truth is a beast fiercer than any fiction. In this world, time is a poisoned loop: the sea spits out corpses bearing identical DNA, the **white shark** devours the dreams of the past, and shattered mirrors forge parallel universes where Yara does not die… but morphs into an idea haunting her creator. This tale is not a narrative, but a morbid dance between creator and creation. Adham, who believed writing would redeem him, discovers he authored his own prison with his hands: every sentence carved a scar, every chapter lit a candle in the darkness of his conscience. This novel is not about lost time, but about a being who builds his cage from falsified memories and battles mirrors reflecting his image as a crownless executioner. Here, in Sarween, the truth is not a victim… but a killer cloaked in martyrdom. Thus unfolds the legend of **Shards of Time**: like Narcissus gazing at his reflection in the river of memory, drinking from it until death. But here, the river is a sea that regurgitates the names of victims every night, and the mirrors do not reflect faces… they devour them.
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Chapter 1 - The wind that carried the echoes

The coastal town of **Sarween** breathed laboriously, like an exhausted creature beneath a dense October fog. The dilapidated houses, built of sea-stone devoured by salt, loomed like giant skulls gazing from the hills toward the ceaseless waves. Here, where paved roads ended and a realm of unanswered questions began, lived **Adham**—a man who had devoted half a century to writing a single, unfinished novel.

Adham was a paradox: a philosopher clinging to reality's edge, writing about death while fearing his own shadow. His library, filled with works by Nietzsche, Kafka, and Borges, bore witness to his nocturnal dialogues with paper ghosts. Yet his heart remained shackled to one event: the disappearance of his daughter **Yara** twenty years prior, on a night he remembered only in shades of dark red.

That morning, as Adham sipped his bitter coffee, the doorbell rang. On his doorstep stood a woman with a black umbrella, her eyes the color of winter's first dawn. *"I'm Dr. Luma… a psychiatrist. I believe we need to discuss Yara's letters."*

Yara was no ordinary missing girl. Her letters, arriving yearly on the anniversary of her disappearance, brimmed with cryptic mathematical and philosophical symbols, as though toying with reality itself. The final letter contained coordinates leading to a spot in the sea where her body had—*theoretically*—been found two decades earlier. But the new corpse fishermen discovered that morning bore the same scar over the heart, the same DNA… yet the bones were fresh.

*"Madness isn't a psychological question, but a geometrical one,"* Dr. Luma whispered, extending a yellow envelope. *"This arrived at my office a week ago… from you."*

Adham's trembling hands opened the envelope. The handwriting was his. The words were his. Yet he had never written them. The text was the first chapter of his unfinished novel—but with a different ending: a precise account of Yara's disappearance, as if a writer had copied his memories. In the margin, a red-inked note read: *"Time is a closed loop. You are both protagonist and author."*

A faint tremor shuddered beneath their feet. On the shore, the water began receding unnaturally, as though the sea were suffocating. Dr. Luma picked up a cracked stone and carved a number: **20**. *"This is how many times you've tried writing the ending,"* she said, her voice steel. *"Each time, Yara dies. Each time, we return to the start."*

At that moment, shouts erupted from the harbor. A massive white shark—believed extinct for centuries—leapt from the water, swallowing a bird midair. On its back glowed a scar resembling the number **20**.

Adham clutched his head. Scents and sounds blurred—the jasmine perfume Yara loved suddenly permeated the air. Her voice whispered: *"Father, truth isn't a destination… it's a trap we build for ourselves."*

The wind surged, carrying a page from his manuscript. Words melted into the air like tears. Dr. Luma pulled an ancient lantern from her bag, its light an eerie violet. *"Time is running out. Are you ready to see beyond the mirror?"*

On the distant waves, a stone tower began to rise—the very tower Adham had described in his novel thirty years prior, which critics called *"a metaphor for the human mind."* Now, tangible and towering, its walls bore the names of every Sarween resident, including Adham's own, alongside death dates yet to pass.

Before they could react, rain cascaded down, carrying echoes of the past: Yara's laughter, an ancient explosion, the doorbell that had rung twenty years ago on that crimson night. And Adham—the man who had despised fiction all his life—suddenly realized: *reality is the most fantastical story of all*.

This is how the loop begins… once again.