Cao Manwen, being an archaeologist, naturally understood much about the history of cultural relics.
Once, there were many exquisitely beautiful artifacts in the country, but during the years of turmoil, these treasures ended up overseas. Some were plundered by armies; others were stolen by those so-called protectors of cultural relics—wealthy merchants and researchers—who took them under the guise of protection, to be placed in the museums and display cases of their own countries.
To this day, they still take pride in this.
This filled Cao Manwen with indignation.
Suddenly, he understood the message that Lu Ban's film was trying to convey.
It was a denunciation, through the mouths of these superpowered individuals, of those trying to cheat our country out of its cultural relics!
No wonder the movie was not released abroad!
Cao Manwen might not understand movies, but he understood cultural relics!
Unlike abroad, the artistic expression in our country values subtlety.
