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Scooby-Doo, And The Right-wing Vampire
By Thomas Heath
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The collusion, between the right-wing vampire and the library archivist. It was real.
Ā Using the WWE reality, that heels as opposed to babyfaces had the problem of body accentuations meeting the performance, that is correctly, the right-wing vampire would "consort" with his opponent:
Ā While planned, to meet his "end", at the hands of Fred, Daphne, Velma, Shaggy and Scooby-Doo via the reflection notwithstanding, then the glamour movement's ability to shake off the vampire because of the need to interpret the glamour movement at speed, the WWE reference was the least the right-wing vampire could do.
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Ā At any rate, mutual hatred being the truth, the library archivist was sold on the concept, for all its synchronicity, due to the dichotomy of speed references.
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In the end, after the usual Shaggy and Scooby snacks, and Daphne using the snacks to elicit contribution from Scooby, after the usual deductive science from Velma, there would be the usual "And I would have gotten away with it too, had it not been for you kids", spoken by the library archivist.
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Ā The library archivist, would be exposed, by the Mystery Inc. gang as the right-wing vampire.
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Indeed, in the end, after the Mystery Inc. gang were to vacate the premises, the library archivist and the right-wing vampire would acknowledge their mutual accomplishment to one another.
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People. They have the ability, and the freedom to choose atoms, outer space, gravity, sunlight and moonlight over press conferences, federal governments and careers.
Ā Not tangential, if hardly directly causal, that is what the library archivist, user of Scooby-Doo and Mystery Inc., believed in.
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Ā And this is the power, that the right-wing vampire wanted to use against the archivist.
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The ability, to believe in atoms and the cosmos, over jobs and nations was something that the right-wing vampire now wanted to use against the archivist, now that Mystery Inc. and Scooby-Doo had left.
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It isn't easy, having to digest a canvas of data, of information, as and when one is hardly strategically positioned to defend oneself. But, nevertheless, with Daphne now out of the picture, the archivist's position and situation was so.
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Ā The source, of the uneasiness: namely, it was that it was not exactly helpful, to have to be thinking about glamour's universe (the original universe) expecting a self-reference, during the shenanigans involving the Scooby gang.
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Ā Yes. There was the idea, of help. However, the vagueness and mystery surrounding glamour's universe pertaining to the help only meant accentuated difficulty of handling, of awareness of the right-wing vampire's intended power set. Indeed: the choice of atoms and outer space over nations and governments, specifically the physics of the choice.
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The Balcony,
Of
The Haunted Mansion
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The calculations, as to whether or not the glamour reference having supported the withdrawal by the Mystery Inc. meant a victory in favour of the archivist, being unsupportive, and yet ā
Ā Alas!
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Battered, and bruised on the central balcony, of the same haunted mansion that Mystery Inc., had been investigating in, with society observers now down below, the archivist would come to an immediate, unrelated and most random realisation.
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Ā Create commotion, via the observers below, via the awareness by the observers of the following concept: the non-need, to go to the bathroom and toilet, because of commotion being directed at one.
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It just simply occurred, to the archivist. It was his thinking; that if in the past, when he'd been shouted at, in his family home, he'd no longer felt as much need to go to the bathroom (while needing to go), then surely that reality could be now emulated now, down below by the observers.
Ā And, in the process, would perhaps create a commotion aura or a commotion magic to strike at the right-wing vampire.
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Ā AKA ā The special "vanishing" act, "part II"
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The plan worked. The archivist's plan, that is.
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Ā In return, for having defeated, destroyed and killed the right-wing vampire, the archivist would be granted access to a special silver-grey three piece suit, as well as a silver cigar lighter, along with an unlit cigar.
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By defeating the vampire, once and for all, the archivist became
The Man In Grey (and, at long last, was able to ensure that all future ghosts, all future goblins, all future zombies and demons of the supernatural would be free from having to believe in humanity performing more manual labour than necessary)
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