Tokuyoshi Hiroshi had two studios, a large one for his students and a relatively smaller one for his own use, where he also stored his paintings for sale.
As soon as Kiyomi Liuli entered, she tightened up at the sight of a huge landscape oil painting hanging on the wall right opposite the studio door. The painting was vibrant and daring in color, striving to capture the fleeting changes in light and shadow, depicting a dazzling pastoral tableau with striking visual impact.
But that wasn't the point; she didn't understand oil paintings, nor could she appreciate them. What was important was the large expanse of azure sky in the landscape painting, which, combined with Matsunai Yuto's enigmatic pre-death "pointing to the sky," suddenly increased Tokuyoshi Hiroshi's suspicion as a despicable lecher.
