My judgment and guess made the Yin slave look proud again.
However, this time it learned a lot and didn't dare to be too arrogant. With its arms hanging down and its big head drooping, it stood by like a humble housekeeper: "My master said that you know too little about her. We need to give each other some time and space to recognize each other."
"Oh, you're panting when someone says you're fat? An old Yin, you dare to say you need recognition from others. Who has the guts? I'm afraid you'll be sold and have to count money for others!"
Lao Bai's mouth was swollen, but he didn't hesitate to insult people. He said sarcastically that he had done a lot of grave digging, but it was the first time he worshipped a great man up close.
"Could it be some fake trick to scare people?"
Brother Yaozi stared at the objects in front of him and said softly: "Such simple objects can't explain anything."
They didn't shy away from saying this. Yin Nu's face twitched and he was a little annoyed, but he was restraining himself, worried that something might happen.
"As the old saying goes, ignorance is not a crime, but knowing and committing the same crime again is another matter."
I shook my head and said, "There are many rules in this world. You can't go to bed after visiting a grave, and you can't burn two short and one long incense. If you don't know, it's fine. If you know and still deliberately mess around, it's easy to get into trouble. These objects in front of you seem simple, but in fact they are the most particular in the world. Since they are put out to scare people, it means that she knows what's going on. It's a deliberate violation. This is a crime that will be punished by God. She will definitely die, so... it can't be fake!"
I don't know much about this, so I can't say it too clearly. I just know that there are many forces in the dark that you can't mess with.
For example, dragon veins.
Isn't the burial tomb on the upper level just a temple built in the dragon nest, so that the water king will rush to seek death?
But the dragon vein is only the earth vein after all, and it is still something that can be grasped. Many dragon seekers and geomancers throughout the ages dare not say that they have figured it out thoroughly, but at least they have studied it a lot, which is within the controllable range. The only thing to be afraid of is the uncontrollable force.
If you use the gimmick of ritual burial to fool people, you will probably cause the most uncontrollable kind, which will make people have no descendants, no doubt!
I stared at these objects and looked at them again and again, and they were all the same.
Generally speaking, tripods with three legs and two handles are the most valuable, and the most common are the ones with three legs and two handles. Square tripods are rare, but whenever a square tripod is unearthed, it must be large and heavy, and its size is very amazing. The largest square tripod is the Houmuwu tripod, but that tripod can only be regarded as a relatively important ritual vessel. The square tripod in front of me is called the Wanjia tripod, which is larger than the Houmuwu tripod. It has never been unearthed so far. I have also seen it in my family's handwritten notes. There is no need to weigh it. The tripod must weigh one ton. This kind of tripod is only used for ritual funerals. Because the deceased made great contributions during his lifetime, the people mourned him after his death. Ten thousand families had to produce copper, that is, ten thousand households had to produce a certain amount of copper to cast the tripod. If the weight was not enough, the king would make up for it. In short, it must be enough to make up one thousand kilograms.
On the body of the tripod, there is a sun pattern in the center, and cloud and thunder patterns are densely covered around it.
This is a typical decoration of important objects in the Shang and Zhou dynasties. It was still used in the Spring and Autumn Period. It means that the sun, rain, clouds and thunder coexist in the sky. The southern ethnic groups use this to express their worship of clouds and thunder. Burying in the tomb means that this person had a very high status during his lifetime, like the sun in the sky, with both grace and power. As the saying goes, thunder, rain and dew are all the grace of the emperor.
The spears and axes inserted on the left and right sides are all ritual objects, but they are already considered military ceremonies. However, the ancient military ceremonies are not only etiquette between superiors and subordinates, but also sacrifices, and etiquette for comrades who died in battle. The ceremony of the spear and axe is one of them. This is cast by some generals by melting their own personal armor, implying grief for the fallen superiors, which is higher than burial with the dead, and is the highest etiquette.
There is also the Tianlu on the tomb door, which is the Pixiu. This thing is not for attracting wealth. In fact, Pixiu symbolizes the army in a sense.
After a brief moment of shock and confusion, I gradually calmed down and began to observe these details, whispering to myself: "A general who died in the Shang and Zhou dynasties, or perhaps in the Spring and Autumn period, enjoyed the highest funeral ceremony, was loved by the people, mourned by the army, and was mourned with great honors, which was unprecedented in history. She was not an eternal emperor like the Qin Emperor, Han Wu, Tang Zong and Ming Zu. It was probably the first time in the world that she could receive such courtesy. Even famous generals like Bai Qi and Huo Qubing could not afford the standard of funeral ceremony. Who is she?"
Yin Nu lowered his eyebrows and said: "The master is Anonymous."
Lao Bai exclaimed: "Anonymous?!"
Yin Nu was overjoyed: "Have you heard of it? I thought time had erased everything!"
"No..."
Lao Bai shook his head: "You said it too, Anonymous, she must be an unknown person, who would have heard of it?"
The Yin slave could not bear the humiliation and finally got furious. He roared with red eyes and said that if Lao Bai dared to insult his master again, they would die together and no one would be able to leave!
Even my master coughed lightly, indicating that Lao Bai was a little too much.
Although Wumingshi is nameless, it is already remarkable to dare to call it by the surname.
In the impression of most people, the surname is a title only used by some Chinese ancestors!
"You lead the way..."
My master was silent for a long time, and finally spoke, but his voice was weak: "From this, it seems that your master must have been a great person in his lifetime. She is right, we do need to understand each other. At least, I don't have such strong hostility now."
