Mu Daxian led Mao Feiyang through the Art Classroom, allowing Lin Yi to closely observe the graphic carvings on the interior walls.
These carvings closely resembled the works of ancient humans who recorded certain events or mythologies, utilizing many symbols beyond the Huaxia system and employing extremely abstract narrative techniques.
The four walls of the Art Classroom were covered with such reliefs, which didn't seem to be the work of a single person, yet they might have portrayed a fundamentally identical story system.
And these carvings, especially in the backdrop of the Central Stage, were highly exaggerated whether they were reliefs or sculptures.
It was as if they depicted a certain battle, but it looked as though the non-human side held an absolute advantage...
It also resembled some ancient pilgrimage ceremony, with countless people armed with weapons or scepters facing some kind of creature enshrouded in mist.
