Having control of 30% of the European and American market for distribution rights means that, out of all the games produced in Europe and America every year,
three tenths of them have to go through Hope Flute for proxy distribution.
And under Hope Flute's banner is DFgame, the biggest gaming platform in the entire European and American market.
Which is to say, Hope Flute earns both the distribution and platform money.
In recent years, it even continuously sets up production lines, beginning to produce its own games.
For such a behemoth in the European and American game market,
targeting a mere top player is something that Kate simply couldn't comprehend no matter how hard she tried.
Having worked at Hope Flute for over a decade, now sitting in the position of game director for the third design department, Kate viewed the top player as if they were an insect that could be squashed effortlessly.
Such a small company with this kind of mass...
What could they possibly achieve?