The Yin slave is narrow-minded and extremely sarcastic, but he is really good to his master. After my master praised him like this, he became much more docile, and tears of blood slowly flowed from his eyes: "You will learn more. It is the injustice of heaven that she has fallen to this point!"
My master raised his chin and let it lead the way. The Yin slave fumbled on the stone tomb door for a while, then pressed the eyes of Tianlu on the door, and the tomb door immediately opened with a rumble.
Behind the door is a deep corridor. When the door opens, many green candles light up inside, illuminating the surroundings. There is another door at the end of the corridor, but it is obvious that no one has ever entered this corridor. It is very well sealed. There are colorful murals on both sides. However, after the tomb door is opened, the pigments on them are oxidizing and turning black at an alarming rate.
Some of the murals in the tomb are literary creations, but more of them record the information of the tomb owner!!
I have a strong curiosity about this owner. I really want to know who he is. He was buried with the highest standards, but he was suppressed here.
This is too weird!!
Taking advantage of the fact that the murals have not been completely destroyed, the patterns on them are clearly visible. I quickly observed them in the corridor.
Undoubtedly, these murals record a war.
In the first mural, I saw a black mass of cavalry sweeping across the sky. The number is countless, and bones are everywhere.
This should be a battle that once broke out in the Central Plains. The painter's painting skills are very high. The river in the painting is yellow, which should refer to the invasion of the Yellow River Basin. The faces of the invaders are also clearly visible, with high noses and deep eyes, standard Aryan facial features!
The second mural is the scene after the invasion, with dead bodies everywhere, and only a few people are still standing.
The previous murals did not set off the tragic and majestic, and most of the time they were no different from history books.
I counted the people on it, more than a hundred dead, and only a few living. The painter used these paintings to tell future generations a data-in the places that were invaded, the living population was only one in a hundred, and the ancestors of China had reached the most dangerous moment.
In the third mural, a woman with a crown and a particularly tall figure raised her arms and shouted, and countless young and middle-aged men rose up, and the people who saw them off were all women and children.
China is not the British Isles, and does not like the queen's set. The woman wearing a crown may be a queen. In addition, there is more information - in order to resist the invasion, almost all adult men went to the battlefield, and even strong women carrying sticks and stones could be seen in the crowd. In other words, the war almost exhausted the population potential, and all those who could still fight went to the front line. The war was so fierce and difficult that the entire nation was almost forced to make the final roar. The Anti-Japanese War was so tragic and difficult that it was far from this level.
The next few murals are all some war scenes.
From the environment, you can see the changes in the battlefield. At first, it was a yellow river, the Yellow River Basin, and finally a black mountain, which should be the current Yinshan Mountain, or even the NMG area. The battlefield spans a great span, and the invaders are constantly retreating.
When it comes to the eleventh mural, the style of the painting suddenly changes. The queen falls down, hit by several arrows, and is unable to fight again. The army suffered heavy casualties. Only a few elite strong men retreated, and there were still many enemies, retreating into the mountains.
In the next mural, the queen lies on a couch, surrounded by people. She sits with a sword in her arms, as if asking who can fight for her. However, the room is full of men, and no one is willing to fight. Only a woman in red steps out and takes the queen's arrow.
The following murals are all about the woman in red.
The woman in red rushed into the mountains with the last elite troops and launched a final desperate charge against the enemy that was a hundred times stronger than her.
She chose the battlefield, poisoned the river, and turned the entire battlefield into a desperate situation. She pretended to retreat and retreated into a large canyon, where she fought a decisive battle with the enemy. Finally, the mountain collapsed and she and the enemy died together.
In the last scene, the rocks rolled down, and only she raised her sword to the sky, uttered the last roar, and her red clothes turned into the sunset in the sky.
"Is this woman in red your master?"
I sighed softly after reading it. After combining a lot of information, I have basically guessed: "It was she who went to war on behalf of Fu Hao after she was injured, and died together with the overwhelming Aryans, preserving the flames of Chinese civilization swaying in the wind..."
As for that war, because it was too long ago, no relevant war process has been passed down.
However, all historians are sure that the Aryans who crushed all the civilizations in the world at that time and plunged the West into darkness and despair... were definitely not easy to deal with. When they came to the East, China must have paid an unimaginable heavy price to withstand them.
These murals are probably the most detailed records of that period of history...
I saw the Aryan ghost soldiers in Luliang Mountain. In connection with these murals, it is possible... that the final battle was here! !
Regarding Fu Hao's injury, I think it is possible, because Fu Hao died very young. The historians generally agree that she died because of many scars left by years of war, which caused her health to deteriorate rapidly. Now it seems that the war played a big role in Fu Hao's death.
In this way, the woman in red is called Anonymous and was buried with ceremony. She deserves it!
Fu Hao was injured, and no one dared to stand up. If she hadn't won the war, we might not have anything to do with it now. Looking at the consequences of India's caste system, we can probably see our fate.
This saved a civilization that had led the world for twenty centuries. The merit is hard to measure!
Yin Nu lowered his head, his eyes dripping blood, and said in a tragic tone: "Don't ask about the way home, I am nameless in this life, I am... Nameless!! In fact, not only my master is Nameless, all the dead are Nameless!"
"Are you also Nameless?"
I looked at him: "You voluntarily became her puppet, were you once her subordinate?"
Yin Nu did not answer my question, hunched over, and tremblingly walked towards the door in front: "You already know who my master is, come with me, she has been waiting for you for a long time..."