The story of an album that helps foster a life, a choice to give life over death, is about how life can extend beyond a simple reminder. For Billy, the album contained such an artistic sense that he could see different nuances. Spencer and his practice made the good album glorious; no one could deny it. Josh Robert, who had to take a flight at 2 in the morning and not stop to rest, was moved by the album's musical sense.
-It was almost worth it! If only it didn't separate me again from my precious wife. - Josh Roibert was young for his profession, learning production from his father Graham Roibert. He studied in a musician's workshop but wasn't born with the musical talent he desired.
He adjusted his thick, abundant hair, always neatly in place.
-How good is Young Billy's album? - Ahmet asked one night before the concert, almost in the late afternoon. Josh came to give Ahmet a taste of the young man's new piece.
-Well, we have another hit, but different. It's better to discuss with our materials. This album proposes an idea that may seem abusive to some and touches on topics that can't be said aloud, against some politicians. But the traditional sector will support Billy if he plays his cards right, - commented Josh Roibert, sensing the political impact the record label could give this. With Billy's character, it could be explosive.
-We'll gain many sponsors. Those old folks support pro-life politics, especially those segregated to a particular religion, - Ahmet remarked.
-I don't think you should think more about it. Let's listen to the album, which consists of nine songs and one single. The single is pure gold, another Grammy, but the album, in essence, is for people's worship. It's detailed as if Billy used a brush for this. In terms of raw songs, it doesn't even come close. I've heard and produced the best rock songs of recent years, and they've all been Billy's songs. But this time, he manages to move me throughout the entire album, - commented Josh Robert, weighing his words. - In previous albums, each of the kid's songs is like a bomb. The kid gathers eleven bombs and throws them. People listen to them and go crazy. Each song plays with a single concept. The first album is about seclusion, adolescence, and rebellion... The second is stronger, about loneliness, loss, and regret. -
-So, each production, in your view, is a concept narrated in different ways, - Ahmet remarked.
-Yes, that can be called... this fourth one is a complete story! The sense has everything to do with it, and even the single played at the end of the beginning explains that life is tough, but people live it to feel ready the next day. It's almost like a metaphor of 'don't give up,' - said Josh Robert.
-I think you should go for an interview. How about CNN tomorrow? - Ahmet asked.
-I suppose they'll pay me, - Josh replied.
-Like never before, as long as you provide complexity. Try to offer those interesting producer insights, Billy's state of mind, and his composing style. If you can bring evidence, even better, - Ahmet suggested.
-I have a recorder from this album and some laughter about the prologue and epilogue. I think if I deliver it early with a good edit, it can provide a better analysis of the composition process, - Josh responded, banging his hands on the table.
He played the CD on the old, black-colored equipment that even accepted cassettes, with a turntable on the side.
-A quick piano prologue, - he said.
The next song was "We're So Far Away" by Mae.
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Remembering, everything,
About my world and when you came.
Wondering, about the change you'd bring,
Means nothing else would be the same.
Did you know, what you were doing, did you know?
Did you know how you would move me well,
I don't think so.
But the night came down and swept us away.
And the stars they seemed,
To paint the most elaborate scene today.
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Smooth, with a piano as the base instrument, along with some acoustic guitar notes and light drum drops, above a rock background, it seemed like a soft pop. Perhaps a ballad, reminiscent of the 70s due to the smoothness of the instruments; the voice was the main factor, an angelic and good voice.
🎶🎶🎵 🎶🎶🎵
How could we know, that so this show,
We learned so much about ourselves.
From California, to New York,
The words were scribed on every page,
And now there are books up on our shelves.
Did you know; how you would move us, did you know.
When the lights, first came upon us,
And we saw the everglow.
And the moments magic swept us away.
And the young man's dream, was almost seen as plain.
🎶🎶🎵 🎶🎶🎵
Ahmet listened to the first part of the song and showed a sign of appreciation. It was different; the rock side was lost, and he didn't quite understand how Billy would fit an album like that into his festival style.
-I thought the same. It's an album that makes you think, and with the right songs at the beginning and end, people can clarify what they're looking for, - commented Josh Robert. It lasted less than an hour; he could play the nine songs. Billy would use the time to connect with others.
This would be proven at the Las Vegas concert—a polished song with the power to attract emotions; people would sit down for a drink. The smooth rhythm was almost poetic.
🎶🎶🎵 🎶🎶🎵
When was the night,
That showed us the sign.
Revealed in the sky, to leave all behind.
But where to begin? Throw the caution, to the wind.
We'll reach for the stars, everything is now ours.
Did you know, how you would move me, did you know.
Did you know how you would move me well,
I don't even think so.
But the moments magic swept us away.
And it's so close, but we're so far away.
It's so close, but we're so far away.
🎶🎶🎵 🎶🎶🎵
But that wasn't all; the songs had the same moral impact that Billy had captured—they were well-narrated love speeches that warmed the spirit. Each note gained a new emotion; each song played... it was only possible with Billy's smooth voice.
The next song, "Someone Else's Arms," had a drumbeat, a faster-moving guitar, almost running faster, with basic chords as the sublime point, to continue with fast songs but played in a discovery style.
-You can see that the second and third songs are rock, but they're accompanied by lyrics. It's a new Billy, trying new things, and that's only good for a record label. The success of commercial bands is to try, just as many bands try different ways to find music; composing different styles is a marvel, - commented Josh Robert.
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